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Art --- Beardsley, Aubrey --- Japan --- Illustration of books --- Grotesque in art. --- Illustration des livres --- Grotesque dans l'art --- Japanese influences --- Japanese influences. --- Influence japonaise --- Beardsley, Aubrey, --- Criticism and interpretation. --- Illustration of books, Victorian --- Japonism.
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Aestheticism (Literature) --- Biseksualiteit in de literatuur --- Bisexuality in literature --- Bisexualité dans la littérature --- Estheticisme (Literatuur) --- Esthéticisme (Littérature) --- Gender identity in literature --- Geslachtsidentiteit in de literatuur --- Identité sexuelle dans la littérature --- Intertextualiteit --- Intertextuality --- Intertextualité --- Orientation sexuelle dans la littérature --- Sekse (Psychologie) in de literatuur --- Seksuele gerichtheid in de literatuur --- Sex (Psychology) in literature --- Sexe (Psychologie) dans la littérature --- Sexual orientation in literature --- Sex (Psychology) in literature. --- Art et littérature --- Sexualité (Psychologie) dans la littérature --- Sexual orientation in literature. --- Gender identity in literature. --- Bisexuality in literature. --- Illustrations. --- -Bisexuality in literature --- -Gender identity in literature --- -Intertextuality --- -Illustration of books, Victorian --- -Aesthetic movement (Art) --- -Aesthetic movement (British art) --- Movement, Aesthetic --- Victorian illustration of books --- Literature and art --- Aestheticism (Literature). --- Décadentisme --- Identité sexuelle dans la littérature --- Sexualité (Psychologie) dans la littérature --- Intertextualité --- Art and literature --- Decadence (Literary movement) --- -English literature --- Illustrated books --- English literature --- -Illustration of books --- Book illustration --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- History --- -Illustrations --- -History and criticism --- Book history --- anno 1800-1899 --- Aesthetic movement (Art) --- Illustration of books, Victorian --- Illustration of books --- Criticism --- Semiotics --- Influence (Literary, artistic, etc.) --- Literary movements --- Literature, Modern --- Books --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Aesthetic movement (British art) --- Aesthetics --- Art --- History and criticism --- Illustrations --- Intertextuality. --- History and criticism. --- Littérature anglaise --- Art et littérature --- Illustration des livres --- Histoire et critique --- Histoire --- 19th century --- Great Britain --- Illustration of books [Victorian ] --- Wilde, Oscar --- 655.533 --- 76:655.5 --- 76:655.5 Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties) --- Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties) --- 655.533 Boekillustratie --- 655.533 Book illustrations. Pictorial matter in books --- Boekillustratie --- Book illustrations. Pictorial matter in books --- Beardsley, Aubrey --- English literature - 19th century - History and criticism. --- Art and literature - Great Britain - History - 19th century. --- Illustrated books - Great Britain - History - 19th century. --- Illustration of books - Great Britain - 19th century. --- English literature - 19th century - Illustrations. --- Illustration of books, Victorian - Great Britain. --- Decadence (Literary movement) - Great Britain. --- Aesthetic movement (Art) - Great Britain.
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Although The Origin of Species contained just a single visual illustration, Charles Darwin's other books, from his monograph on barnacles in the early 1850s to his volume on earthworms in 1881, were copiously illustrated by well-known artists and engravers. Jonathan Smith explains how Darwin managed to illustrate the unillustratable - his theories of natural selection - by manipulating and modifying the visual conventions of natural history, using images to support the claims made in his texts. Moreover, Smith looks outward to analyse the relationships between Darwin's illustrations and Victorian visual culture, especially the late-Victorian debates about aesthetics, and shows how Darwin's evolutionary explanation of beauty, based on his observations of colour and the visual in nature, were a direct challenge to the aesthetics of John Ruskin. The many illustrations reproduced here enhance this fascinating study of a little known aspect of Darwin's lasting influence on literature, art and culture.
History of civilization --- Darwin, Charles --- 575.8 --- 76 <41> "18" --- 76.042 --- 76.043 --- Evolution. Origin of species. Phylogeny --- Grafische kunsten. Grafiek. Prentkunst--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--19e eeuw. Periode 1800-1899 --- Iconografie: dieren; fabeldieren in de prentkunst --- Iconografie: flora in de prentkunst --- Illustration of books, Victorian --- Modernism (Aesthetics) --- Natural history illustration --- Scientific illustration --- Illustration. --- Books, Illustrated --- Science --- Beeldende kunsten. --- Illustraties. --- Natuur. --- Art --- Esthetics --- History, 19th Century --- History --- history --- Darwin, Charles, --- Influence. --- 76.043 Iconografie: flora in de prentkunst --- 76.042 Iconografie: dieren; fabeldieren in de prentkunst --- 76 <41> "18" Grafische kunsten. Grafiek. Prentkunst--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--19e eeuw. Periode 1800-1899 --- 575.8 Evolution. Origin of species. Phylogeny
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