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Automatic woman: the representation of woman in surrealism
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ISBN: 080321474X 9780803214743 Year: 1997 Publisher: Lincoln [etc.] University of Nebraska Press

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Contemporary feminist critics have often described Surrealism as a misogynist movement. In 'Automatic Woman', Katharine Conley addresses this issue, confirming some feminist allegations while qualifying and overturning others. Through insightful analyses of works by a range of writers and artists, Conley develops a complex view of Surrealist portrayals of Woman. Conley begins with a discussion of the composite image of Woman developed by such early male Surrealists as Andre; Breton, Francis Picabia, and Paul Eluard. She labels that image & Automatic Woman& & a term that comprises views of Woman as provocative and revolutionary but also as a depersonalized object largely devoid of individuality and volition. This analysis largely confirms feminist critiques of Surrealism. The heart of the book, however, examines the writings of Leonora Carrington and Unica Zrn, two women in the Surrealist movement whose works, Conley argues, anticipate much contemporary feminist art and theory. In concluding, Conley shows how Breton's own views on women evolved in the course of his long career, arriving at last at a position far more congenial to contemporary feminists. 'Automatic Woman' is distinguished by Katharine Conley's judicious understanding of how women& and the image of Woman& figured in Surrealism. The book is an important contemporary account of a cultural movement that continues to fascinate, influence, and provoke us.


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Ovid's Metamorphoses: an introduction to the basic aspects
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ISBN: 0520028481 Year: 1975 Publisher: Berkeley, Calif. University of California Press

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Signs of Cleopatra : reading an icon historically
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ISBN: 9780859898096 9780859898263 Year: 2008 Publisher: Exeter, UK : University of Exeter Press,

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Cleopatra's story has the status of a foundation myth. As such, artists of all periods have drawn on it in order to raise questions concerned with the world in which they found themselves living. This study chooses a number of key occasions from European history on which writers and painters re-imagined Cleopatra, taking the reader on an intellectual treasure hunt through the ages. In addition, by restoring these works to their original context the author opens up unexpected new readings of images and texts that had previously appeared to be self-explanatory.


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Cupid in early modern literature and culture
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ISBN: 9780521767613 9780511779695 9781107654822 9780511902215 0511902212 052176761X 9780511799068 0511799063 0511850727 1107209110 1282770713 9786612770715 0511901429 0511797664 0511779690 0511900635 1107654823 9781282770713 Year: 2010 Publisher: Cambridge : Cambridge University Press,

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Cupid became a popular figure in the literary and visual culture of post-Reformation England. He served to articulate and debate the new Protestant theory of desire, inspiring a dark version of love tragedy in which Cupid kills. But he was also implicated in other controversies, as the object of idolatrous, Catholic worship and as an adversary to female rule: Elizabeth I's encounters with Cupid were a crucial feature of her image-construction and changed subtly throughout her reign. Covering a wide variety of material such as paintings, emblems and jewellery, but focusing mainly on poetry and drama, including works by Sidney, Shakespeare, Marlowe and Spenser, Kingsley-Smith illuminates the Protestant struggle to categorise and control desire and the ways in which Cupid disrupted this process. An original perspective on early modern desire, the book will appeal to anyone interested in the literature, drama, gender politics and art history of the English Renaissance.

The Shape of Fear : Horror and the Fin de Siècle Culture of Decadence
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ISBN: 0813120136 9780813120133 Year: 1998 Publisher: Lexington University Press of Kentucky


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Medieval and Renaissance lactations : images, rhetorics, practices
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ISBN: 9781409448600 9781409448617 9781409469889 9781315594743 9781317098096 9781317098102 1409448606 9781032242965 1032242965 Year: 2013 Volume: *29 Publisher: Farnham, Surrey ; Burlington, Vermont : Ashgate,

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The premise of this volume is that the ubiquity of lactation imagery in early modern visual culture and the discourse on breastfeeding in humanist, religious, medical, and literary writings is a distinct cultural phenomenon that deserves systematic study. Chapters by art historians, social and legal historians, historians of science, and literary scholars explore some of the ambiguities and contradictions surrounding the issue, and point to the need for further study, in particular in the realm of lactation imagery in the visual arts. This volume builds on existing scholarship on representations of the breast, the iconography of the Madonna Lactans, allegories of abundance, nature, and charity, women mystics' food-centered practices of devotion, the ubiquitous practice of wet-nursing, and medical theories of conception. It is informed by studies on queer kinship in early modern Europe, notions of sacred eroticism in pre-tridentine Catholicism, feminist investigations of breastfeeding as a sexual practice, and by anthropological and historical scholarship on milk exchange and ritual kinship in ancient Mediterranean and medieval Islamic societies. Proposing a variety of different methods and analytical frameworks within which to consider instances of lactation imagery, breastfeeding practices, and their textual references, this volume also offers tools to support further research on the topic.

Balzac illusionniste: les arts dans l'oeuvre de l'écrivain
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ISBN: 2876602504 9782876602502 Year: 1999 Publisher: Paris Adam Biro

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Back to nature: the green and the real in the late renaissance
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ISBN: 0812239059 9780812239058 Year: 2006 Publisher: Philadelphia, Penn. University of Pennsylvania Press

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