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Arts, German --- Arts and society --- History --- Germany --- Intellectual life
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Arts, Hungarian --- Hungary --- History --- Intellectual life --- Arts, Hungarian - 20th century --- Hungary - History - Revolution, 1918-1919 --- Hungary - Intellectual life - 20th century --- ACTION DIRECTE --- HONGRIE --- HISTOIRE --- 20E SIECLE
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Russia --- Soviet Union --- Russie --- URSS --- Civilization --- Civilization. --- Intellectual life --- Civilisation --- Vie intellectuelle
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Art --- anno 1910-1919 --- anno 1930-1939 --- anno 1920-1929 --- Berlin --- Arts --- -Arts, German --- -German arts --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Berlin (Germany) --- -Berlin (Germany) --- -Biography --- History --- -Intellectual life --- Arts, German --- Biography. --- Intellectual life --- Arts, Primitive
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In the early 20th century, Paris attracted artists from around the globe. The city offers them freedom and opportunities. Chagall, Picasso and Mondrian embarked on their careers in Paris. But their fame overshadows the fact that although all three were from different backgrounds, Chagall, Picasso and Mondrian were migrants. And, despite their success, often faced hardships because they were not French nationals. This publication also sheds light on artists who garnered less fame during their sojourn in the French capital. Like Joaquín Torres-García, who traveled form Uruguay to Europe, founded an artists? group and journal in Paris, and eventually returned to Uruguay. There, he promoted the development of Latin-American art. Or Nicolaas Warb, whose name was actually Fine Warburg, to be taken seriously by French critics, assumed a less German-sounding male pseudonym.
Art --- Art, European --- Paris (France) --- Intellectual life --- History --- Painting --- easel paintings [paintings by form] --- Picasso, Pablo --- Mondriaan, Piet --- Chagall, Marc --- Paris --- Art - France - Paris - Exhibitions --- Art, European - 20th century - Exhibitions --- Paris (France) - Intellectual life - History - 20th century - Exhibitions
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Painting --- anno 1900-1999 --- United States --- Civilization --- 20th century --- Intellectual life --- Artists --- Painters --- Social conditions --- United States of America
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In the late 17th century, knowledge of the world and the world of science began to be provided through periodical media. The earliest and most successful representative of of these popular knowledge periodicals was the polymath Eberhard Werner Happel's "Grössten Denkwürdigkeiten der Welt oder so genannte Relationes Curiosae" [Greatest memoirs of the world, or so-called Relationes Curiosae] (1681-1691). Starting from the basic analogy of material and textual forms of collection in the Baroque, the author shows that the contemporary dominance of the Kunstkammer [Cabinet of curiosity] models rubbed off on the discourse of new media and also greatly influenced Happel's Hamburger Wochenblatt. This volume also opens up an expanded understanding of the formative time of science periodicals in the early modern period.
Science --- anno 1600-1699 --- Periodicals --- German periodicals --- Communication --- Publishing --- History --- Happel, Eberhard Werner, --- Relationes curiosae. --- Europe --- Intellectual life
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Witsen, Willem A. --- Fotografie --- Photographie --- Witsen, Willem Arnold --- Artists --- Arts, Dutch --- Biography --- Witsen, Willem --- Friends and associates --- Amsterdam (Netherlands) --- Intellectual life --- -Arts, Dutch --- -Dutch arts --- Persons --- -Friends and associates --- -Amsterdam (Netherlands) --- -Intellectual life --- -Biography --- Dutch arts --- Witsen, Willem, --- Friends and associates. --- Amesterdão (Netherlands) --- Amstelodamum (Netherlands) --- Amstelaedamum (Netherlands) --- Amstelredamum (Netherlands) --- Amsterodamum (Netherlands) --- Amstelrodamum (Netherlands) --- Biography. --- Intellectual life. --- Witsen, Willem Arnoldus, --- Artists - Netherlands - Amsterdam - Biography --- Arts, Dutch - Netherlands - Amsterdam - 19th century --- Witsen, Willem - Friends and associates --- Amsterdam (Netherlands) - Biography --- Amsterdam (Netherlands) - Intellectual life
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France --- History --- Periodicals. --- Intellectual life --- Politics and government --- Histoire --- Périodiques --- Vie intellectuelle --- Politique et gouvernement --- Politics
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Die Niederlande und Frankreich, Nachbarn mit gemeinsamen genealogischen, politischen und kulturellen Wurzeln in Burgund, entwickelten sich Anfang des 16. Jahrhunderts zu politisch konkurrierenden Mächten. Trotz politisch und religionspolitisch schwierigen Zeiten wurden sowohl in den Metropolen wie Antwerpen und Paris als auch in den Provinzen rege Kontakte gepflegt; Luxusgüter, Bücher, Gemälde und Graphiken ausgetauscht. Dieser Austausch von Ideen, Literatur und Kulturgütern war dabei geprägt von Zusammenarbeit, Bewunderung, und Rivalität. Die Autorinnen und Autoren dieses Bandes stellen Fragen zum kulturellen Austausch, zu den Vernetzungen und den Differenzen in Kunst und Kultur zwischen den Niederlanden und Frankreich im 16. Jahrhundert. -- Les Pays-Bas et la France, deux pays proches ayant des racines familiales, politiques et culturelles communes en Bourgogne, sont devenus des puissances politiquement concurrentes au début du XVIe siècle. En dépit de périodes politiquement et religieusement difficiles, des échanges dynamiques ont été maintenus tant dans les métropoles comme Anvers et Paris que dans les provinces ; des produits de luxe, des livres, des peintures et des oeuvres graphiques ont été échangés. Cet échange d'idées, de littérature et de biens culturels était caractérisé par la coopération, l'admiration et la rivalité. Les auteurs de ce volume posent des questions sur les échanges culturels, les interconnexions et les différences dans l'art et la culture entre les Pays-Bas et la France au XVIe siècle.
Art --- fine arts [discipline] --- anno 1500-1599 --- France --- Netherlands --- Relations --- Vie intellectuelle --- Vie artistique --- Intellectual life --- Culture
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