Listing 1 - 10 of 10 |
Sort by
|
Choose an application
The conversation parties of the bluestockings, held to debate contemporary ideas in eighteenth-century Britain, were vital in encouraging female artistic achievement. The bluestockings promoted links between learning and virtue in the public imagination, inventing a new kind of informal sociability that combined the life of the senses with that of the mind. This collection of essays, by leading scholars in the fields of literature, history and art history, provides an interdisciplinary treatment of bluestocking culture in eighteenth-century Britain. It is the first academic volume to concentrate on the rich visual and material culture that surrounded and supported the bluestocking project, from formal portraits and sculptures to commercially reproduced prints. By the early twentieth century, the term 'bluestocking' came to signify a dull and dowdy intellectual woman, but the original bluestockings inhabited a world in which brilliance was valued at every level and women were encouraged to shine and even dazzle.
Sociology of the family. Sociology of sexuality --- English literature --- anno 1700-1799 --- anno 1800-1899 --- Great Britain --- Women intellectuals --- Literary patrons --- Intellectuals --- Women authors --- History and criticism.
Choose an application
Bevat de volledige tekst in het Engels en het Nederlands van de J. Huizingalezing die op 9 december 1977 door Chomsky te Leiden werd uitgesproken
Science policy --- Intellectuals --- State, The --- #ACA --- etat --- culture --- eua --- maatschappijkritiek --- media --- sociale klassen --- Administration --- Commonwealth, The --- Sovereignty --- Political science --- Intelligentsia --- Persons --- Social classes --- Specialists --- staat --- cultuur --- vsa --- 304 --- 384 --- 323.3 --- Intellectuals. --- State, The. --- Verenigde Staten.
Choose an application
"Antiquarian, lawyer, and cat lover Nicolas Fabri de Peiresc (1580-1637), was a 'prince' of the Republic of Letters and the most gifted French intellectual in the generation between Montaigne and Descartes. From Peiresc's study in Aix-en-Provence, his insatiable curiosity poured forth in thousands of letters that traveled the Mediterranean, seeking knowledge of matters mundane and exotic--travel times and insurance premiums, rare manuscripts and objects from the Orient. Mining the remarkable 70,000-page archive of this Provençal humanist and polymath, Peter N. Miller recovers a lost Mediterranean world of the early seventeenth century that was dominated by the sea: the ceaseless activity of merchants, customs officials, and ships' captains at the center of Europe's sprawling maritime networks. Peiresc's Mediterranean World reconstructs the web of connections that linked the bustling port city of Marseille to destinations throughout the Western Mediterranean, North Africa, the Levant, and beyond. As Miller also makes clear, Peiresc's mastery of practical details and his collaboration with local traders and fixers as well as scholars, sheds new light on the structure of knowledge-making in the age of Bacon, Galileo, and Rubens. Miller shows that Peiresc's pursuit of Oriental studies, for example, depended crucially on his abilities as a man of action. Exploring the historian's craft today against the backdrop of Peiresc's diverse research activities, Peiresc's Mediterranean World suggests new possibilities for scholarship on the past, but also for the relationship between the writing of history and its readers"--Provided by publisher
History of civilization --- Peiresc, de, Nicolas-Claude Fabri --- anno 1600-1699 --- Mediterranean countries --- Intellectuals --- Humanists --- Peiresc, Nicolas Claude Fabri de, --- Mediterranean Region --- Marseille (France) --- France --- History --- History, Naval --- Commerce --- Relations --- Intellectual life --- Intellectuals - France - Archives --- Humanists - France - Archives --- Peiresc, Nicolas Claude Fabri de, - 1580-1637 - Archives --- Mediterranean Region - History - 17th century - Sources --- Mediterranean Region - History, Naval - 17th century - Sources --- Mediterranean Region - Commerce - History - 17th century - Sources --- Marseille (France) - Relations - Mediterranean Region - Sources --- Mediterranean Region - Relations - France - Marseille - Sources --- France - Intellectual life - 17th century - Sources --- cultuurgeschiedenis --- Peiresc, Nicolas Claude Fabri de, - 1580-1637
Choose an application
Une génération après que la Révolution eut supprimé les privilèges aristocratiques, une nouvelle élite apparut dans la société française : les " artistes ", dont le prestige était devenu tel qu'il leur permettait de s'égaler aux plus grands, malgré l'absence de naissance, de fortune, de pouvoir. En même temps s'imposait l'idée qu'ils formaient une seule catégorie mêlant, tous genres confondus, écrivains, peintres, sculpteurs, musiciens. Et l'identité collective (le cette catégorie inédite se définissait, avec la " bohème " , par l'excentricité du hors normes une élite en marge, donc. Cette situation paradoxale s'explique en partie par le statut institutionnel, économique, démographique, juridique, sémantique des activités artistiques, que reconstitue minutieusement Nathalie Heinich. Mais elle tient aussi à des facteurs de plus longue durée : les valeurs de sens commun, que révèle l'exploration des romans, des témoignages, des journaux, des correspondances. Car on ne comprendrait pas que cet étrange phénomène ait pu perdurer, s'imposant aujourd'hui plus que jamais, sans prendre en compte ces valeurs fondamentales que sont l'aspiration à l'égalité et la reconnaissance de l'excellence, la préséance du mérite et le droit au privilège. La singularité artiste offrirait-elle à notre société contemporaine, écartelée entre aristocratisme, égalitarisme et méritocratie, une solution de compromis à un élitisme acceptable par la démocratie ?
History of civilization --- Sociology of culture --- anno 1800-1999 --- France --- Intellectuals --- Artists --- Elite (Social sciences) --- Intellectuels --- Artistes --- Elite (Sciences sociales) --- Social conditions --- Conditions sociales --- Artiste --- Artiste et société --- Sociologie de l'art --- Élite (sciences sociales) --- Art --- Aspect social --- Politique publique --- Social identity - Artists - Cultural sociology - 19th-20th centuries. --- Intellectuals. --- Social conditions. --- 700.4552 --- Arts Sociology and anthropology --- Elite (Social sciences). --- Intelligentsia --- Persons --- Social classes --- Specialists --- Elites (Social sciences) --- Leadership --- Power (Social sciences) --- Social groups --- Socioeconomic status --- Sociologie de l'art. --- Aspect social. --- Artists - Social conditions
Choose an application
Femme (Théologie chrétienne) dans la littérature --- Femmes dans la littérature --- Femmes dans la poésie --- Femmes dans le théâtre --- Vrouw (Christelijke theologie) in de literatuur --- Vrouwen in de literatuur --- Vrouwen in de poëzie --- Vrouwen in het toneel --- Woman (Christian theology) in literature --- Women in drama --- Women in literature --- Women in poetry --- Women intellectuals --- History --- France --- Intellectual life --- Social life and customs --- Intellectuelles --- Histoire --- Vie intellectuelle --- Moeurs et coutumes --- History of civilization --- anno 1600-1699 --- Women intellectuals - France - History - 17th century --- Salons littéraires --- 17e siècle --- vrouwengeschiedenis
Choose an application
Theatrical science
---
Halévy, Fromental
---
Halévy, Élie
---
Halévy, Léon
---
Halévy, Ludovic
---
anno 1700-1799
---
anno 1800-1999
---
Intellectuals
---
Historians
---
Jews
---
Arts, French.
---
Intellectuels
---
Historiens
---
Juifs
---
Arts français
---
Biography.
---
Biographies
---
Biographie
---
Halévy family
---
France
---
Intellectual life.
---
Vie intellectuelle
---
#BIBC:ruil
Choose an application
In de negentiende eeuw beoefenden in Nederland 1100 vrouwen de beeldende kunst. De meeste van deze vrouwen zijn na hun dood vergeten. Het beeld is ontstaan dat de kunstwereld tamelijk ongunstig tegenover vrouwen stond en dat de kunstbeoefening vooral als vrijetijdsbesteding voor welgestelde dames werd aangemoedigd. Een professionele carrière was slechts voor een enkeling weggelegd. Dit boek brengt hierin verandering en besteedt voor het eerst uitvoerig aandacht aan de positie van kunstenaressen in de negentiende eeuw en de ontwikkeling daarvan. Exhibition: Museum Paleis Het Loo, Apeldoorn, The Netherlands (18.2.-27.5.2012) / De Mesdag Collectie, Den Haag, The Netherlands (30.5.-28.8.2012).
Painting --- Sociology of the family. Sociology of sexuality --- anno 1910-1919 --- anno 1900-1909 --- anno 1800-1899 --- Art --- Art, Dutch --- Women artists --- Study and teaching --- History --- anno 1900-1999 --- Netherlands --- vrouwelijke kunstenaars. --- kunsteducatie. --- kunstkritiek. --- tentoonstellingen. --- kunsthandel. --- 1808 - 1913. --- 19de eeuw. --- 20ste eeuw. --- Nederland. --- Artists --- Art education --- Participation --- Intellectuals --- Book --- vrouwelijke kunstenaars --- kunsteducatie --- kunstkritiek --- tentoonstellingen --- kunsthandel --- 1808 - 1913 --- 19de eeuw --- 20ste eeuw --- Nederland
Choose an application
Sociology of the family. Sociology of sexuality --- Jewish religion --- Art --- anno 1800-1899 --- Europe --- Stein, Gertrude --- Viertel, Salka --- Leverson, Ada --- Stettheimer, Florine --- Mendelssohn, Fanny --- anno 1700-1799 --- anno 1900-1999 --- Varnhagen von Ense, Rahel --- Herz, Henriette --- Zuckerandl, Berta --- Kuliscioff, Anna --- Beer, Amalie --- Jewish women --- Europe [Western ] --- Intellectual life --- Exhibitions --- Germany --- Berlin (Germany) --- Salons --- History --- 19th century --- Upper class --- Helévy, Geneviève --- Sarfatti, Margherita --- International --- Judaism --- Literature --- Music --- Politics --- Intellectuals --- Book --- Cultural movements
Choose an application
women [female humans] --- History of Belgium and Luxembourg --- Donas, Marthe --- Nahon, Alice --- Bourignon, Antoinette --- Teichmann, Constance --- Diest, Van, Isala --- Bovy, Vina --- David-Neel, Alexandra --- Ackere-Doolaeghe, van, Maria --- Michielsens, Lucienne --- Théroigne de Méricourt, Anne J. --- Rosseels, Maria --- Petit, Gabrielle --- Moszkiewiez, Hélène --- Loveling, Rosalie --- Zimetbaum, Mala --- Popp, Caroline --- Hecke, van, Norine --- Courtmans-Berchmans, Johanna Desideria --- Jongh, de, Andrée --- Beatrijs van Nazareth --- Claeys, Emilie --- Belpaire, Marie-Elisabeth --- Blume, Isabelle --- Pollet, Evelyne --- Folville, Eugénie-Emilie Juliette --- Dutrieu, Hélène --- Bijns, Anna --- Lalaing, de, Christine --- Parys, Van, Germaine --- Gertrudis in Brabantia --- Jeuris, Maria Paulina --- Baes, Rachel --- Loveling, Virginie --- Hadewijch --- Gheude de Contreras, Berthe --- Akarova --- Boch, Anna --- Nys, Maria --- Migeon, Madeleine --- anno 1800-1999 --- Théroigne de Méricourt, Anne-Josèphe --- vrouwengeschiedenis --- History --- Art --- Literature --- Reference work --- War --- Politicians --- Religion --- Intellectuals --- Book --- Women's rights
Choose an application
"Erudite Eyes" explores the network of the Antwerp cartographer Abraham Ortelius (1527-1598), a veritable trading zone of art and erudition. Populated by such luminaries as Pieter Bruegel, Joris Hoefnagel, Justus Lipsius and Benedictus Arias Montanus, among others, this vibrant antiquarian culture yielded new knowledge about local antiquities and distant civilizations, and offered a framework for articulating art and artistic practice. These fruitful exchanges, undertaken in a spirit of friendship and collaboration, are all the more astonishing when seen against the backdrop of the ongoing wars. Based on a close reading of early modern letters, alba amicorum, printed books, manuscripts and artworks, this book situates Netherlandish art and culture between Bruegel and Rubens in a European perspective.
76 <493> "15" --- 929 ORTELIUS, ABRAHAM --- 091:082.2 --- 930.85 "15/17" --- 930.85 "15/17" Cultuurgeschiedenis. Kultuurgeschiedenis--Moderne Tijd --- Cultuurgeschiedenis. Kultuurgeschiedenis--Moderne Tijd --- 929 ORTELIUS, ABRAHAM Biografie. Genealogie. Heraldiek--ORTELIUS, ABRAHAM --- Biografie. Genealogie. Heraldiek--ORTELIUS, ABRAHAM --- 76 <493> "15" Grafische kunsten. Grafiek. Prentkunst--België--16e eeuw. Periode 1500-1599 --- Grafische kunsten. Grafiek. Prentkunst--België--16e eeuw. Periode 1500-1599 --- Alba amicorum--(handschriften) - Voor libri amicorum over handschriften, zie {091 <082>} --- Renaissance --- humanists [people] --- intellectuals --- History of civilization --- artists [visual artists] --- Ortelius, Abraham --- 091:082.2 Alba amicorum--(handschriften) - Voor libri amicorum over handschriften, zie {091 <082>} --- Artists --- Humanists --- Merchants --- Social networks --- History --- Ortelius, Abraham, --- Friends and associates. --- Benelux countries --- Intellectual life --- Artistes --- Commerçants --- Humanistes --- Réseaux sociaux --- Benelux --- Vie intellectuelle --- Art dealers --- Flanders --- Friends and associates --- 912 <09> --- 929 --- 929 Biography. Genealogy. Heraldry --- Biography. Genealogy. Heraldry --- 929 Biografie. Genealogie. Heraldiek --- Biografie. Genealogie. Heraldiek --- 912 <09> Cartografie. Kaarten. Plattegronden. Atlassen--Geschiedenis van ... --- 912 <09> Cartography. Maps. Atlasses--Geschiedenis van ... --- Cartografie. Kaarten. Plattegronden. Atlassen--Geschiedenis van ... --- Cartography. Maps. Atlasses--Geschiedenis van ... --- Cartografie. Kaarten. Plattegronden. Atlassen--Geschiedenis van .. --- Cartografie. Kaarten. Plattegronden. Atlassen--Geschiedenis van . --- Cartografie. Kaarten. Plattegronden. Atlassen--Geschiedenis van --- artistic relations --- Ortelius, Abraham, - 1527-1598 --- Commerçants --- Réseaux sociaux
Listing 1 - 10 of 10 |
Sort by
|