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Retrace l'histoire de l'école d'Arras, dont l'impulsion fut donnée par le peintre et imprimeur arrageois Constant Dutilleux en commandant en 1847 un tableau à Corot. Pendant plus de vingt ans, celui-ci séjourne régulièrement à Arras, créant une véritable émulation parmi les artistes de la région qui suivent notamment le mouvement de la peinture de plein air.
Painting --- Corot, Camille --- anno 1800-1899 --- France: North --- Painting, French --- Plein air painting --- Painters --- Peinture française --- Peinture de plein air --- Peintres --- Social networks --- Biography --- Réseaux sociaux --- Biographies --- Peinture française --- Réseaux sociaux --- Corot, Jean-Baptiste-Camille,
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In 1909, renowned artist Pablo Picasso (1881-1973) embarked on a series of stylistic experiments that had a dramatic effect on modern art. This book examines the ways in which Picasso's art of 1909 intertwines and engages with the larger intellectual framework of his time and sheds light on how the writings of Gertrude Stein, the philosophy of Henri Bergson, the theories of Albert Einstein, and even American comic strips played a role in the development of Picasso's unique artistic style. With an insightful, interdisciplinary approach that focuses on how European society was grappling with the larger issues of how to conceptualize, write about, and visualize a rapidly modernizing culture, Painting 1909 presents a methodical exploration of Picasso's stylistic choices and proposes new reasons for the development of radical modernist art that led to Cubism and, eventually, absolute abstraction.
Picasso, Pablo, --- Criticism and interpretation. --- Painters --- Cubism --- Intellectual life --- Peintres --- Cubisme --- Vie intellectuelle --- Social networks --- Réseaux sociaux --- art criticism --- Painting --- Aesthetics of art --- painting [image-making] --- Picasso, Pablo --- Bergson, Henri --- Stein, Gertrude --- Einstein, Albert --- anno 1900-1909 --- Réseaux sociaux
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"Man Ray (1890-1976) was a pioneer of the Dada movement in the United States and France and a central protagonist of Surrealism. Today he is one of the best-known American artists of the twentieth century, celebrated above all for his innovative and often seductively glamorous photography. Surprisingly, given Man Ray's key role in the history of early-twentieth-century Modernism, a comprehensive collection of his writings on art has not been published in English until now. Man Ray: Writings on Art fills a conspicuous gap in scholarship on the artist and his period. It brings together his most significant writings, many of them published here for the first time. These occasionally quixotic texts, which include artist books, essays, interviews, letters, and visual poems, reveal the incredible scale of the artist's output and the remarkable continuity of his aesthetic and political beliefs. This volume offers a long overdue vision of Man Ray as someone who used words both as a creative medium and as a means of articulating ideas about the nature and value of art. With richly reproduced illustrations, it provides powerful insight not only to scholars of art history and academics, but also to working artists and those who count themselves as Man Ray fans."--ECIP data view.
Photographers --- Art, Modern --- Dadaism --- Surrealism --- Photography --- Photographes --- Art --- Dadaïsme --- Surréalisme --- Photographie --- Biography --- Social networks --- History --- Sources --- Biographie --- Réseaux sociaux --- Histoire --- Man Ray, --- art criticism --- Man Ray --- Sources. --- Social networks.
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"Ce volume rassemble les vingt-sept communications présentées lors du colloque international qui s'est tenu à Poitiers, du 8 au 10 novembre 2005. Organisée par l'Équipe " Modèles et transferts artistiques " du laboratoire GERHICO (Groupe d'études et de recherches historiques du Centre-Ouest atlantique), en collaboration avec l'INHA (Institut national d'histoire de l'art). L'objectif de cette rencontre est l'étude de la maison de l'artiste, considérée d'un triple point de vue : lieu architectural, foyer artistique et projection de l'imaginaire. En tant que lieu de résidence, de rencontres et de création, la maison de l'artiste a rarement été évoquée par la recherche contemporaine, la notion même de maison d'artiste étant soumise à la relativité du temps et de l'espace. Selon une approche diachronique (du XVle au XXe siècle) et pluridisciplinaire impliquant une conception large de l'artiste, créateur ou exécutant (architecte, peintre, musicien, sculpteur, dessinateur, tapissier), les études ici rassemblées s'efforcent de définir la valeur identitaire dans le contexte européen de la maison d'artiste, communautaire dans ses extensions, mais aussi au cœur de la création, support d'imaginaire et enjeu des relations particulières de l'architecte et de son commanditaire.
Private houses --- Artists --- anno 1700-1799 --- anno 1800-1999 --- anno 1600-1699 --- Artists' studios --- Artists' studios in art --- Architects --- Musical landmarks --- Ateliers d'artiste --- Ateliers d'artistes dans l'art --- Artistes --- Architectes --- Musiciens --- Congresses --- Homes and haunts --- Social networks --- Congrès --- Résidences et lieux familiers --- Réseaux sociaux --- Castel, Gaston --- Le Brun, Charles --- Congrès --- Résidences et lieux familiers --- Réseaux sociaux --- 78.16 Poitiers --- 78.79
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This book focuses on the diffusion of architectural inventions from the Low Countries to other parts of Europe from the late fifteenth until the end of the seventeenth century. Multiple pathways connected the architecture of the Low Countries with the world, but a coherent analysis of the phenomenon is still missing. Written by an international team of specialists, the book offers case-studies illustrating various mechanisms of transmission, such as the migration of building masters and sculptors who worked as architects abroad, networks of foreign patrons inviting Netherlandish artists, printed models and the role of foreign architects who visited the Low Countries for professional reasons. Its geographical scope is as broad as the period under review and includes all European regions where Netherlandish elements were found: from Spain to Scandinavia and from Scotland to Transylvania.
Architecture --- Architects --- Sculptors --- Architectes --- Sculpteurs --- History --- Social networks --- Histoire --- Réseaux sociaux --- Réseaux sociaux --- sculptors --- Baroque --- urban planning --- Keyser, de, Hendrick --- Floris, Cornelis II --- Architecture, Dutch --- Architecture, Flemish --- Architektur. --- Plastik. --- Rezeption. --- Kulturbeziehungen. --- Architecture. --- 1400-1699. --- Niederlande. --- Benelux countries. --- Academic collection --- Renaissance --- History of Europe --- History of civilization --- architecture [discipline] --- anno 1600-1699 --- anno 1400-1499 --- anno 1500-1599 --- Netherlands --- Flanders --- Europe --- Influence --- Europa. --- Netherlands. --- Architecture [Dutch] --- 16th century --- 17th century --- Architecture, Dutch - History --- Architecture, Dutch - Influence --- Architecture, Flemish - History --- Architecture, Flemish - Influence
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"L'encyclopédie collaborative en ligne Wikipédia est devenue depuis sa création une source d'information incontournable pour la plupart des internautes. Mais la fiabilité de l'information présente dans ce projet d'encyclopédie libre est source de nombreux débats et controverses. Comment l'encyclopédie collaborative est-elle conçue, de quelle manière les contributeurs participent-ils à son enrichissement, comment l'information est-elle contrôlée et vérifiée? De quels outils disposent les Wikipédiens pour garantir la fiabilité d'une information en constante réactualisation? Telles sont quelques-unes des questions qui trouveront une réponse dans cet ouvrage résolument pratique."--Page 4 de la couverture.
Electronic encyclopedias --- Social networks --- Encyclopédies électroniques --- Réseaux sociaux --- Wikipedia --- Wikipédia --- --Wikipédia --- --Encyclopédies électroniques --- --Electronic encyclopedias --- Wikis (Computer science) --- Electronic encyclopedias. --- Encyclopedias and dictionaries --- Interactive encyclopedias --- Multimedia encyclopedias --- Online encyclopedias --- Wikipedia. --- #KVHA:Methodologie --- #KVHA:Wikipedia --- Encyclopédies électroniques --- Réseaux sociaux --- Electronic publications --- Electronic reference sources --- Internet --- Encyclopédie --- Communication --- Criticism and interpretation --- Encyclopédies électroniques. --- Mémoire --- Sources d'information électroniques --- Electronic information resources --- Electronic Data Processing --- Information Storage and Retrieval --- Social Networking --- Public Sector --- utilization --- Information retrieval --- Philosophy and psychology of culture --- Computer architecture. Operating systems --- records [documents] --- information forms [objects] --- Internet - utilization
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"Erudite Eyes" explores the network of the Antwerp cartographer Abraham Ortelius (1527-1598), a veritable trading zone of art and erudition. Populated by such luminaries as Pieter Bruegel, Joris Hoefnagel, Justus Lipsius and Benedictus Arias Montanus, among others, this vibrant antiquarian culture yielded new knowledge about local antiquities and distant civilizations, and offered a framework for articulating art and artistic practice. These fruitful exchanges, undertaken in a spirit of friendship and collaboration, are all the more astonishing when seen against the backdrop of the ongoing wars. Based on a close reading of early modern letters, alba amicorum, printed books, manuscripts and artworks, this book situates Netherlandish art and culture between Bruegel and Rubens in a European perspective.
76 <493> "15" --- 929 ORTELIUS, ABRAHAM --- 091:082.2 --- 930.85 "15/17" --- 930.85 "15/17" Cultuurgeschiedenis. Kultuurgeschiedenis--Moderne Tijd --- Cultuurgeschiedenis. Kultuurgeschiedenis--Moderne Tijd --- 929 ORTELIUS, ABRAHAM Biografie. Genealogie. Heraldiek--ORTELIUS, ABRAHAM --- Biografie. Genealogie. Heraldiek--ORTELIUS, ABRAHAM --- 76 <493> "15" Grafische kunsten. Grafiek. Prentkunst--België--16e eeuw. Periode 1500-1599 --- Grafische kunsten. Grafiek. Prentkunst--België--16e eeuw. Periode 1500-1599 --- Alba amicorum--(handschriften) - Voor libri amicorum over handschriften, zie {091 <082>} --- Renaissance --- humanists [people] --- intellectuals --- History of civilization --- artists [visual artists] --- Ortelius, Abraham --- 091:082.2 Alba amicorum--(handschriften) - Voor libri amicorum over handschriften, zie {091 <082>} --- Artists --- Humanists --- Merchants --- Social networks --- History --- Ortelius, Abraham, --- Friends and associates. --- Benelux countries --- Intellectual life --- Artistes --- Commerçants --- Humanistes --- Réseaux sociaux --- Benelux --- Vie intellectuelle --- Art dealers --- Flanders --- Friends and associates --- 912 <09> --- 929 --- 929 Biography. Genealogy. Heraldry --- Biography. Genealogy. Heraldry --- 929 Biografie. Genealogie. Heraldiek --- Biografie. Genealogie. Heraldiek --- 912 <09> Cartografie. Kaarten. Plattegronden. Atlassen--Geschiedenis van ... --- 912 <09> Cartography. Maps. Atlasses--Geschiedenis van ... --- Cartografie. Kaarten. Plattegronden. Atlassen--Geschiedenis van ... --- Cartography. Maps. Atlasses--Geschiedenis van ... --- Cartografie. Kaarten. Plattegronden. Atlassen--Geschiedenis van .. --- Cartografie. Kaarten. Plattegronden. Atlassen--Geschiedenis van . --- Cartografie. Kaarten. Plattegronden. Atlassen--Geschiedenis van --- artistic relations --- Ortelius, Abraham, - 1527-1598 --- Commerçants --- Réseaux sociaux
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