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Peinture --- Schilderkunst --- Painting --- Self-perception in art. --- Mirrors in art. --- Perception de soi dans l'art --- Miroirs dans l'art --- Psychological aspects. --- Aspect psychologique --- Painting - Psychological aspects.

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Cadieux, Geneviève --- Photography, Artistic --- Photography, Handworked --- Arts, Modern --- Art and photography --- Self-perception in art. --- Body image --- Photographie artistique --- Coloriage à la main (Photographie) --- Arts modernes --- Art et photographie --- Perception de soi dans l'art --- Image du corps --- Exhibitions. --- Themes, motives. --- Expositions --- Thèmes, motifs --- Coloriage à la main (Photographie) --- Thèmes, motifs --- Cadieux, Geneviève

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"The notion of the painting as an art object is a relatively recent invention. This book offers an impressive and complex account of the origins and development of this invention from the late Renaissance through the end of the baroque age. In comparison to the "old" image characterized by its preeminently liturgical function and its display in a predetermined space, the painting as the "new" image is increasingly autonomous and movable. As a modern art object, the painting becomes the focus of an aesthetic contemplation through its insertion into a gallery or a collection. As a result of the Protestant iconoclasm and the advancement of scientific knowledge, the essence and role of the image is put into question and thematized not only by theologians and scholars, but especially by artists. The painting thus becomes a field of visual experimentation in which art reflects on itself, its potential, its limits, its truth, and its nothingness. The representation of windows, doors, niches, mirrors, and paintings enable artists to embed the image within the image, to "frame" the fictiveness of the image in order to deceive, puzzle, and challenge the beholder. The pictorial devices through which artists introduce their authorial self into the image and stage the making of the image itself form the foundation of a new poetics: the poetics of metapainting"--

Painters --- Painting, Renaissance --- Painting, Modern --- Metacognition --- Peintres --- Peinture de la Renaissance --- Peinture moderne --- Métacognition --- Psychology --- Themes, motives --- Psychologie --- Thèmes, motifs --- Baroque --- works of art --- Art [Renaissance ] --- Auto-perception dans l'art --- Binnenhuisinrichting in de kunst --- Connaissance [Méta] --- Décoration intérieure dans l'art --- Interieurs (Schilderkunst) --- Interieurschilderkunst --- Interior decoration in art --- Kennis [Meta] --- Kunst [Renaissance] --- Meta knowledge --- Metakennis --- Metamemory --- Métaconnaissance --- Peinture d'intérieurs --- Renaissancekunst --- Self-perception in art --- Zelfperceptie in kunst --- Paintings, Renaissance --- Renaissance painting --- Modern painting --- Paintings, Modern --- Cognition --- Self-control --- Self-perception --- Renaissance --- Painting --- art theory --- anno 1600-1699 --- anno 1500-1599 --- Painting [Renaissance ] --- Painting [Modern ] --- History --- Painting [Baroque ] --- Pictures --- Interpretation --- Aesthetics --- Appreciation --- Europe --- 17th century --- Bild --- Maler --- Maler. --- Malerei. --- Metacognition. --- Métacognition. --- Selbstbeobachtung. --- Selbstbezüglichkeit. --- Spiegel --- Psychology. --- Themes, motives. --- Psychologie. --- Thèmes, motifs.

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Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.

Self-portraits --- Women artists --- Self-perception in women --- History --- Women --- Artists, Women --- Women as artists --- Artists --- Portraits --- Psychology --- 75.041 --- Thema's in de schilderkunst ; zelfportretten van vrouwen --- Vrouwelijke kunstenaars --- Portretten; zelfportretten --- Schilderkunst ; de mens, portretten --- Sociology of the family. Sociology of sexuality --- Painting --- History of civilization --- self-portraits --- women [female humans] --- anno 1500-1799 --- anno 1800-1999 --- easel paintings [paintings by form] --- vrouwelijke kunstenaars --- geschiedenis --- zelfportretten --- naakt --- Women painters --- Feminism and the arts --- vrouwelijke kunstenaars. --- geschiedenis. --- zelfportretten. --- naakt. --- vrouwelijke kunstenaar

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Médecine et art --- Anatomie artistique --- Cultuurgeschiedenis: Verlichting; Aufklärung --- 930.85.48 Cultuurgeschiedenis: Verlichting; Aufklärung --- Anatomy, Artistic --- Body Image --- History, 18th Century --- Medicine in Art --- 769.04:61 --- 930.85.48 --- 61 <09> --- -Body image --- -Enlightenment --- Medicine and art --- -7.034 --- CDL --- Aufklärung --- Art and medicine --- Image, Body --- Artistic anatomy --- Human anatomy in art --- 61 <09> Geschiedenis van de geneeskunde --- Geschiedenis van de geneeskunde --- 769.04:61 Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Geneeskunde. Hygiëne. Farmacie --- Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Geneeskunde. Hygiëne. Farmacie --- history --- History --- -History --- -Anatomy, Artistic --- Science in Art --- Art, Medicine in --- Art, Science in --- Arts, Medicine in --- Arts, Science in --- Medicine in Arts --- Science in Arts --- in Art, Medicine --- in Art, Science --- in Arts, Medicine --- in Arts, Science --- 18th Cent. History (Medicine) --- 18th Cent. History of Medicine --- 18th Cent. Medicine --- Historical Events, 18th Century --- History of Medicine, 18th Cent. --- History, Eighteenth Century --- Medical History, 18th Cent. --- Medicine, 18th Cent. --- 18th Century History --- 18th Century Histories --- Cent. History, 18th (Medicine) --- Cent. Medicine, 18th --- Century Histories, 18th --- Century Histories, Eighteenth --- Century History, 18th --- Century History, Eighteenth --- Eighteenth Century Histories --- Eighteenth Century History --- Histories, 18th Century --- Histories, Eighteenth Century --- History, 18th Cent. (Medicine) --- Body Representation --- Body Schema --- Body Images --- Body Representations --- Body Schemas --- Images, Body --- Representation, Body --- Representations, Body --- Schema, Body --- Schemas, Body --- Body image --- Enlightenment --- 7.034 --- Eighteenth century --- Philosophy, Modern --- Rationalism --- Art --- Physical Appearance, Body --- Self Concept --- Imagery (Psychology) --- Mind and body --- Person schemas --- Personality --- Self-perception --- Human body --- Nude in art --- Human figure in art --- Proportion (Art) --- Art and science --- Medical illustration --- Human medicine --- anno 1700-1799 --- Medicine in the Arts. --- Enlightenment. --- Medicine --- Medicine in art --- Médecine --- Médecine dans l'art --- Image du corps --- Médecine et art --- Siècle des lumières --- Histoire --- 61 <09> History of medicine --- History of medicine --- Body Identity --- Identity, Body --- Medicine in the Arts