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Painting --- Women painters --- History. --- Biography --- History
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Women painters --- Painting, British. --- Painting, Victorian --- Women in art. --- Biography --- History and criticism
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Within a span of seven or eight years in the 1550s, the Italian painter Sofonisba Anguissola produced more self-portraits than any known painter before her had in a lifetime. She was the first known artist in history to take her parents and siblings as primary subject matter, and may have painted the first group portrait featuring only women. Cole examines Sofonisba's paintings as expressions of her relationships and networks, looking at why Sofonisba was able to become a great woman artist: at her father, who decided to allow her to be educated as a painter; at her teacher, Bernardino Campi; and at her relationships with her students, sisters, and patrons, who included the Queen of Spain. Cole demonstrates that Sofonisba made teaching and education a central theme of her painting. The book also provides the first complete catalogue of all of Sofonisba's known works.
catalogues raisonnés --- Anguissola, Sofonisba --- Women painters --- Social networks --- Painters --- Women artists --- vrouwelijke kunstenaar
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"An illustrated biography of the remarkable and pioneering artist Leonora Carrington, told through the houses and locations that had meaning for her and are fundamental to an understanding of her work. An evocative visual chronicle on the life of Leonora Carrington as seen through interiors, international locations and vintage photographs, this book leads the reader on a personal journey through the many spaces she inhabited and which infused and haunted her art and the people she knew. Long underrated, Carrington is now considered as one of the vanguard, not only in histories of women artists but also Surrealism; her interests--feminism, ecology and life-enhancing art--are now shared by many. Challenging the conventions of her time, Carrington abandoned family, society and England to embrace new experiences and mix with artists in Europe and America, and to forge her own unique artistic style"--
Art styles --- Sculpture --- Painting --- paintings [visual works] --- sculpture [visual works] --- biographies [literary works] --- Surrealist --- Carrington, Leonora --- Great Britain --- Mexico --- Painters --- Women painters --- Surrealism. --- Painters. --- Women painters. --- Carrington, Leonora, --- Great Britain. --- Painting, Modern
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History --- Art --- Houbraken, Arnold --- Painters --- Painting, Dutch --- Women painters --- Peintres --- Peinture hollandaise --- Femmes peintres --- Biography --- Biographies --- Houbraken, Arnold,
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Elisabeth Vigée-Le Brun, Marguerite Gérard, Constance Mayer... Connues ou beaucoup moins, elles ont pourtant marqué de leur pinceau l'art pictural. Parce que l'histoire de l'art s'est longtemps écrit au masculin, on les a un peu oubliées. Et pourtant, elles ont ouvert la voie aux plus belles innovations artistiques, faisant preuve de modernité autant que d'audace ! Cet album magnifiquement illustré nous emmène à la rencontre de femmes artistes d'exception, et lève le voile sur cette période unique en France durant laquelle les femmes peintres ont pu accéder au-devant de la scène artistique.
Painting, French --- Women painters --- Painters --- Women artists --- History --- Painting --- easel paintings [paintings by form] --- anno 1700-1799 --- France --- vrouwelijke kunstenaar
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congres / 2005 --- Gentileschi, Artemisia --- Catalogues d'expositions --- Peinture --- Schilderkunst --- Tentoonstellingscatalogi --- Women painters --- Painting, Italian --- Femmes peintres --- Peinture italienne --- Biography --- Biographies --- Gentileschi, Artemisia,
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Hailed as one of the most influential and expressive painters of the seventeenth century, Artemisia Gentileschi (1593–ca. 1656) has figured prominently in the art historical discourse of the past two decades. This attention to Artemisia, after many years of scholarly neglect, is partially due to interest in the dramatic details of her early life, including the widely publicized rape trial of her painting tutor, Agostino Tassi, and her admission to Florence’s esteemed Accademia del Disegno. While the artist’s early paintings have been extensively discussed, her later work has been largely dismissed. This beautifully illustrated and elegantly written book provides a revolutionary look at Artemisia’s later career, refuting longstanding assumptions about the artist. The fact that she was semi-illiterate has erroneously led scholars to assume a lack of literary and cultural education on her part. Stressing the importance of orality in Baroque culture and in Artemisia’s paintings, Locker argues for her important place in the cultural dialogue of the seventeenth century.
Painting --- self-portraits --- Gentileschi, Artemisia --- Women painters --- Painting, Italian --- Femmes peintres --- Peinture italienne --- Biography --- Biographies --- Gentileschi, Artemisia, --- invloed van Spaanse school --- invloed van Italiaanse school --- receptiegeschiedenis --- Gentileschi, Artemisia.
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Accardi ; Agar ; Bailly ; Brandt ; Clausen ; Delaunay ; Hugo V. ; Kalho ; Mori M. ; O'Keeffe ; Oppenheim, Meret ; Taeuber Arp ; Varo, R. ; etc.
avant-garde --- Art --- anno 1930-1939 --- anno 1910-1919 --- anno 1920-1929 --- Avant-garde (Aesthetics) --- Women painters --- Women sculptors --- Exhibitions. --- Biography --- History and criticism.
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Une analyse de l'oeuvre et de la vie de L. Moillon, peintre du XVIIe siècle issue d'une famille d'artiste. Après une explication détaillée des techniques, des fruits, légumes et récipients peints, les auteures proposent un catalogue de 49 oeuvres sélectionnées avec un point historique et une description du tableau. ©Electre 2017
Moillon, Louise --- Critique et interprétation --- Painting --- easel paintings [paintings by form] --- still lifes --- Critique et interprétation --- Women painters --- Still-life painting, French --- Painting, French --- Biography --- Moillon, Louise,
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