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Darwin, Charles --- Redon, Odilon --- Evolution (Biology) in art --- Darwin, Charles, --- Redon, Odilon, --- Darwin, Charles, Robert --- Influence. --- Criticism and interpretation.

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"A critical study of the growing use of evolutionary theory and neuroscience to interpret art. Explores the question of what is gained from using ideas and methods from the biological sciences in the analysis of art"--Provided by publisher.

Art and biology. --- Neurosciences and the arts. --- Art --- Evolution (Biology) in art. --- Biology and art --- Biology --- Arts and neurosciences --- Arts --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Philosophy. --- Analysis, interpretation, appreciation --- Philosophy of nature --- Evolution. Phylogeny --- Physiology of nerves and sense organs --- art [fine art] --- biological sciences --- evolution --- senses --- Darwin, Charles --- Charles Darwin. --- Darwinism. --- art. --- biological science. --- biology. --- cultures. --- histpry. --- humanities. --- memes. --- neuroaesthetics. --- neuroarthistory. --- neuroscience. --- scholarship. --- science. --- art [discipline]

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L'Origine des espèces à partir d'un ascendant commun par sélection naturelle (1859) de Charles Darwin (1809-1882) fut un coup de tonnerre planétaire. L'évolution, en introduisant le temps infini et l'histoire dans le destin de l'homme, inspira romanciers et plasticiens. Le "chaînon manquant" lui doit beaucoup. Elle autorise pour Degas et Cormon la fluidité des corps et pour Redon et Carriès les bestiaires imaginaires. Pour Böcklin, Moreau, Klinger, la Sécession viennoise, elle signe la parenté des êtres vivants ; pour les architectes, elle justifie le fonctionnalisme. Bon goût, bel idéal et sens moral de John Ruskin, volent en éclat devant "l'esthétique physiologique". L'évolution comme "élément culturel nouveau" bouleversa la fin du XIXe, comme elle avait changé la donne en science, mais avec une chronologie qui lui fut propre.

Pure sciences. Natural sciences (general) --- Art --- Darwin, Charles --- anno 1910-1919 --- anno 1800-1899 --- anno 1900-1909 --- Evolution (Biology) in art --- Art and science. --- Art, Modern --- Evolution (Biologie) dans l'art --- Art et sciences --- Themes, motives. --- Thèmes, motifs --- Darwin, Charles, --- Influence. --- Thèmes, motifs --- Darwinsime --- Darwinisme --- Influence --- Dans l'art

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Although The Origin of Species contained just a single visual illustration, Charles Darwin's other books, from his monograph on barnacles in the early 1850s to his volume on earthworms in 1881, were copiously illustrated by well-known artists and engravers. Jonathan Smith explains how Darwin managed to illustrate the unillustratable - his theories of natural selection - by manipulating and modifying the visual conventions of natural history, using images to support the claims made in his texts. Moreover, Smith looks outward to analyse the relationships between Darwin's illustrations and Victorian visual culture, especially the late-Victorian debates about aesthetics, and shows how Darwin's evolutionary explanation of beauty, based on his observations of colour and the visual in nature, were a direct challenge to the aesthetics of John Ruskin. The many illustrations reproduced here enhance this fascinating study of a little known aspect of Darwin's lasting influence on literature, art and culture.

History of civilization --- Darwin, Charles --- 575.8 --- 76 <41> "18" --- 76.042 --- 76.043 --- Evolution. Origin of species. Phylogeny --- Grafische kunsten. Grafiek. Prentkunst--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--19e eeuw. Periode 1800-1899 --- Iconografie: dieren; fabeldieren in de prentkunst --- Iconografie: flora in de prentkunst --- Illustration of books, Victorian --- Modernism (Aesthetics) --- Natural history illustration --- Scientific illustration --- Illustration. --- Books, Illustrated --- Science --- Beeldende kunsten. --- Illustraties. --- Natuur. --- Art --- Esthetics --- History, 19th Century --- History --- history --- Darwin, Charles, --- Influence. --- 76.043 Iconografie: flora in de prentkunst --- 76.042 Iconografie: dieren; fabeldieren in de prentkunst --- 76 <41> "18" Grafische kunsten. Grafiek. Prentkunst--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--19e eeuw. Periode 1800-1899 --- 575.8 Evolution. Origin of species. Phylogeny

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museology --- Museology --- museumkunde --- General ethics --- anno 2000-2099 --- kunstbeleid --- ethiek --- Addams, Jane --- 21ste eeuw --- Museums --- Social change. --- Responsibility. --- Management --- Moral and ethical aspects. --- Social aspects. --- Responsibility --- Social change --- Accountability --- Moral responsibility --- Obligation --- Ethics --- Supererogation --- Change, Social --- Cultural change --- Cultural transformation --- Societal change --- Socio-cultural change --- Social history --- Social evolution --- Public institutions --- Cabinets of curiosities --- Management&delete& --- Moral and ethical aspects --- Social aspects --- museumkunde. --- kunstbeleid. --- ethiek. --- Addams, Jane. --- 21ste eeuw.