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À l'aide de Manufactories of Caring Space-Time, le Musée des Beaux-Arts de Gand (MSK), le 49 Nord 6 Est-FRAC Lorraine de Metz (France) et la Fundació Antoni Tapies de Barcelone (Espagne) créent une plateforme de réflexion sur les nouvelles tendances relationnelles, collectives et collaboratives dans l'art. Ce projet coopératif est co-financé par la Commission Européenne dans le cadre du programme Europe Créative. Le projet se termine avec une exposition collaborative au MSK.
hedendaagse kunst --- Contemporary [style of art] --- Art --- anno 2000-2099 --- Installation-art --- Art conceptuel --- Sociologie de l'art --- Rapport forme-fond --- Analyse de l'art --- hedendaagse kunst.
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Hirschhorn's work is distinguished by a synthesis of sculptural concern, political commitment and critical thought. Most of the Swiss artist's works have been temporary and carried out in public. These include, among others, the 'Bataille Monument', which he created in 2002 during the documenta 11 exhibition in Kassel; as well as the street altars he constructed in various cities and dedicated to artists such as Piet Mondrian and Ingeborg Bachmann.
Hirschhorn, Thomas --- Schwitters, Kurt --- Installation-art --- Installations (Art) --- Collage, Swiss --- Collage, Swiss. --- Installations (Art). --- Hirschhorn, Thomas. --- 2000-2099. --- Germany --- Hirschhorn, Thomas, --- Installations (Art) - Germany - Hannover - Exhibitions --- Collage, Swiss - 21st century - Exhibitions --- Hirschhorn, Thomas, - 1957- - Exhibitions --- Hirschhorn, Thomas, - 1957 --- -Collage, Swiss
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Art --- art [fine art] --- Buren, Daniel --- Notebooks, sketchbooks, etc. --- Ex situ --- In situ --- Ecrit d'artiste --- Contextualité --- Artiste --- All over --- B.m.p.t. --- Notebooks, sketchbooks, etc --- 20e siècle --- Buren, Daniel, --- Installation-art --- art [discipline]
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Oskar Schlemmer (1888–1943) was one of the most versatile artists of the twentieth century. A member of the Bauhaus, Schlemmer created highly original works not only as a sculptor, draftsman, and graphic artist, but also as a stage designer, author, and creator of stunning dance works. Together, his projects articulated his vision of the “new” man, living in functional architecture, thinking and acting clearly in a modern age that would never again succumb to the chaos of war. This beautifully illustrated catalogue accompanies the first comprehensive Schlemmer retrospective exhibition in nearly forty years. It presents more than 250 works―including the seven original costumes of Schlemmer’s epochal Triadisches Ballett―together with rare documents from the period. Essays draw important connections between all-encompassing efforts at reform and the work of the Bauhaus and discuss Schlemmer’s unsuccessful attempts to reconcile his “apolitical” art with Nazi ideas of state-controlled art. A landmark publication, Oskar Schlemmer: Visions of a New World makes a case not only for the artist’s continuing importance, but for the value of his lofty ethical goals for art as well.
Art --- Schlemmer, Oskar --- Bauhaus --- Wereldoorlog I --- theater --- literatuur --- Installation-art --- Sculpture --- Design --- Schlemmer, Oskar, 1888-1943 --- ballet [discipline] --- drama [literature] --- painting [image-making] --- choreography --- sculpting --- Futurist --- theater, toneel, toneelvoorstelling --- Bauhaus. --- Wereldoorlog I. --- theater, toneel, toneelvoorstelling. --- literatuur. --- Schlemmer, Oskar. --- drama [discipline]
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Anything is possible in installation art. The typically short lifespan of the materials and techniques used and the intended experience can be endless, often to the despair of the custodian of the work. The processes involved in preserving this complex form of art, reinstalling it, finding ways to recreate the experience over and again, as well as the decisionmaking that underlies these processes, form the backbone of this book. What did the artist originally intend and how has that concept been realised in the past? How can one preserve and document the installation? What relation exists between the components and the space, and what is the spectator’s part in the work? Questions of this kind are examined in connection with a number of case studies. At the same time, it reports on the results of an extensive research project Inside Installations (2004-2007) carried out by an international group of custodians active in the conservation of contemporary art.
Conservation. Restoration --- anno 2010-2019 --- anno 1900-1999 --- anno 2000-2009 --- preservation [function] --- restoration [process] --- installations [visual works] --- museology --- Museology --- Art --- Art, Modern --- Installations (Art) --- Installation art --- Environment (Art) --- Contemporary art --- Modernism (Art) --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Conservation and restoration --- Art, Modern. --- Art techniques & principles --- Conservation and restoration. --- Modern art --- Nieuwe Ploeg (Group of artists) --- ART, MODERN --- INSTALLATIONS (ART) --- 20th CENTURY --- 21th CENTURY --- CONSERVATION AND RESTAURATION
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installations [visual works] --- art [fine art] --- light art --- Art --- Verjux, Michel --- anno 1900-1999 --- France --- Michel Verjux °1956 (Chalon-sur-Saône). Leeft te Parijs. --- Kunst ; vanaf 1980 ; Michel Verjux --- Installaties ; licht ; belichting --- 7.038 --- 7.07 --- (069) --- Kunstgeschiedenis ; 1950 - 2000 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- (Musea. Collecties) --- kunst --- twintigste eeuw --- Verjux Michel --- lichtkunst --- 7.071 VERJUX --- Installations (Art) --- Light in art --- Michel Verjux °1956 (Chalon-sur-Saône). Leeft te Parijs --- Installation art --- Art, Modern --- Environment (Art) --- Light and darkness in art --- Chiaroscuro --- Catalogs --- Verjux, Michel, --- Catalogs. --- art [discipline]
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Barber, Bruce ; Buchloh, Benjamin H.D. ; Celant, Germano ; Charles, Daniel ; Cornwell, Regina ; Crimp, Douglas ; De Duve, Thierry ; Durand, Régis ; Finter, Helga ; Gale, Peggy ; Lyotard, Jean-François ; Monk, Philip ; Owens, Craig ; Payant, René ; Pelzer, Birgit ; Pontbriand, Chantal ; etc.
Theatrical science --- Performance-art --- Installation-art --- Happening --- Artiste --- Performance art --- Postmodernism --- Congresses --- Sherman, Tom --- Rainer, Yvonne --- La Barbara, Joan --- Haimsohn, Jana --- Graham, Dan --- Foreman, Richard --- Dean, Max --- Chaimowicz, Marc C. --- Campbell, Colin --- Buren, Daniel --- Brisley, Stuart --- Asher, Michael --- Anderson, Laurie --- 20e siècle --- -Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- Happenings (Art) --- Performing arts --- Congresses. --- -Congresses. --- Performance --- 705.8 --- 700.6 --- performance --- postmodernisme --- kunst --- beeldende kunst --- installaties --- film --- fotografie --- Wilson, Robert --- kunstgeschiedenis --- 20e eeuw (twintigste eeuw) --- kunstgeschiedenis, 20e eeuw --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- Performance art - Congresses --- Postmodernism - Congresses
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keramiek --- ceramics [object genre] --- Stockmans, Piet --- Art de la céramique --- Keramische kunst --- Installations (Art) --- Sculpture, Belgian --- Ceramic sculpture, Belgian --- Art pottery, Belgian --- Sculpture belge --- Sculpture en céramique belge --- Céramique d'art belget --- Stockmans, Piet, --- Design --- porselein --- Piet Stockmans (° 1940, Leopoldsburg, B.) --- Keramiek ; design ; 1975-2002 ; Piet Stockmans --- Belgische kunstenaars --- Installaties ; keramiek --- 738.07 --- Keramiek ; keramiekkunstenaars, pottenbakkers --- Sculpture en céramique belge --- Céramique d'art belget --- Pottery, Belgian --- Belgian sculpture --- Belgian pottery --- Installation art --- Art, Modern --- Environment (Art) --- Stockmans, Pieter, --- Criticism and interpretation. --- Stockmans, Pieter
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When these essays first appeared in *Artforum* in 1976, their impact was immediate. They were discussed, annotated, cited, collected, and translated - the three issues of *Artforum* in which they appeared have become nearly impossible to obtain. Having Brian O'Doherty's provocative essays available again is a signal event for the art world. This edition also includes "The Gallery as Gesture," a critically important piece published ten years after the others. O'Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system. These essays are essential reading for anyone interested in the history and issues of postwar art in Europe and the United States. Teeming with ideas, relentless in their pursuit of contradiction and paradox, they exhibit both the understanding of the artist (O'Doherty exhibits his work as Patrick Ireland) and the precision of the scholar.
Space (Art) --- Installations (Art) --- Environment (Art) --- Art --- Artists' writings --- Espace (Art) --- Environnement (Art) --- Ecrits d'artistes --- Exhibition techniques --- Techniques d'exposition --- Brian O'Dohert ; Introduction by Thomas McEvilley --- kunst --- twintigste eeuw --- galeries --- tentoonstellingen --- museologie --- installaties --- kunsttheorie --- receptie-esthetica --- Klein Yves --- Duchamp Marcel --- Mondriaan Piet --- Matisse Henri --- Lissitzky El --- Buren Daniël --- happenings --- Schwitters Kurt --- fotografie --- Christo --- Levine Les --- 069 --- 7.01 --- Mondrian Piet --- Environment (Art). --- Installations (Art). --- Space (Art). --- exhibitions [events] --- tentoonstellingsbouw --- Installation art --- Art, Modern --- Assemblage (Art) --- Kunsttheorie ; over de mythe van de neutraliteit van gallerijen --- Arteconomy --- Kunst ; theorie, filosofie, esthetica --- Negative space (Art) --- Aesthetics of art --- installations [visual works] --- space [composition concept] --- environmental art --- art criticism
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Het boek is samengesteld door de kunstenaar i.s.m. Roger Willems en focust op het gehele oeuvre van Michel François. Het besteedt zowel aandacht aan sculpturen en installaties als aan fotowerken en posters. Sleutelwerken worden aan de hand van korte beschrijvingen door de kunstenaar toegelicht. Het geheel wordt verrijkt met een essay van Guillaume Désanges en een uitgebreid gesprek tussen Michel François en Jean-Paul Jacquet. Het boek wordt ingeleid door Philippe Van Cauteren en Nathalie Ergino en afgesloten met een biografie van de kunstenaar. Alles tezamen biedt het boek een helder inzicht in de ontwikkelingen en dwarsverbanden binnen het werk van Michel François en zal het als onmisbaar referentiewerk gaan dienen voor toekomstige reflectie over het werk van Michel François.
François, Michel --- François, Michel, --- Exhibitions --- Art vidéo --- Installation-art --- Sculpture --- Michel, François, --- (069) --- 7.07 --- Affiches ; posters ; ontworpen door kunstenaars --- Beeldende kunst ; 1980-2010 ; Michel François --- Belgische kunstenaars --- Fotografie ; videokunst ; installaties ; sculpturen --- François, Michel °1956 (°Sint-Truiden, België) --- Humor in de kunst --- Mixed media --- Tentoonstellingscatalogi ; Gent ; S.M.A.K. Stedelijk Museum voor Actuele Kunst --- 7.071 FRANçOIS --- België --- François Michel --- eenentwintigste eeuw --- fotografie --- installaties --- kunst --- tekenkunst --- twintigste eeuw --- 706.9 --- affiches --- beeldhouwkunst --- conceptuele kunst --- (Musea. Collecties. Tentoonstellingen) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- kunstgeschiedenis, België, 21e eeuw --- François, Michel. --- François, Michel, --- installations [visual works] --- art [fine art] --- video art --- sculpting --- Art --- sculpture [visual works] --- Beeldende kunst ; 1980-2010 ; Michel François --- François, Michel °1956 (°Sint-Truiden, België) --- 7.071 FRANçOIS --- België --- François Michel --- François, Michel --- kunstgeschiedenis, België, 21e eeuw --- 790 --- installations (art) --- Belgique photographie --- kunstenaars --- artistes --- Michel, François, 1956 --- -François, Michel, --- -(069) --- -Art vidéo --- -François, Michel. --- art [discipline] --- -François, Michel
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