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Symbolism in architecture --- Architecture and society --- Neoclassicism (Art) --- Symbolisme en architecture --- Architecture et société --- Néoclassicisme (Art) --- Exhibitions --- Expositions --- Panthéon (Paris, France) --- History --- Exhibitions. --- France --- Histoire --- French architects --- Churches --- Public buildings --- Temples --- Soufflot, Jacques-Germain, --- 726 --- 726.5 --- Panthéon --- Parijs --- Paris --- Frankrijk --- Soufflot, Jacques-Germain --- 72.03 --- architectuur --- religieuze architectuur --- kerken --- Soufflot Jacques-Germain --- Pantheon --- Quatremère de Quincy Antoine Chrysostome --- Sainte-Geneviève --- Religieuze architectuur --- Kerkelijke bouwkunst --- Kerken (architectuur) --- Architectuur (geschiedenis) --- Architectuurgeschiedenis --- French architects. --- Panthéon (Paris, France). --- Architecture et société --- Néoclassicisme (Art) --- Panthéon (Paris, France) --- Architecture and state --- Neoclassicism (Architecture) --- Architectural symbolism --- Signs and symbols in architecture --- Architecture --- Architecture, Classical --- Architecture, Modern --- Classicism in architecture --- Revival movements (Art) --- State and architecture --- Eglise Sainte-Geneviève (Paris, France) --- Paris (France) --- Parijs (France) --- Pařiž (France) --- Parizh (France) --- Parigi (France) --- Bārīs (France) --- Lutetia (France) --- Paryż (France) --- Lutèce (France) --- Párizs (France) --- Parisioi (France) --- Parisi (France) --- Parys (France) --- باريس (France) --- Parij (France) --- Parĩ (France) --- Pa-lí (France) --- Париж (France) --- Горад Парыж (France) --- Horad Paryz︠h︡ (France) --- Парыж (France) --- Paryz︠h︡ (France) --- Парис (France) --- Parighji (France) --- Pariggi (France) --- Pariis (France) --- Παρίσι (France) --- Париж ош (France) --- Parizh osh (France) --- Parizo (France) --- Páras (France) --- Paarys (France) --- Pâ-lì-sṳ (France) --- 파리 (France) --- Palika (France) --- פריז (France) --- Seine (France) --- Buildings, structures, etc. --- Bali (France) --- 巴黎 (France) --- City of Paris
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Architecture Itself and Other Postmodernist Myths' brings together an array of building fragments, drawings, models, and primary source documents, to present canonic projects from an unexpected and unfamiliar point of view. The exhibition challenges the typical narrative of the heroic architect by revealing a counter- reading of postmodern procedures. The purpose is simultaneously to deflate the postmodern mythologizing of the architect and inflate the importance of empirically describable architectural activity. In so doing, the exhibition will make original contributions both to a counter-historiography of the postmodern and to contemporary curatorial method. A broad selection of material evidence -- gathered from building sites, libraries, and archives -- supports accounts of architects? and architecture?s entanglements with bureaucracy, the art market, and academic and private institutions, as postmodernization challenged the discipline to redefine its modes of practice and reconsider the very idea of architecture itself. Postmodern architecture was characterized by four dominant beliefs: that architecture was distinct from the materiality of things; that history had an operative role to play in the present; that the emergence of a culture dominated by images enabled architects to equate drawing with authorship; and that architecture could secure its status among the arts by staking a claim to the exhibition space. While each strand of this belief system had deep historical roots, the expanding reach of American corporations played a crucial role in transforming these ideas into what was then termed the first global style. Architecture Itself and Other Postmodernist Myths features a series of fragments salvaged from canonic buildings of the late twentieth century together with archival materials from the CCA and other museum collections.
Architecture, Postmodern --- Postmodern architecture --- Architecture, Modern --- Postmodernism --- Exhibitions --- 72.036 --- 72.036 Moderne bouwkunst. Architectuur van de 20e eeuw --- Moderne bouwkunst. Architectuur van de 20e eeuw --- Architecture postmoderne --- 72.01 --- Architectuur (theorie) --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Modernisme (architectuur) --- Postmoderne architectuur --- Postmodernisme (architectuur)
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L'auteur analyse les qualités matérielles des livres d'architecture au travers notamment de l'histoire de Befreites Wohnen de Sigfried Giedion et les deux incarnations du Crystal Palace à Hyde Park et Sydenham. Comment le livre, dans sa forme, permet d'appréhender la structure, l’œuvre architecturale
Book history --- architecture [discipline] --- Architecture --- Historiographie --- Philosophie --- Histoire --- Architectural writing --- Art publishing --- Book design --- 72.01 --- 7.05 --- 090.1 --- Architectuurboeken ; architecturale boeken --- Boeken ; architectuur ; als beeldend middel --- Art --- Publishers and publishing --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Building --- Authorship --- Communication in architectural design --- History. --- Historiography. --- Philosophy --- Architectuur ; theorie, filosofie, esthetica --- Kunst ; het boek als kunstobject ; Kunstenaarsboeken, geïllustreerde boeken, boekbanden --- Bibliofilie ; boekverzamelaars, boekverzamelingen --- Publishing --- Design and construction --- Architecture and literature --- Architecture and philosophy --- 72.02 --- 766.023 --- Presentatietechnieken (architectuur) --- Boekontwerp --- Livres --- Mise en pages --- Architecture and literature. --- Architecture and philosophy. --- History --- Art d'écrire --- Edition --- book history --- Architecture in art --- Image de l'architecture --- Dessin d'architecture --- Livre --- Art d'écrire --- Historiography --- Philosophy&delete& --- Historiographie. --- Histoire. --- Publishing. --- Architecture, Primitive --- Architectural writing - History --- Architecture - Designs and plans - History --- Architecture in art - History
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Centre canadien d'architecture. --- Montréal (Québec) --- Architectuur: schade; verval; conservatie; restauratie; verandering van gebruik --- Architectuur: verandering van gebruik --- Montreal (Quebec) --- 72.025.5 Architectuur: verandering van gebruik --- 72.025 Architectuur: schade; verval; conservatie; restauratie; verandering van gebruik --- Architecture --- Gardens --- 72.025 --- 72.025.5 --- 72.036 --- 727.7 --- 727.8 --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- 727.8 Bibliotheekgebouwen. Gebouwen voor documentatie. Archiefgebouwen. Octrooikantoorgebouwen --- Bibliotheekgebouwen. Gebouwen voor documentatie. Archiefgebouwen. Octrooikantoorgebouwen --- 727.7 Gebouwen voor musea (museumarchitectuur). Kunstmusea --- Gebouwen voor musea (museumarchitectuur). Kunstmusea --- 72.036 Moderne bouwkunst. Architectuur van de 20e eeuw --- Moderne bouwkunst. Architectuur van de 20e eeuw --- History --- Design and construction --- Buildings, structures, etc. --- Gardening --- Art --- Building --- Canadian Centre for Architecture --- CCA --- Canadian Center for Architecture --- Centro canadese di architettura --- Montréal (Québec) --- Mont-Royal (Québec) --- Monrealʹ (Québec) --- Monṭreʼol (Québec) --- Ville de Montréal (Québec) --- مونتريال (Québec) --- Mūntiryāl (Québec) --- Манрэаль (Québec) --- Manrėalʹ (Québec) --- Монреал (Québec) --- Μόντρεαλ (Québec) --- 몬트리올 (Québec) --- Montʻŭriol (Québec) --- מונטריאול (Québec) --- Mons Regius (Québec) --- Mons Regalis (Québec) --- Marianopolis (Québec) --- Monreāla (Québec) --- Monrealis (Québec) --- Монтреал (Québec) --- モントリオール (Québec) --- Montoriōru (Québec) --- Монреаль (Québec) --- Montreali (Québec) --- מאנטרעאל (Québec) --- 蒙特利尔 (Québec) --- Mengteli'er (Québec) --- Centre canadien d'architecture --- Architecture, Primitive
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What role can history play in contemporary architecture practice? Go Hasegawa, Kersten Geers, and David Van Severen reread, redraw, translate, and appropriate from the past and from each other in order to construct relationships and meaning out of a constellation of references. History becomes something that can be used rather than just studied.
Architecture and history --- Art --- Exhibition techniques. --- Geers, Kersten, --- Hasegawa, Gō, --- Van Severen, David, --- 72.01 --- 72.03 --- 72.012/013 --- Hasegawa, Go --- Geers, Kersten --- Van Severen, David --- Architectuurtheorie --- Architectuur (theorie) --- Architectuur (geschiedenis) --- Ontwerp (architectuur) --- Architectuur ; theorie, filosofie, esthetica --- Et l'histoire. --- 72.039 --- Architecten ; 21ste eeuw ; inspiratiebronnen --- Trefwoord --- Architectuur en geschiedenis --- Architectuurgeschiedenis ; 2000 - 2050 --- Hasegawa, Go, --- Architecture et histoire --- Exhibitions. --- Expositions --- Severen, David van, --- Design architectural --- Et l'histoire --- Canadian Centre for Architecture, Montreal --- Architectuur --- architectuur --- Severen, Van, David --- OFFICE Kersten Geers David Van Severen --- Centre canadien d'architecture --- Architecture --- OFFICE Kersten Geers David Van Severen [Brussels] --- Centre canadien d'architecture. --- Référence architecturale --- Histoire de l'architecture --- Composition architecturale --- Van Severen, David, 1978 --- -Geers, Kersten, 1975 --- -Hasegawa, Gō, 1977 --- -Design architectural --- architectuur, België --- -Architecture and history
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"This book documents two complementary urban realities that have played a fundamental role in the imagination, definition and redefinition of the twentieth-century modern city. Shifting away from an understanding of architecture as the construction of monumental masterpieces, the texts collected here assemble the narratives behind the public spaces, housing and social facilities in these two cities, where modern plans have proven unexpectedly resilient and adaptable over time. This perspective is reinforced through visual contributions by Yto Barrada and Takashi Homma--two photographers especially invested in capturing everyday urban life. In a world marked by decolonization and Cold War politics, Casablanca and Chandigarh appear simultaneously as exponents of and countercurrents to modernization and its development perspectives. The book's three chapters set the context for reading Casablanca and Chandigarh as the results of nuanced, dynamic processes of international exchange driven by the engagement and expertise of a new class of design professionals. As a dossier of actors, alignments and agendas, the book contributes to an alternative historiography of post-war urbanism and to recent reflections on the impact of transnational practice."--P. [4] of cover.
urbanization --- Economic geography --- urbanisatie --- Environmental planning --- India --- Casablanca --- City planning --- Urbanisme --- Histoire de l'urbanisme --- Ciam --- Le Corbusier, Charles-Edouard Jeanneret, --- Inde --- Maroc --- Congrès international d'architecture moderne --- Architecture --- Le Corbusier, --- Marokko --- Écochard, Michel --- Chandigarh --- Le Corbusier --- 72.036 --- 711.4 --- 71.03 --- 71.036 --- 711.6 --- 351 --- 711.4(A) --- Stedenbouw ; denken over ; Casablanca ; Chandigarh --- Openbare plaatsen en stedelijkheid ; sociale aspecten --- Niet-Westerse steden en culturen --- Stadsontwikkeling ; kolonisatie ; dekolonisatie ; Marokko ; Indië --- Stadsplanning ; architectuur ; 1950-2014 ; Casablanca ; Chandigarh --- Jeanneret, Pierre --- Tropical Modernism --- Tropisch modernisme --- Tropische architectuur --- CIAM --- Congrès internationaux d'architecture moderne --- Stedenbouw --- Stedenbouw (geschiedenis) --- 20ste eeuw (stedenbouw) --- Twintigste eeuw (stedenbouw) --- Stadsplanning --- Beleid --- Modernisme (architectuur) --- Stedenbouw. Ruimtelijke ordening ; denken over de stedenbouw --- History --- Congrès international d'architecture moderne --- Le Corbusier, Charles-Edouard Jeanneret, 1887-1965
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Published in two volumes, and in conjunction with the Canadian Centre for Architecture (CCA), Montreal, this publication brings together for the first time all of the projects (volume 1) and writings (volume 2) by British architect Cedric Price (1934-2003). The content material is drawn directly from the original work, now largely held in the Cedric Price Fonds at the CCA, as well as a few private collections - the culmination of ten years of study by author/editor Smantha Hardingham. The books aim to present the munificence of Price: thinker, philosopher, artist and unparalleled raconteur - a thoroughly modern traditionalist.
Architecture, Modern --- Price, Cedric, --- Centre canadien d'architecture --- Price, Cedric --- 72.036 --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Modernisme (architectuur) --- Modernistische architectuur --- Centre canadien d'architecture. --- Architecture --- Price, Cédric --- 72.07 --- 72.038 --- 72.01 --- Price, Cedric 1934-2003 (°Stone, Staffordshire, Groot-Brittannië) --- Architectuur ; 20ste eeuw ; 1952-2003 ; C. Price --- Flexibele constructies --- Radicale architectuur ; 20ste eeuw --- Visionaire architectuurprojecten --- Experimentele architectuur --- Architectuurtheorie ; C. Price ; artikels en lezingen --- Architecten. Stedenbouwkundigen A - Z --- Architectuurgeschiedenis ; 1950 - 2000 --- Architectuur ; theorie, filosofie, esthetica --- Price, Cedric. --- Price, Cedric John, --- Price, Cedric John, 1934-2003 --- Price, Cédric
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Architecture --- Journalism --- anno 1970-1979 --- anno 1960-1969 --- Periodicals --- Congresses. --- Périodiques --- Congrès --- Périodiques --- Congrès --- Architectural criticism --- 72.036 --- 72.036 Moderne bouwkunst. Architectuur van de 20e eeuw --- Moderne bouwkunst. Architectuur van de 20e eeuw --- Criticism --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- History --- Design and construction --- Architecture, Primitive
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