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Color was used in film well before The Wizard of Oz. Thomas Edison, for example, projected two-colored films at his first public screening in New York City on April 23, 1896. These first colors of early cinema were not photographic; they were applied manually through a variety of laborious processes-most commonly by the hand-coloring and stenciling of prints frame by frame, and the tinting and toning of films in vats of chemical dyes. The results were remarkably beautiful.; Moving Color is the first book-length study of the beginnings of color cinema. Looking backward, Joshua Yumibe traces
Hauptmann, Bruno Richard, -- 1899-1936. --- Kidnapping -- New Jersey -- Hopewell. --- Lindbergh, Charles A. -- (Charles Augustus), -- 1902-1974. --- Lindbergh, Charles Augustus, -- 1930-1932 -- Kidnapping, 1932. --- Colors in motion pictures. --- Silent films --- Colorization of motion pictures --- Color cinematography --- Motion pictures --- Coloring of motion pictures, Computer --- Computer coloring of motion pictures --- Cinematography --- History and criticism. --- History. --- Colorization --- Kidnapping --- Abduction of children --- Child abduction --- Child snatching --- Kidnaping --- Offenses against the person --- Lindbergh, Charles Augustus, --- Lindbergh, Charles A. --- Hauptmann, Bruno Richard, --- Hauptmann, Richard, --- Kidnapping, 1932.
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"In Chromatic Modernity, Sarah Street and Joshua Yumibe provide a fascinating history of the use of color in film and consumer goods during the 1920s. They contextualize color's role in film, other art forms, and consumer culture to produce a comprehensive, comparative study that situates color cinema firmly within the culture of its time. With advances in technology, the use of color surged internationally and was applied to consumer goods, buildings, magazines, neon advertisements, and theatrical performances creating an exciting, chromatically rich visual culture. The use of color was not without its controversies, and the authors examine the intense debates during this period about color and its artistic, scientific, philosophical, and educational significance. Drawing on archives in the history of film, popular culture, and advertising, the authors consider such topics as the rise of the 'color consultant,' the gendered nature of color, ideas of color psychology and consciousness in advertising and fashion, the standardization and experimentation of color in popular and avant-garde film, and how the rise of sound in cinema changed the use of color in film. Ultimately, the authors argue that this expansion of color across the international media environment demonstrates the extent to which it was forging new ways of looking at and experiencing the modern world"--
Color motion pictures --- Color moving-pictures --- Colored motion pictures --- Technicolor pictures --- Motion pictures --- History. --- Color in advertising --- Performing Arts. --- Color in advertising. --- Color motion pictures. --- Inter-war period c 1919 to c 1939. --- Films, cinema. --- Cinéma en couleurs. --- Cinéma --- Publicité --- Couleur.
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In the years before the First World War, showmen, entrepreneurs, educators, and scientists used magic lanterns and cinematographs in many contexts and many venues. To employ these silent screen technologies to deliver diverse and complex programs usually demanded audio accompaniment, creating a performance of both sound and image. These shows might include live music, song, lectures, narration, and synchronized sound effects provided by any available party?projectionist, local talent, accompanist or backstage crew?and would often borrow techniques from shadow plays and tableaux vivants. The performances were not immune to the influence of social and cultural forces, such as censorship or reform movements. This collection of essays considers the ways in which different visual practices carried out at the turn of the 20th century shaped performances on and beside the screen.
Silent films --- Motion pictures and theater --- Films muets --- Cinéma et théâtre --- History. --- History --- Histoire --- Moving-pictures and theater --- Theater and motion pictures --- Theater --- Moving pictures, Silent --- Silent motion pictures --- Motion pictures
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Sparked by a groundbreaking Amsterdam workshop titled "Disorderly Order: Colours in Silent Film," scholarly and archival interest in colour as a crucial aspect of film form, technology and aesthetics has enjoyed a resurgence in the past twenty years. In the spirit of the workshop, this anthology brings together international experts to explore a diverse range of themes that they hope will inspire the next twenty years of research on colour in silent film. Taking an interdisciplinary approach, the book explores archival restoration, colour film technology, colour theory, and experimental film alongside beautifully saturated images of silent cinema.
Film --- Color motion pictures --- Silent films --- Color motion pictures. --- Silent films. --- Farbe --- Farbfilm --- Stummfilm --- History and criticism. --- Color moving-pictures --- Colored motion pictures --- Technicolor pictures --- Motion pictures --- Silent film, colour, cinema, archive, intermediality.
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