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Feminism and motion pictures --- Women in motion pictures --- 791.43.04-055.2 --- #SBIB:309H524 --- #SBIB:309H525 --- De vrouw in de film --- Audiovisuele communicatie: semiotiek --- Sociologie van de audiovisuele boodschap --- 791.43.04-055.2 De vrouw in de film --- Motion pictures --- Motion pictures and feminism

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Feminism and motion pictures --- Motion pictures --- Motion picture plays --- Semiotics --- Psychological aspects --- Philosophy --- History and criticism --- 791.43.04-055.2 --- #SBIB:309H524 --- De vrouw in de film --- Audiovisuele communicatie: semiotiek --- Feminism and motion pictures. --- Semiotics. --- History and criticism. --- Philosophy. --- Psychological aspects. --- 791.43.04-055.2 De vrouw in de film --- Semeiotics --- Semiology (Linguistics) --- Semantics --- Signs and symbols --- Structuralism (Literary analysis) --- Motion pictures and feminism --- Motion pictures - Psychological aspects --- Motion pictures - Philosophy --- Motion picture plays - History and criticism

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791.43.04-055.2 --- Motion picture audiences --- -Motion pictures --- -Motion pictures for women --- -#SBIB:309H1326 --- #SBIB:309H524 --- Moving-pictures for women --- Women --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film audiences --- Filmgoers --- Moviegoers --- Moving-picture audiences --- De vrouw in de film --- Psychological aspects --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Audiovisuele communicatie: semiotiek --- History and criticism --- Audiences --- 791.43.04-055.2 De vrouw in de film --- Motion pictures for women --- Motion pictures --- #SBIB:309H1326

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Melodrama in motion pictures --- Women in motion pictures --- Mélodrame au cinéma --- Femmes au cinéma --- 791.43-23 --- Melodrama --- -Feminism and motion pictures --- #SBIB:316.346H28 --- Motion pictures and feminism --- Melodramatische films. Thrillers --- Positie van de vrouw in de samenleving: socialisatie --- Edited by Christine Gledhill --- melodrama --- Sirk Douglas --- filmproductie --- censuur --- 791.43-23 Melodramatische films. Thrillers --- Mélodrame au cinéma --- Femmes au cinéma --- 791.43.04-055.2 --- #SBIB:309H1326 --- 791.43.04-055.2 De vrouw in de film --- De vrouw in de film --- History and criticism --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Feminism and motion pictures --- Motion pictures --- Film --- 791.41 --- 791.43 --- feminisme --- film --- film en psychoanalyse --- filmgenres --- filmgeschiedenis --- Freud Sigmund --- gender studies --- Griffith David Wark --- Hollywood --- Minnelli Vincente --- stille film --- Verenigde Staten --- vrouwen --- CDL --- Femmes dans les films --- Melodrames

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This book is the first comprehensive and systematic study of cross-class romance films throughout the history of American cinema. It provides vivid discussions of these romantic films, analyses their normative patterns and thematic concerns, traces how they were shaped by inequalities of gender and class in American society, and explains why they were especially popular from World War I through the roaring twenties and the Great Depression. In the vast majority of cross-class romance films the female is poor or from the working class, the male is wealthy or from the upper class, and the romance ends successfully in marriage or the promise of marriage.

Love in motion pictures. --- Marriage in motion pictures. --- Weddings in motion pictures. --- 791.43 <09> --- 791.43.04-055.2 --- 791.43.04-055.2 De vrouw in de film --- De vrouw in de film --- 791.43 <09> Filmgeschiedenis. Filmhistorie --- Filmgeschiedenis. Filmhistorie --- Motion pictures --- Marriage in moving-pictures --- Culture --- Film genres. --- Sociology. --- Sex (Psychology). --- Gender expression. --- Gender identity. --- Cultural and Media Studies. --- American Cinema. --- Genre. --- Gender Studies. --- Sex identity (Gender identity) --- Sexual identity (Gender identity) --- Identity (Psychology) --- Sex (Psychology) --- Queer theory --- Expression, Gender --- Sex role --- Psychology, Sexual --- Sex --- Sexual behavior, Psychology of --- Sexual psychology --- Sensuality --- Social theory --- Social sciences --- Genre films --- Genres, Film --- Motion picture genres --- Cultural studies --- Study and teaching. --- United States. --- Psychological aspects --- Plots, themes, etc. --- Love --- History. --- Philosophy. --- History and criticism --- Motion pictures-United States. --- American Cinema and TV. --- Motion pictures—United States. --- Love in motion pictures --- Marriage in motion pictures --- Weddings in motion pictures --- Romance films --- Marriage --- PERFORMING ARTS / Film / General --- Affection --- Emotions --- First loves --- Friendship --- Intimacy (Psychology) --- Married life --- Matrimony --- Nuptiality --- Wedlock --- Sacraments --- Betrothal --- Courtship --- Families --- Home --- Honeymoons --- Chick flicks --- Love films --- Hollywood romance films --- Romance (Motion pictures) --- Romance movies --- Romance pictures (Motion pictures) --- Romantic films --- Romantic movies --- In motion pictures. --- in motion pictures. --- Social classes in motion pictures.