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Philipp Reinfeld befasst sich mit den Möglichkeiten architektonischer Raumproduktion auf der Basis von Privatfotos, die in den sozialen Medien heute eine eigene Kommunikationsform herausgebildet haben. Seitdem Kameratechnik zur zentralen technischen Komponente des Smartphones geworden ist, erhält das fotografische Bild eine erweiterte Bedeutung und Funktionalität. Der fotografische Zugang zur Welt zielt heute weniger auf eine Bezeugung etwas vormals Geschehenem ab, als vielmehr auf eine laufend sich wiederholende Veräußerung eigenen Handelns im "Hier" und "Jetzt". In gleicher Weise wie frühere Formen bildlich-perspektivischer Raumrepräsentationen Einfluss hatten auf die Konstitution räumlicher Gestaltgebung, beginnen auch die neuen fotografischen "Bildwelten", die Architekturproduktion im Sinn eines Übersprungs bildlicher Logik in räumliche Materialisierungen spezifisch zu bestimmen.

Architectural design --- Architecture and photography. --- Philosophy.

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Examining imagery of urban space in Britain, France and West Germany up to the early 1960s, this book reveals how photography shaped individual architectural projects and national rebuilding efforts alike.Exploring the impact of urban photography at a pivotal moment in contemporary European architecture and culture, this book addresses case studies spanning the destruction of the war to the modernizing reconfiguration of city spaces, including ruin photobooks about bombed cities, architectural photography of housing projects and imagery of urban life from popular photomagazines, as well as internationally renowned projects like UNESCO’s Paris Headquarters, Coventry Cathedral and Berlin’s Gedächtniskirche. This book reveals that the ways of seeing shaped in the postwar years by urban photography were a vital aspect of not only discourses on the postwar city but also debates central to popular culture, from commemoration and modernization to democratization and Europeanization.This book will be a fascinating read for researchers in the fields of photography and visual studies, architectural and urban history, and cultural memory and contemporary European history.

Architecture and photography. --- Architecture and photography --- Photography and architecture --- Photography --- E-books --- Architecture --- History of civilization --- architecture [discipline] --- photography [process] --- anno 1940-1949 --- Europe --- cultuurgeschiedenis

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The fields of photography and architecture have long been closely linked : photography provides a powerful way for architecture to be appreciated from a distance, and the camera lens alters and enhances buildings so that they can be appreciated anew, even by those already intimately familiar with them. Concrete explores this deep and often complex relationship, with particular attention paid not only to how photography influences the perception of architecture but also the very design itself. Beginning with the invention of photography in the nineteenth century, this volume presents iconic images of urban architecture and townscapes that are organized thematically rather than simply chronologically. The editors have assembled over two hundred images from numerous notable photographers, including : Georg Aerni, Adolphe Braun, Balthasar Burkhard, Lynn Cohen, Walker Evans, Lucien Hervé, Germaine Krull, Stanley Kubrick, Hiroshi Sugimoto, and William Henry Fox Talbot. Originally published to coincide with an exhibition celebrating the Fotomuseum Winterthur’s twentieth anniversary, Concrete : Photography and Architecture is an exhaustive investigation of architectural photography and is as beautiful as it is informative.

77.046 --- 77 --- Architectuurfotografie --- Fotografie --- Exhibitions --- Architecture and photography --- Architectural photography --- Photographie --- Architecture --- Krull, Germaine --- Burkhard, Balthasar --- Cohen, Lynne --- Evans, Walker --- Hervé, Lucien --- Kubrick, Stanley --- Sugimoto, Hiroshi --- Aesthetics --- Glass --- Photography --- photography [process] --- aesthetics --- architecture [object genre] --- concrete

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The title of the book sets the two fields of activity pursued by the architect, architectural historian and theorist August Sarnitz – building and writing – in a reciprocal relation: the context to what has been built emerges in the process of writing, just as the context to what has been written emerges in the process of building.The structure of the book follows precisely this reciprocity: an essay about architectural history and Big Data is followed by three on the topics of urban development, social housing, and the fiction of space. A number of influential Viennese architects appear as well: Frank, Kiesler, Hollein and Prix. The topics of housing, design and furniture are all illustrated with Sarnitz’s own projects; the end of the book is dedicated to architectural photography, which is especially important to Sarnitz in his capacity as publicist.The richly illustrated book is the first to document Sarnitz’s work as author, designer, exhibition designer, architect and photographer.

Architecture and photography. --- Architecture --- Criticism and interpretation. --- Theory. --- 72.01 --- 72.07 --- Sarnitz, August °1956 (°Innsbruck, Oostenrijk) --- Architectuur (theorie) --- Architectuurtheorie --- Architectuur ; theorie, filosofie, esthetica --- Architecten. Stedenbouwkundigen A - Z --- Architectural photography --- Photographie d'architecture --- Philosophy --- Philosophie --- Sarnitz, August

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77 "18" --- 72 <09> --- Fotografie--19e eeuw. Periode 1800-1899 --- Architectuurgeschiedenis. Bouwgeschiedenis --- Architectural photography --- Historiography and photography. --- History --- Social aspects. --- 72 <09> Architectuurgeschiedenis. Bouwgeschiedenis --- 77 "18" Fotografie--19e eeuw. Periode 1800-1899 --- Architecture and photography --- Photography --- Photography and architecture --- Social aspects