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In seiner Bildsamkeit ist der Mensch ein Abbild der schöpferischen Kraft Gottes. In welchem Zusammenhang stehen dann Bildung und Religion? Inwiefern sollte Religion Bestandteil öffentlicher Erziehung und Bildung sein? Welche Relevanz hat der schulische Religionsunterricht heute? Zu diesen Fragen thematisiert der vorliegende Band das Verhältnis von Pädagogik, Theologie und Religionspädagogik, indem er Grundbegriffe und Basistheorien erläutert sowie Zusammenhänge zwischen der pädagogischen Grundtatsache menschlicher Bildsamkeit und dem theologischen Begriff einer göttlichen Ebenbildlichkeit des Menschen aufzeigt. Ebenso werden bildungs- und religionspolitische Fragen im Kontext einer angemessenen Institutionalisierung von Religionsunterricht an öffentlichen Schulen diskutiert. Gemeinsames Ziel aller Beiträge ist es, die Entwicklung einer durch schulischen Religionsunterricht geförderten religiösen Kompetenz als Teil öffentlicher Erziehung und Bildung auszuweisen.

Christian art and symbolism. --- Religion. --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Religion, Primitive --- Atheism --- Irreligion --- Religions --- Theology

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This work decodes the key themes, signs and symbols found in Christian art - the Eucharist, the Crucifixion, the Virgin Mary. It also explores the theological and historical background of Christian imagery, from the devotional works of the medieval and Renaissance periods, to the 21st century.

Christian art and symbolism. --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Christian art and symbolism --- 246 --- Christelijke kunst en symbolisme

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Christian art and symbolism --- Art, Flemish --- Art, Baroque --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Flemish art --- Exhibitions --- Iconography

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Published in 1848, this two-volume work was received with great praise. During a celebrated career, Anna Brownell Jameson (1794-1860) produced Shakespeare criticism, travel writing, biography, and art history, and was admired by contemporaries such as Mary Shelley and Thomas Carlyle. Taking an aesthetic rather than religious approach, the work is a study of the legends represented in Western art of the Middle Ages, ordered taxonomically. Though Jameson is considered the first professional female art critic, this is a reductive label; she was, rather, one of the great art critics of her age and her work is still of importance to art historians. Volume 1, which is richly illustrated, covers the literary origins of the legends and surveys the representation of angels and archangels, the Four Evangelists, the Twelve Apostles, the Doctors of the Church, and a number of significant saints, including Mary Magdalene.

Christian art and symbolism. --- Christian saints in art. --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament

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Christian art and symbolism --- Art, Armenian --- Armenian art --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament