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Approaches to the History of Written Culture : A World Inscribed
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ISBN: 3319541366 3319541358 Year: 2017 Publisher: Cham : Springer International Publishing : Imprint: Palgrave Macmillan,

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"Approaches to the History of Written Culture is a volume of breadth and ambition. It covers all periods from the second millennium BC to the late twentieth-century, a wide range of geographies, and deploys a challenging body of theoretical and methodological approaches to the topic of scribal cultures and practices." — David Vincent, Emeritus Professor of Social History, The Open University, UK This book investigates the history of writing as a cultural practice in a variety of contexts and periods. It analyses the rituals and practices determining intimate or ‘ordinary’ writing as well as bureaucratic and religious writing. From the inscribed images of ‘pre-literate’ societies, to the democratization of writing in the modern era, access to writing technology and its public and private uses are examined. In ten studies, presented by leading historians of scribal culture from seven countries, the book investigates the uses of writing in non-alphabetical as well as alphabetical script, in societies ranging from Native America and ancient Korea to modern Europe. The authors emphasise the material characteristics of writing, and in so doing they pose questions about the definition of writing itself. Drawing on expertise in various disciplines, they give an up-to-date account of the current state of knowledge in a field at the forefront of ‘Book History’.


Book
Reading Books and Prints as Cultural Objects
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ISBN: 3319538322 3319538314 Year: 2018 Publisher: Cham : Springer International Publishing : Imprint: Palgrave Macmillan,

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‘This volume is both original and useful. Whilst each of the essays in and of itself offers new research, the volume taken as a whole is a substantial contribution to book, image, and media history. It deliberately disrupts the idea of a unified field, demonstrating how both books and prints (sometimes combined within the same volume) act as agents between cultures.‘ — Kate Flint, Provost Professor of Art History and English, University of Southern California, USA ‘Rather than ask the old questions, ‘what is a book’ or ‘what is a print’, Stead and her collaborators want to know: what has been the use of this text-bearing object? What does it do? Applying those queries to all manner of media – made, found, used, and re-purposed – this new approach dissolves (and complicates) the distinction between the material and textual aspects of what we read, and encourages methodologies that cross the boundaries of discipline.’ — Leslie Howsam, Emerita Distinguished University Professor, University of Windsor, Canada This book contributes significantly to book, image and media studies from an interdisciplinary, comparative point of view. Its broad perspective spans medieval manuscripts to e-readers. Inventive methodology offers numerous insights into visual, manuscript and print culture: material objects relate to meaning and reading processes; images and texts are examined in varied associations; the symbolic, representational and cultural agency of books and prints is brought forward. An introduction substantiates methods and approaches, ten chapters follow along media lines: from manuscripts to prints, printed books, and e-readers. Eleven contributors from six countries challenge the idea of a unified field, revealing the role of books and prints in transformation and circulation between varying cultural trends, ‘high’ and ‘low’. Mostly Europe-based, the collection offers book and print professionals, academics and graduates, models for future research, imaginatively combining material culture with archival data, cultural and reading theories with historical patterns.


Book
A Poetics of Editing
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ISBN: 3319922459 3319922467 Year: 2018 Publisher: Cham : Springer International Publishing : Imprint: Palgrave Macmillan,

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This original and authoritative book offers a first-ever attempt to define a poetics of the editing arts. It proposes a new field of editing studies, in which the ‘ideal editor’ can be understood in relation to the long-theorised author and reader. The book’s premise is that editing, like other forms of ‘making’, is mostly invisible and can only be brought into full view through a comparative analysis that includes the insights of practitioners. The argument, laid down in careful layers, is supported by a panoramic historical narrative that tracks the shifts in textual authority from religious and secular institutions to the romanticised self of the digital present. The dangers posed by the anti-editing rhetoric of this hybrid romanticism are confronted head-on. To the traditional perception of editing as the imposition of closure, A Poetics of Editing adds a perspective on a dynamic process with a sense of the possible.


Book
Histoire du livre en Occident
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ISBN: 9782200277512 2200277512 Year: 2012 Publisher: Paris : Armand Colin,

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L’histoire du livre (manuscrit ou imprimé) constitue un des domaines les plus prometteurs étudiés par l’école historique française actuelle. Dépassant le cadre étroit des chronologies universitaires (Antiquité, Moyen Âge, périodes moderne et contemporaine), elle s’inscrit dans le temps long d’une histoire des cultures et des pratiques culturelles, dont elle est l’une des principales voies d’accès. Elle se comprend comme une histoire interdisciplinaire, touchant aux domaines de l’histoire littéraire, mais aussi de l’histoire économique, technique, sociale, politique et culturelle. Enfin, elle est l’un des champs où, depuis une trentaine d’années, on a le plus systématiquement développé une problématique d’histoire comparée entre les différents pays. Cette analyse de l’histoire du livre et de l’écrit revêt une importance toute particulière. D’une part l’écrit et l’imprimé font partie des principaux points d’ancrage autour desquels s’est structuré le processus d’identification collective depuis la période moderne. D’autre part, l’histoire du livre permet de placer en perspective les phénomènes liés à la révolution des nouveaux médias, et propose un certain nombre de clefs pour les analyser et mieux les comprendre. Le présent manuel a été largement actualisé pour sa troisième édition.


Book
Professors, Physicians and Practices in the History of Medicine : Essays in Honor of Nancy Siraisi
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ISBN: 3319565141 3319565133 Year: 2017 Publisher: Cham : Springer International Publishing : Imprint: Springer,

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This book presents essays by eminent scholars from across the history of medicine, early science and European history, including those expert on the history of the book. The volume honors Professor Nancy Siraisi and reflects the impact that Siraisi's scholarship has had on a range of fields. Contributions address several topics ranging from the medical provenance of biblical commentary to the early modern emergence of pathological medicine. Along the way, readers may learn of the purchasing habits of physician-book collectors, the writing of history and the development of natural history. Modeling the interdisciplinary approaches championed by Siraisi, this volume attests to the enduring value of her scholarship while also highlighting critical areas of future research. Those with an interest in the history of science, the history of medicine and all related fields will find this work a stimulating and rewarding read.


Book
Magical Manuscripts in Early Modern Europe : The Clandestine Trade In Illegal Book Collections
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ISBN: 3319595253 3319595245 Year: 2017 Publisher: Cham : Springer International Publishing : Imprint: Palgrave Macmillan,

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This book presents the story of a unique collection of 140 manuscripts of ‘learned magic’ that was sold for a fantastic sum within the clandestine channels of the German book trade in the early eighteenth century. The book will interpret this collection from two angles – as an artefact of the early modern book market as well as the longue-durée tradition of Western learned magic –, thus taking a new stance towards scribal texts that are often regarded as eccentric, peripheral, or marginal. The study is structured by the apparent exceptionality, scarcity, and illegality of the collection, and provides chapters on clandestine activities in European book markets, questions of censorship regimes and efficiency, the use of manuscripts in an age of print, and the history of learned magic in early modern Europe. As the collection has survived till this day in Leipzig University Library, the book provides a critical edition of the 1710 selling catalogue, which includes a brief content analysis of all extant manuscripts. The study will be of interest to scholars and students from a variety of fields, such as early modern book history, the history of magic, cultural history, the sociology of religion, or the study of Western esotericism.


Book
The New Russian Book : A Graphic Cultural History
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ISBN: 3319507087 3319507079 Year: 2017 Publisher: Cham : Springer International Publishing : Imprint: Palgrave Macmillan,

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“The New Russian Book is an amazing cultural history of post-Soviet Russia analyzed through the ups and downs of its extraordinary graphic culture. The author introduces us to scores of Russian books published over the last few decades, cheap paperbacks and richly bound hardbacks, popular fiction and rare volumes, and helps us to discover the extraordinary story behind every cover and every binding. In her work, Beck Pristed brilliantly demonstrates how reading involves understanding with your hands as well as with your eyes.” — Damiano Rebecchini, co-editor of Reading in Russia and of the forth-coming A History of Reading in Russia, Russia This book takes up the obtrusive problem of visual representation of fiction in contemporary Russian book design. By analyzing a broad variety of book covers, the study offers an absolutely unique material that illustrates a radically changing notion of literature in the transformation of Soviet print culture to a post-Soviet book market. It delivers a profound and critical exploration of Russian visual imaginary of classic, popular, and contemporary prose. Among all the carelessly bungled covers of mass-published post-Soviet series the study identifies gems from experimental designers. By taking a comparative approach to the clash of two formerly separate book cultures, the Western and the Soviet, that results both in a mixture of highbrow and lowbrow forms and in ideological re-interpretations of the literary works, this book contributes to opening an East-West dialogue between the fields of Russian studies, contemporary book and media history, art, design, and visual studies. .


Book
The Global Histories of Books : Methods and Practices
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ISBN: 3319513346 3319513338 Year: 2017 Publisher: Cham : Springer International Publishing : Imprint: Palgrave Macmillan,

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“In this smart, wide-ranging study of texts on the move, the global history of the book becomes a counter-history of the nation. Rather than pitting one against the other, contributors show how entangled these spheres are – and how key print culture is to illuminating points of convergence and divergence. Moving skillfully between dog-eared volumes and the booksellers, readers and marketplaces that made them, this collection brims with insights about the lives of books and their role not simply in reflecting global relations but in creating them -- with every turn of the page.” — Antoinette M. Burton, Professor of History, University of Illinois, USA, and co-author with Isabel Hofmeyr of Ten Books that Shaped the British Empire. This collection is an edited volume of essays that showcases how books played a crucial role in making and materialising histories of travel, scientific exchanges, translation, and global markets from the late-eighteenth century to the present. While existing book historical practice is overly dependent on models of the local and the national, we suggest that approaching the book as a cross-region, travelling – and therefore global- object offers new approaches and methodologies for a study in global perspective. By thus studying the book in its transnational and inter-imperial, textual, inter-textual and material dimensions, this collection will highlight its key role in making possible a global imagination, shaped by networks of print material, readers, publishers and translators.


Book
The Printed Book in Contemporary American Culture : Medium, Object, Metaphor
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ISBN: 3030225453 3030225445 Year: 2019 Publisher: Cham : Springer International Publishing : Imprint: Palgrave Macmillan,

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This essay collection explores the cultural functions the printed book performs in the digital age. It examines how the use of and attitude toward the book form have changed in light of the digital transformation of American media culture. Situated at the crossroads of American studies, literary studies, book studies, and media studies, these essays show that a sustained focus on the medial and material formats of literary communication significantly expands our accustomed ways of doing cultural studies. Addressing the changing roles of authors, publishers, and readers while covering multiple bookish formats such as artists’ books, bestselling novels, experimental fiction, and zines, this interdisciplinary volume introduces readers to current transatlantic conversations on the history and future of the printed book.


Periodical
La Lettre de l'IMEC : bulletin d'information
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ISSN: 11653752 Year: 1992 Publisher: Paris (25 rue de Lille, 75007) : Institut Mémoires de l'édition contemporaine,

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