Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

kunst --- autobiografie --- Cellini Benvenuto --- edelsmeedkunst --- zestiende eeuw --- Italië --- beeldhouwkunst --- renaissance --- 73.071 CELLINI --- autobiografieën --- Cellini, Benvenuto --- 16de eeuw --- Cellini, Benvenuto,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Benvenuto Cellini’s Perseus and Medusa , one of Renaissance Italy’s most complex sculptures, is the subject of this study, which proposes that the statue’s androgynous appearance is paradoxical. Symbolizing the male ruler overcoming a female adversary, the Perseus legitimizes patriarchal power; but the physical similarity between Cellini’s characters suggests the hero rose through female agency. Dr. Corretti argues that although not a surrogate for powerful Medici women, Cellini’s Medusa may have reminded viewers that Cosimo I de’ Medici’s power stemmed in part from maternal influence. Drawing upon a vast body of art and literature, Dr. Corretti concludes that Cellini and his contemporaries knew the Gorgon as a version of the Earth Mother, whose image is found in art for Medici women.

Gorgons (Greek mythology) in art. --- Art --- Political aspects --- Cellini, Benvenuto, --- Criticism and interpretation. --- Florence (Italy) --- Politics and government

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

artists [visual artists] --- patronage --- patrons --- Art --- Rembrandt --- Rubens, Peter Paul --- Willeboirts Bosschaert, Thomas --- Tibaldi, Pellegrino --- Abbate, dell', Niccolò --- Campen, van, Jacob --- Post, Pieter Jansz. --- Coques, Gonzales --- Carracci, Annibale --- Cellini, Benvenuto --- 7.078.2 --- Art patronage --- -Art patronage --- -Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Art and industry --- Kunstbescherming door particulieren: sponsoring; mecenaat --- History --- -History --- -Kunstbescherming door particulieren: sponsoring; mecenaat --- -7.078.2 --- 7.078.2 Kunstbescherming door particulieren: sponsoring; mecenaat --- patrons [philanthropists] --- -7.078.2 Kunstbescherming door particulieren: sponsoring; mecenaat --- Arts patronage --- Italy --- 16th century --- Netherlands --- 17th century

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art --- anno 1500-1599 --- self-portraits --- social status --- Iconography --- Italy --- Fontana, Lavinia --- Parmigianino --- Bandinelli, Baccio --- Anguissola, Sofonisba --- Raphael --- Alberti, Leon Battista --- Leoni, Leone --- Michelangelo --- Zuccaro, Federico --- Ghiberti, Lorenzo --- Bramante --- Lippi, Fra Filippo --- Filarete, Antonio di Pietro Averlino --- Mantegna, Andrea --- Titian --- Vasari, Giorgio --- Carracci, Annibale --- Leonardo da Vinci --- Cellini, Benvenuto --- Autoportraits italiens --- Identiteit (Psychologie) in de kunst --- Identity (Psychology) in art --- Identité (Psychologie) dans l'art --- Self-portraits [Italian ] --- Zelfportretten [Italiaanse ] --- 75.041.2 --- 7.034 <45> --- Portretschilderkunst --- Kunst van de renaissance; barok; rococo; koloniale stijl--Italië --- Artists --- Identity (Psychology) in art. --- Portraits, Renaissance --- Self-portraits, Italian. --- Social conditions. --- 7.034 <45> Kunst van de renaissance; barok; rococo; koloniale stijl--Italië --- 75.041.2 Portretschilderkunst --- Social conditions --- Self-portraits, Italian --- Italian self-portraits --- Renaissance portraits --- Persons --- Portraits [Renaissance ] --- Kunst --- maatschappelijke status --- zelfportretten --- Italië --- Buonarroti, Michelangelo --- Italiaanse school

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"For all those interested in the relationship between ideas and the built environment, John Onians provides a lively illustrated account of the range of meanings that Western culture has assigned to the Classical orders. Onians shows that during the 2,000 years from their first appearance in ancient Greece through their codification in Renaissance Italy, the orders -- the columns and capitals known as Doric, Ionic, Corinthian, Tuscan, and Composite -- were made to serve expressive purposes, engaging the viewer in a continuing visual dialogue"--Publisher's description.

72.032 --- Bouwstijlen van de Oudheid. Antieke bouwkunst --- Architecture --- Architecture, Ancient. --- Architecture, Medieval. --- Architecture, Renaissance. --- Orders. --- 72.032 Bouwstijlen van de Oudheid. Antieke bouwkunst --- Renaissance --- Medieval [European] --- architectural theory --- Roman [ancient Italian culture or period] --- Ancient Greek [culture or style] --- architectonics --- architectural orders [classical orders] --- anno 500-1499 --- anno 1-499 --- anno 1500-1599 --- Greece --- Antiquity --- Roman [ancient Italian style] --- Architecture de la Renaissance --- Architecture antique --- Ordres --- Architectuurtheorie ; klassieke Oudheid ; Middeleeuwen ; Renaissance --- Architectuurtheorie ; over de bouworden --- Architectuur ; theorie, filosofie, esthetica --- architecture [discipline] --- anno 1400-1499 --- anno 1300-1399 --- Architecture médiévale --- History --- Histoire --- architectural orders [assembly and style] --- Architecture, Ancient --- Architecture, Medieval --- Architecture, Renaissance --- 72.01 --- Archaeology --- Architectural orders --- Orders, Architectural --- Renaissance architecture --- Renaissance revival (Architecture) --- Middle Ages --- Orders --- Influence. --- Aachen, palace chape. --- Aeolic order. --- Alessi, Galeazzo. --- Aristotle. --- Attic columns. --- Barbadori family. --- Benavides, Marco. --- Borgo San Sepolcro. --- Bramante, Donato. --- Caesar, Julius. --- Callimachus. --- Cellini, Benvenuto. --- Christ. --- Cicero. --- Composite order. --- Corinthian order. --- Dante Alighieri. --- Dorians. --- Doric order. --- Egypt. --- El Djem (Thysdrus). --- Etruria. --- Flavians. --- Florence. --- Francis I. --- Franks. --- Genoa. --- Gonzaga, Federigo. --- Herodotus. --- Honorius of Autun. --- Leonardo da Vinci. --- Manetti, Giannozzo. --- Ottomans. --- Pergamum. --- Plato. --- Poliphilus. --- anthropomorphism. --- architects. --- clergy and laity. --- craftsmen. --- emotions. --- encyclopaedias. --- etymologies. --- exempla. --- festivitas. --- government. --- inscriptions. --- letters. --- licence. --- maniera. --- music and architecture. --- paintings. --- quadratura.