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Dieser Titel aus dem De Gruyter-Verlagsarchiv ist digitalisiert worden, um ihn der wissenschaftlichen Forschung zugänglich zu machen. Da der Titel erstmals im Nationalsozialismus publiziert wurde, ist er in besonderem Maße in seinem historischen Kontext zu betrachten. Mehr erfahren Sie hier. This title from the De Gruyter Book Archive has been digitized in order to make it available for academic research. It was originally published under National Socialism and has to be viewed in this historical context. Learn more ref=https://www.degruyter.com/page/2052›here.
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Maurice Bloomfield was a great authority on Sanskrit literature and comparative linguistics, applies the principles of linguistics to rationalize certain irregular forms in a variety of languages.
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This dictionary provides comprehensive information on the vocabulary used in the Slovenian literary language during the period of the Reformation. It was written based on complete concordance from all editions of Slovenian texts from the period 1550-1603. The word entries are accompanied by grammatical information, such as the part of speech used and other grammatical data. The extent of their use is shown by the attributed sources. The features of the linguistic system of that period are also shown by numerous notices regarding written, phonological and morphological variations.
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War is an event, theme, topos that induces fiction more than any other - stimulating, one might say, superego-like instances of historical fidelity - to press on its own boundaries, inhibit the space of the invention and merge with non-fictional forms of writing (memorial, diary, reportage ...). But in what way and to what extent its literary (as well as theatrical, cinematographical, comic book...) representation has changed - in terms of tone and strategies, in the degree of deformation of the known and shared reality - in the space of a Century that has seen the transformation of war strategies, media coverage and consequently the collective imagination linked to conflicts? The volume, conceived and edited by Nicola Turi, while tracing the individual path of known and lesser-known authors, in relation to the main theme of the book, both Italian and not (from Leopardi to Zanzotto, from Gadda to Calvino, from Salsa to Dessí, from Luzi and Fenoglio to Leavitt, Eisner and Celestini), also stimulates and elaborates a profound reflection on the bewilderment and natural attraction of the artistic gesture (from time to time in the name of fierce irony, desperate incredulity, the elegiac testimony) for evil, pain, the martial distortion of the human, social and political context.
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The object of study in this edited volume is semi-schematic phrasemes, which are known in German construction grammar research by the term "phraseme constructions." Ten contributions by internationally renowned authors from the fields of construction grammar carry out a corpus-based study of various German phraseme constructions, contrasting them with five other European languages.
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Starting from a vast documentary corpus, the result of in-depth archival research, the volume offers an original perspective on the main forms of entertainment in Pistoia between the seventeenth and eighteenth centuries, focusing in particular on the theatrical activity of the most important cultural institution in the city, the Accademia dei Risvegliati. The survey also examines realities of secondary importance that contributed to enriching the urban cultural fabric, such as the minor stages, the sacred theatre and private entertainment. A broader overview also allows the readers to frame the scope of festive celebrations and occasions for public entertainment, presented through significant exempla.
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