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Feminism and the arts --- Feminist art criticism --- Art criticism --- Feminist criticism --- Arts and feminism --- Arts --- Feminism and the arts. --- Feminist art criticism. --- Art --- Feminist art --- Artists --- Anthology --- Book
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"This book, however, comes to the term 'feminist art' from a different direction. As editors, we have approached 'art' as a dynamic set of material and theoretical practices in the realm of culture, and 'feminism' as an equally dynamic set of activist and theoretical practices in the realm of politics. Given that culture and politics constantly intersect and work upon each other, 'feminist art' for us is the space and place - the site - where feminist politics and the domain of art-making intersect"-- "The term 'feminist art' is often misused when viewed as a codification within the discipline of Art History--a codification that includes restrictive definitions of geography, chronology, style, materials, influence, and other definitions inherent to Art Historical and museological classifications. Employing a different approach, A Companion to Feminist Art defines 'art' as a dynamic set of material and theoretical practices in the realm of culture, and 'feminism' as an equally dynamic set of activist and theoretical practices in the realm of politics. Feminist art, therefore, is not a simple classification of a type of art, but rather the space where feminist politics and the domain of art-making intersect. The Companion provides readers with an overview of the developments, concepts, trends, influences, and activities within the space of contemporary feminist art--in different locations, ways of making, and ways of thinking. Newly-commissioned essays focus on the recent history o f and current discussions within feminist art. Diverse in scope and style, these contributions range from essays on the questions and challenges of large sectors of artists, such as configurations of feminism and gender in post-Cold War Europe, to more focused conversations with women artists on Afropean decoloniality. Ranging from discussions of essentialism and feminist aesthetics to examinations of political activism and curatorial practice, the Companion informs and questions readers, introduces new concepts and fresh perspectives, and illustrates just how much more there is to discover within the realm of feminist art. Addresses the intersection between feminist thinking and major theories that have influenced art theory Incorporates diverse voices from around the world to offer viewpoints on global feminisms from scholars who live and work in the regions about which they write Examines how feminist art intersects with considerations of collectivity, war, maternal relationships, d esire, men, and relational aesthetics Explores the myriad ways in which the experience of inhabiting and perceiving aged, raced, and gendered bodies relates to feminist politics in the art world Discusses a range practices in feminism such as activism, language, education, and different ways of making art The intersection of feminist art-making and feminist politics are not merely components of a unified whole, they sometimes diverge and divide. A Companion to Feminist Art is an indispensable resource for artists, critics, scholars, curators, and anyone seeking greater strength on the subject through informed critique and debate."--from back cover
Feminism in art. --- Feminism --- Feminist art criticism. --- Political aspects. --- Feminism in art --- Feminist art criticism --- Political aspects --- Art criticism --- Feminist criticism --- Feminism and art. --- Feminism - Political aspects
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Arts, Modern --- Feminism and the arts --- Arts and feminism --- Arts --- Art --- Feminist art --- Artists --- Anthology --- Book
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Feminism and art --- Art, Modern --- Feminism in art --- Feminist art criticism --- History and criticism
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Includes articles and book reviews; with links to bibliographies of books and magazines on women's art, and to listings of women's art organizations, archives and Internet sites.
Feminism and art --- Feminist art criticism --- Women artists --- Feminism and art. --- Feminist art criticism. --- Women artists. --- Artists, Women --- Women as artists --- Art and feminism --- Artists --- Art criticism --- Feminist criticism --- Art
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To what extent have developments in global politics, artworld institutions, and local cultures reshaped the critical directions of feminist art historians? The significant new research gathered here engages with the rich inheritance of feminist historiography since around 1970, and considers how to maintain the forcefulness of its critique while addressing contemporary political struggles. Taking on subjects that reflect the museological, global and materialist trajectories of twenty-first-century art historical scholarship, the chapters address the themes of Invisibility, Temporality, Spatiality and Storytelling. They present new research on a diversity of topics that span political movements in Italy, urban gentrification in New York, community art projects in Scotland and Canada's contemporary indigenous culture. Individual chapter analyses focus on the art of Lee Krasner, The Emily Davison Lodge, Zoe Leonard, Martha Rosler, Carla Lonzi and Womanhouse. Together with a synthesising introductory essay, these studies provide readers with a view of feminist art histories of the past, present and future.
Feminism and art --- Art --- Art and feminism --- Historiography --- Sociology of the family. Sociology of sexuality --- art history --- feminism --- art criticism --- feminisme --- Feminist art criticism --- social criticism
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Feminism and art. --- Feminism och konst. --- Feminism och litteratur. --- Feminism --- Feminist art criticism. --- Feministisk teori. --- Godsdienst. --- Het Heilige. --- Konstvetenskap. --- Litteraturvetenskap. --- Vrouwen. --- Women and religion. --- konst --- religion. --- religiösa aspekter. --- Feminism and art --- Feminist art criticism --- Women and religion --- 230*711 --- Religion and women --- Women in religion --- Religion --- Sexism in religion --- Art criticism --- Feminist criticism --- Art and feminism --- Art --- 230*711 Feministische theologie --- Feministische theologie
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Pinar Tuzcu explores rapper Lady Bitch Ray's performance and particularly her use of the term Kanackin. She combines issues of popfeminism and postmigration through speculative methodology and invites us to forget prescriptive definitions by proposing paradoxicality as a source to diversify our concepts of feminism. By means of Situational Analysis, her study works through the contradictory forms of positioning that occurred in group discussions with Turkish-German university students about Lady Bitch Ray's music videos. In this book, Tuzcu argues that these contradictory forms of positioning bear traces of emergent discourses that reach beyond Western-centric descriptions of feminism in Germany. »Der Diskurs um postmigrantische Popkultur in Deutschland wird durch Pinars Buch um einen vielversprechenden Beitrag erweitert. Lady Bitch Ray als hybride Kunstfigur passt in diesen Diskurs gut rein.« Patricia Bonaudo, Missy Magazine, 06.09.2016 Besprochen in: IDA-NRW, 1 (2017)
Hip-hop feminism. --- Women rap musicians --- Rap musicians --- Women musicians --- Feminism --- Postmigration; Popfeminism; Decolonial Approaches; Feminist Art & Performance; Rap; Gender; Popular Culture; Postcolonialism; Gender Studies; Cultural Studies; Sociology --- Cultural Studies. --- Decolonial Approaches. --- Feminist Art & Performance. --- Gender Studies. --- Gender. --- Popfeminism. --- Popular Culture. --- Postcolonialism. --- Rap. --- Sociology.
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Polish-born artist Ewa Partum is considered a pioneer of Central-Eastern European feminist art produced within the conceptual idiom. Her work can also be divided chronologically into Polish (1965-82), West Berlin (1982-1989) and transnational (from 1989) periods. Karolina Majewska-Güde articulates the historical alterity of Ewa Partum's works in their various locations and the specificity of the positions from which Partum's art was interpreted and disseminated. At the same time, the book engages with the art histories of the Central and Eastern European neo-avant-gardes focusing on the issue of narrative strategies of CEE art history.
Performance Art; Feminist Art; Conceptual Art; Central and Eastern Europe; Art History; Methodology; Art; Gender; Literature; Art History of the 20th Century; European Art; Political Art; Fine Arts; --- Partum, Ewa, --- Partum, Ewa, --- Criticism and interpretation. --- Poland. --- Art History of the 20th Century. --- Art History. --- Art. --- Central and Eastern Europe. --- Conceptual Art. --- European Art. --- Feminist Art. --- Fine Arts. --- Gender. --- Literature. --- Methodology. --- Political Art.
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