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Dieses Buch widmet sich den Erzahltraditionen um drei gesetzlose Helden, die in England, Deutschland und Nordamerika ansassig waren: Robin Hood, Klaus Stortebeker und Jesse James uben eine bis heute anhaltende Faszination aus. Im Mythos des Gesetzlosen finden gesellschaftliche Diskurse um Recht und Gerechtigkeit, um Herrschaft und Widerstand, um Souveranitat und Legitimitat einen narrativen Ausdruck. Erzahlungen, in denen Rauber, Piraten oder Banditen zu Rebellen und schliesslich zu Helden avancieren, gestalten die Widerspruche innerhalb rechtlich geordneter Gesellschaften literarisch. Rechtsordnungen besitzen einen sozialen und einen territorialen Aspekt. In der narrativen Darstellung historischer Raumkonstellationen wird die Vorstellung vom Recht als konstituierendem gesellschaftlichem Faktor anschaulich. Die vorliegende Studie eroffnet eine neue Perspektive auf die Bedeutung der heroischen Gesetzlosigkeit als einem Phanomen der sozialen und raumlichen Transgression.
Heroes in literature. --- Heroines in literature. --- Heroines
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The history of comics has centered almost exclusively on men. Comics historians largely describe the medium as one built by men telling tales about male protagonists, neglecting the many ways in which women fought for legitimacy on the page and in publishers’ studios. Despite this male-dominated focus, women played vital roles in the early history of comics. The story of how comic books were born and how they evolved changes dramatically when women like June Tarpé Mills and Lily Renée are placed at the center rather than at the margins of this history, and when characters such as the Black Cat, Patsy Walker, and Señorita Rio are analyzed. Comic Book Women offers a feminist history of the golden age of comics, revising our understanding of how numerous genres emerged and upending narratives of how male auteurs built their careers. Considering issues of race, gender, and sexuality, the authors examine crime, horror, jungle, romance, science fiction, superhero, and Western comics to unpack the cultural and industrial consequences of how women were represented across a wide range of titles by publishers like DC, Timely, Fiction House, and others. This revisionist history reclaims the forgotten work done by women in the comics industry and reinserts female creators and characters into the canon of comics history.
Heroines in literature --- Women in literature --- Comic strip characters --- History
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This contribution aims to offer a study of the Italian adaptation of the Calderonian comedy Amor honor y poder by Angiola D'Orsi, in which the mechanisms that have allowed the recreation of the semantics of comedy, complex and strongly rooted in the stereotyped formulas of every literary tradition, are highlighted. Art comedian, dramatist, translator and highly experienced actor-manager (capocomico), Angiola D'Orsi shows her ability to acclimate the Spanish opera to the new context of reception, through an operation of mediation and interpretation of the two ideological and dramatic systems. Through the comparative analysis of the figures carrying comedy, characterized by linguistic and character stereotypes, we examine the ways in which their dramatic and cultural redefinition is carried out, closely linked to Italian theatrical practice and in accordance with the traditional mask of Zanni.
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European fiction --- Gender identity in literature. --- Heroines in literature. --- Emotions in literature. --- History and criticism.
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Die komparatistische Studie betrachtet den gynozentrischen Roman des 18. Jahrhunderts und den des 19. Jahrhunderts unter gemeinsamen Perspektiven. Zentral steht die Frage nach der Bedeutung der Geschlechtscharakter-Anthropologie für das 19. Jahrhundert. Anhand prominenter Texte der deutschen, englischen und französischen Romanliteratur, die als Verführungsromane weibliche Heldinnen in den Fokus stellen, wird der These einer Kollision von Verstand und Gefühl als spezifisch weibliches Dilemma nachgegangen. Frauen werden dem maßgeblichen Geschlechtscharakterdiskurs zufolge zwar einerseits als emotional definiert, das aktive Ausleben dieser und weiterer ,natürlich weiblicher' Dispositionen bleibt andererseits aber verpönt. Der Vergleich fiktionaler Entwürfe von Weiblichkeit mit normativen Idealen, wie sie zeitgenössische Erziehungsratgeber und Anstandslehren konzipieren, lässt Kontinuitäten und Diskontinuitäten des westeuropäischen Romans in seinen diskursgeschichtlichen Kontexten zutage treten.
European fiction --- Gender identity in literature. --- Heroines in literature. --- Emotions in literature. --- Heroines --- History and criticism.
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The figure of the woman as hero in pastoral romance is shown to grow in importance and complexity in this important new study.
Pastoral fiction, English --- English fiction --- Heroines in literature. --- History and criticism. --- Heroines --- Women and literature
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English fiction --- Heroines in literature --- Women in literature --- Women --- History and criticism --- Books and reading
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This book is about the bold, beautiful, and faithful heroines of the Greek novels and their mythical models, such as Iphigenia, Phaedra, Penelope, and Helen. The novels manipulate readerly expectations through a complex web of mythical variants and constantly negotiate their adventure and erotic plot with that of traditional myths becoming, thus, part of the imperial mythical revision to which they add the prospect of a happy ending.
Women --- Heroines in literature --- Mythology, Greek --- Greek mythology --- Heroines --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Mythology --- E-books --- Heroines in literature. --- Mythology, Greek. --- Euripides. --- Homer. --- Myth. --- novelistic narratives.
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Eating disorders in literature --- German fiction --- Heroines in literature --- Women and literature --- Women authors --- History and criticism
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Arts --- Heroines in literature --- Heroines --- Women heroes in art --- Themes, motives --- Folklore --- Joan, --- Joan, --- In literature. --- Portraits.
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