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Christian church history --- Iconography --- anno 1500-1599 --- Judgment Day in art --- Art and religion --- Reformation in art --- Jugement dernier dans l'art --- Art et religion --- Réforme dans l'art --- -Reformation in art --- -Judgment Day in art --- Reformation in art. --- Judgment Day --- Christian art and symbolism --- Art --- Arts in the church --- Religion and art --- Religion --- Religious aspects --- Judgment Day in art. --- Réforme dans l'art --- Art and religion - - Europe, Northern
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La Maiestas Domini figure les quatre Vivants de l'Apocalypse rassemblés autour du Christ. C'est l'une des premières iconographies dogmatiques élaborées en Occident après la paix de l'Eglise en 313. Cette représentation, destinée à devenir centrale au Moyen Age, traduit une vision de l'Eglise terrestre à travers son modèle céleste. Dans l'Italie de l'Antiquité tardive, dans les royaumes mérovingiens, puis dans l'Empire carolingien, la Maiestas Domini donne forme aux conceptions ecclésiales qui s'élaborent dans la pensée dogmatique, institutionnelle et parfois politique du contexte historique où elle se déploie. En abordant tous les types de support artistique (décor monumental, manuscrits, orfèvrerie), cet ouvrage met en lumière la variété des occurrences et des mises en œuvres de cette iconographie, dans une période de cinq siècles (Ve-IXe siècle), abordant ainsi tant la question de ses origines intellectuelle et formelle dans l'Antiquité chrétienne, que ses premiers développements médiévaux.
Christian art and symbolism --- Art, Medieval. --- Icons. --- Judgment Day in art. --- Art et symbolisme chrétiens --- Art médiéval --- Icônes --- Jugement dernier dans l'art --- Themes, motives --- Thèmes, motifs --- Art, Medieval --- Icons --- Judgment Day in art --- Art et symbolisme chrétiens --- Art médiéval --- Icônes --- Thèmes, motifs --- Iconographie --- Eglise --- Iconographie christique.
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Judgment Day in art - Poetry --- Christian art and symbolism - France - Bourges - Medieval, 500-1500 - Poetry --- Sculpture, Medieval - France - Bourges - Poetry --- 726.644 x --- 246 --- 246 Art et symbolisme chretiens --- 246 Christelijke kunst en symbolisme --- Art et symbolisme chretiens --- Christelijke kunst en symbolisme --- Judgment Day in art --- Christian art and symbolism --- Sculpture, Medieval
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À la fin des temps, le Seigneur jugera l'humanité tout entière, attribuant les lieux du bonheur éternel aux justes, et ceux de la souffrance éternelle aux damnés. La certitude du jugement divin et l'attente de ce jour ont donné lieu à des expressions visuelles qui ont pris forme et ont acquis au fil des siècles une précision croissante et une analyse toujours plus détaillée. L'histoire de cette représentation atteint sa pleine autonomie entre le VIIIe et le IXe siècles ; elle est attestée de manière significative tant en Occident qu'en Orient, de l'Espagne (Leon) à la Russie (Vladimir). Le présent ouvrage en parcourt les différentes phases, de l'époque où des métaphores, des images partielles ou secondaires en ont représenté l'un ou l'autre thème, jusqu'à l'aube de ce jalon qu'a constitué la grande fresque de la chapelle Sixtine de Michel-Ange. La structure particulière de ce volume se fonde sur un essai organisé de manière chronologique, et sur la présence, à la fin de chaque chapitre, d'une série d'approfondissements sur des monuments spécifiques, analysés par les plus grands spécialistes en la matière. Elle met ainsi en valeur une longue série d'œuvres-témoins des plus variées - des codex enluminés aux mosaïques, en passant par la sculpture et la fresque - et offre un panorama unique par son ampleur et sa documentation.
Judgment Day in art --- Christian art and symbolism --- Jugement dernier dans l'art --- Art et symbolisme chrétiens --- Themes, motives --- Thèmes, motifs --- Art et symbolisme chretiens --- Themes, motifs --- Art et symbolisme chrétiens --- Thèmes, motifs --- Themes, motives. --- Jugement dernier --- Iconographie
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"Few subjects in Christianity have inspired artists as much as the Last Judgment. Last Judgment Iconography in the Carpathians examines over 100 images of the Last Judgment, with an emphasis on those from the fifteenth century to the eighteenth century, in the Carpathian mountain region of Ukraine, Poland, Slovakia, and Romania. John-Paul Himka's analysis of these monumental works of art allows him to consider history free from the traditional frameworks and narratives of nations. For nine years, Himka studied Last-Judgment images throughout the Carpathians and found a distinctive and transnational blending of Gothic, Byzantine, and Novgorodian art in the region." "Piecing together the story of how these images were produced and how they developed, Himka traces their origins on linden boards and their evolution on canvas and church walls. Originally painted by monks, these images increased in popularity and eventually came to be commissioned and even painted by peasants and shepherds whose tastes so shocked bishops that they ordered the destruction of depictions of sexual themes and grotesque forms of torture. A richly illustrated and detailed account of history through a style of art, Last Judgment Iconography in the Carpathians will find a receptive audience with art historians, religious scholars, and Slavists."--Jacket.
Judgment Day in art. --- Apocalypse in art. --- Icons --- Eikons --- Ikons --- Christian art and symbolism --- Christian saints in art --- Judgment Day --- History. --- Christianity and art --- Orthodox Eastern Church. --- History --- Carpathian Mountains Region --- Religious life and customs.
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Judgment Day in art --- Panel painting, Flemish --- Panel painting, Renaissance --- Panel painting --- Altarpieces, Flemish --- Altarpieces, Renaissance --- Altarpieces --- Weyden, Rogier van der, --- Hôtel-Dieu de Beaune (Museum) --- Altarpieces, Flemish. --- Judgment Day in art. --- Panel painting, Flemish. --- Judgment Day --- Christian art and symbolism --- Predellas --- Reredos --- Retables --- Screens (Church decoration) --- Renaissance altarpieces --- Painting --- Renaissance panel painting --- Flemish altarpieces --- Flemish panel painting --- Musée de l'Hôtel-Dieu (Beaune, France) --- Hôtel-Dieu Museum (Beaune, France) --- Panel painting, Renaissance - Flanders --- Panel painting - France - Beaune --- Altarpieces, Renaissance - Flanders --- Altarpieces - France - Beaune --- Weyden, Rogier van der, - 1399 or 1400-1464 - Last Judgment
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"Experiencing the Last Judgement opens up new ways of understanding a Byzantine image type that has hitherto been considered largely uniform in its manifestations and to a great extent frightening, coercive and paralysing. It moves beyond a purely didactic understanding of the Byzantine image of the Last Judgement, as a visual eschatological text to be 'read' and learned from, and proposes instead an appreciation of each unique image as a dynamic site to be experienced. Paintings, icons and mosaics from the tenth to the fourteenth century, from inside and outside of the Byzantine Empire, are placed within their specific socio-historical milieus, their immediate decorative programmes and their architectural contexts to demonstrate that each unique image constituted a carefully orchestrated and immersive experience of judgement. Each case study outlines the differences that exist in reality between these images that are often subsumed under one iconographic label, making a case against condensing dynamic, lived images into apparently static pictorial 'types'. Images of the Last Judgement needed the body, mind and memory of the viewer for the creation of meaning, and so the experience of these images was unavoidably spatial, gendered, corporeal, mnemonic, emotional, rhetorical and most often liturgical. Unpacking Byzantine images of judgement in light of these various facets of experience for the first time helps to elucidate the interaction of past individuals with the image, and the ways in which such encounters were intended to benefit the communities that made and lived alongside them"--
Judgment Day in art --- Art, Byzantine - Themes, motives --- Art and society - Byzantine Empire --- Art, Byzantine --- Art and society --- Themes, motives --- Art --- Art and sociology --- Society and art --- Sociology and art --- Byzantine art --- Art, Medieval --- Christian art and symbolism --- Judgment Day --- Social aspects
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Comparative literature --- Drama --- Iconography --- Literary semiotics --- Thematology --- anno 500-1499 --- 7.046.3 --- Iconografie: religieuze voorstellingen --- 7.046.3 Iconografie: religieuze voorstellingen --- Art and literature --- Christian art and symbolism --- Christian drama, English (Middle) --- English drama --- Judgment Day in art --- Judgment Day in literature --- Mysteries and miracle-plays, English --- Judgment Day --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literature --- History and criticism --- Symbolism in art --- ICONOGRAPHIE --- JUGEMENT DERNIER --- MOYEN AGE
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