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"Between Banat presents a feminist and queer of color analysis of homoeroticism and nonnormative sexualities between Arab women as represented in transnational Arab literature, art, and film. It draws on a dynamic archive of Arabic and Anglophone film and literature, as well as works in translation and transliteration to outline dominant discourses which make representing queer Arab subjects difficult. Between Banat establishes queer Arab critique as a strategy to read around limiting discourses and proposes tenets to make possible queer Arab futures. Mejdulene Bernard Shomali demonstrates how systems of heteropatriarchy, Arab nationalisms, and Orientalism work in relation to mire queer Arab women's horizons and uses queer Arab critique to locate queer desire amidst heteronormative imperatives"--

Women, Arab --- Women --- Lesbianism --- Feminism --- Lesbianism in literature. --- Lesbianism in motion pictures. --- Queer theory. --- Sex --- Social conditions. --- Lesbianism in literature --- Lesbianism in motion pictures --- Queer theory --- Social conditions

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"In this major contribution to lesbian theory/cultural studies, Lynda Hart analyzes the way violent women have been represented in literature, plays, film, and performance. Starting from the historical link between criminality and sexual deviancy, Hart builds a complex and original theory in which the shadow of the lesbian animates representations of violent women from the Victorian novel to the recent proliferation of films depicting women who kill. This cross-disciplinary study critiques constructions of gender, race, class, sexualities, and the cultural politics of the 1990s in one of the first book-length contributions to lesbian theory. Fatal Women is certain to be widely read by scholars, students, and anyone interested in the politics of representation. Hart's introductory chapter constructs a theory of female violence across the discourse of sexology, criminology, and psychoanalysis. Subsequent chapters detail this theory in the Victorian novel and stage sensation Lady Audley's Secret, Frank Wedekind's Lulu plays, which introduced the "invert" onto European stage, the popular films Thelma and Louise, Mortal Thoughts, and Basic Instinct, the political intersection of race and gender in Single White Female, the performance art of Karen Finley in the context of the censorship debates, the fate of Aileen Wuornos, dubbed the first "female serial killer" by the FBI, and the Split Britches' performance Lesbians Who Kill."--Publisher's description.

Lesbianism in motion pictures. --- Women in motion pictures. --- Feminism and theater. --- Lesbianism in literature.

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"Explores the aesthetic dilemma prompted by the censorship of Radclyffe Hall's novel The Well of Loneliness in 1928. Faced with legal and financial reprisals, women writers were forced to question how they might represent lesbian identity and desire. Modernist experimentation has often been seen as a response to this problem, but English breaks new ground by arguing that popular genre fictions offered a creative strategy against the threat of detection and punishment. Her study examines a range of responses to this dilemma by offering illuminating close readings of fantasy, crime, and historical fictions written by both mainstream and modernist authors."--Provided by publisher.

English fiction --- American fiction --- Lesbianism in literature. --- Modernism (Literature) --- Crepuscolarismo --- Literary movements --- Women authors --- History and criticism.

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"With wit and verve, Linda Garber shows how lesbian historical fiction fills in the lacunae that the imagination craves-and that historians, limited to documented evidence, cannot produce... a wonderfully entertaining read." --Lillian Faderman, author of Surpassing the Love of Men, Odd Girls and Twilight Lovers, and To Believe in Women "Garber captures the urgent need we have to find our woman-loving selves in the past, in a crisp lesbian literary history full of pride, passion, and charm. At the same time, she calls to account the places where the work has been inauthentic. You'll finish Garber's book clutching a very long fiction reading list!" --Jewelle Gomez, author of The Gilda Stories "A study of the fascinating genre of lesbian historical fiction is long overdue, and Garber's is insightful and highly readable." --Emma Donohue, author of Room, The Pull of the Stars, Life Mask, and The Sealed Letter Novel Approaches to Lesbian History tells a tale about history and community in our allegedly post-identity era, examining contemporary novels that depict lesbian characters in recognizable historical situations. These imaginative stories provide a politically vital, speculative past in the face of a sketchy, problematic archive. Among the memorable characters in some 200 novels are pirates, cowgirls, and famous artists, ghosts and time travellers, immigrants and lovers. The best lesbian historical novels are conscientious and buoyant as they engage critical historiographical questions, but Novel Approaches also discusses the class and race biases that weigh on the genre. Some lesbian historical novels are based on archival evidence, others on conjecture or fantasy, but all convey the true fact that identity is elusive without a past, without which its future is nearly impossible. Linda Garber is the author of Identity Poetics: Race, Class, and the Lesbian-Feminist Roots of Queer Theory and Lesbian Sources: A Bibliography of Periodical Articles, and the editor of Tilting the Tower: Lesbians/Teaching/Queer Subjects. She is Associate Professor of Women's and Gender Studies at Santa Clara University, USA.

Sociology of the family. Sociology of sexuality --- Literature --- literatuur --- gender --- anno 1900-1999 --- Lesbianism in literature. --- Fiction --- Lesbianism --- History.

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A timely and original examination of lesbian modernismReflects critically upon 30 years of lesbian modernist studies to expand existing meanings and uses of lesbian modernism Outlines novel ways in which lesbian modernism can continue to inform and enrich modernist studies Critically investigates the boundaries of lesbian modernism in relation to queer and feminist modernism Offers new readings of familiar and lesser-known lesbian modernist authors Makiko Minow coined the phrase ‘lesbian modernism’ in 1989. Since then, scholars of lesbian modernism have produced crucial work to critique and expand the modernist canon. At the same time, there has been ongoing critical debate about what constitutes a lesbian modernist text, who counts as a lesbian modernist author, and how lesbian modernism relates to queer and trans modernism. This edited volume presents twelve newly commissioned chapters that reassess and interrogate the meanings, uses and limitations of lesbian modernism by exploring a broad range of authors, genres and histories. Individual chapters investigate what work the concept of ‘lesbian modernism’ has done in the past, how its boundaries have been defined and contested, and what voices have been included and excluded. As a whole, the book demonstrates how the concept of lesbian modernism can be mobilised in new and meaningful ways to continue to inform and enrich modernist studies.

Gays' writings --- Lesbian authors --- Lesbianism in literature. --- Modernism (Literature) --- Women in literature. --- History and criticism --- History --- Lesbians' writings