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Directing --- Mamet, David --- Flanders --- Weisz, Richard --- מאמט, דיוויד. ששקו, לאה. מק׳קרדי, מייקל --- Criticism and interpretation. --- Appreciation --- Mamet, David,
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This collection of specially written essays offers both student and theatregoer a guide to one of the most celebrated American dramatists working today. Readers will find the general and accessible descriptions and analyses provide the perfect introduction to Mamet's work. The volume covers the full range of Mamet's writing, including now classic plays such as American Buffalo and Glengarry Glen Ross, and his more recent work, Boston Marriage, among others, as well as his films, such as The Verdict and Wag the Dog. Additional chapters also explore Mamet and acting, Mamet as director, his fiction, and a survey of Mamet criticism. The Companion to David Mamet is an introduction which will prepare the reader for future work by this important and influential writer.
Mamet, David --- Weisz, Richard --- מאמט, דיוויד. ששקו, לאה. מק׳קרדי, מייקל --- Criticism and interpretation. --- Criticism and interpretation --- Mamet, David, 1947 --- -Criticism and interpretation --- English --- American Literature --- Languages & Literatures --- MAMET (DAVID) --- CRITIQUE ET INTERPRETATION
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820 "19" MAMET, DAVID --- 378.18:82 --- 820 "19" MAMET, DAVID Engelse literatuur--20e eeuw. Periode 1900-1999--MAMET, DAVID --- Engelse literatuur--20e eeuw. Periode 1900-1999--MAMET, DAVID --- 378.18:82 Studenten: statuut. Maatschappelijke problemen van studenten-:-Literatuur. Algemene literatuurwetenschap --- Studenten: statuut. Maatschappelijke problemen van studenten-:-Literatuur. Algemene literatuurwetenschap
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In this new edition of the widely-acclaimed Modern American Drama, Christopher Bigsby completes his survey of postwar and contemporary theatre and brings the reader up to 2000. While retaining the key elements of the first edition, including surveys of those major figures who have shaped postwar American drama, such as Eugene O'Neill, Tennessee Williams, Arthur Miller, Edward Albee, David Mamet, and Sam Shepard, Bigsby also explores the most recent works and performances: these include plays by established dramatists such as Miller's The Ride down Mount Morgan and Albee's Three Tall Women, as well as works by relatively new playwrights Paula Vogel, Tony Kushner, and Terrence McNally among others. Bigsby also provides a new chapter, 'Beyond Broadway' and offers an analysis of how theatre has formed and influenced the millenial culture of America.
toneelgeschiedenis --- Theatrical science --- anno 1900-1999 --- America --- American drama --- History and criticism --- 20th century --- O'Neill, Eugene Gladstone --- Criticism and interpretation --- Williams, Tennessee --- Miller, Arthur --- Albee, Edward --- Shepard, Sam --- Mamet, David --- Mamet, David, 1947 --- -Criticism and interpretation --- Arts and Humanities --- Literature --- History and criticism. --- THEATRE (GENRE LITTERAIRE) AMERICAIN --- 20E SIECLE --- HISTOIRE ET CRITIQUE
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Despite more than a passing nod to such crowdpleasing classics as Hitchcock's North by Northwest, playwright-turned-independent filmmaker David Mamet's The Spanish Prisoner is a particularly idiosyncratic film that betrays its origin outside the Hollywood mainstream. Featuring a convoluted narrative, an excessive, often anti-classical, visual style, and belonging to the generic category of the 'con game film' which often challenges the spectator's cognitive skills, The Spanish Prisoner is a film that bridges genre filmmaking with personal visual style, independent film production with niche distribution,and mainstream subject matter with unconventional filmic techniques. This book discusses The Spanish Prisoner as an example of contemporary American independent cinema while also using the film as a vehicle to explore several key ideas in film studies, especially in terms of aesthetics, narrative, style, spectatorship, genre and industry. Key Features oDistinguishes between independent and 'indie' cinema through anexamination of the 'classics divisions,' especially Sony Pictures Classics oAssesses the position of David Mamet within American cinema oIntroduces the genre categories of the 'con artist' and the 'con game' filmand discusses The Spanish Prisoner as a key example of the latter oExamines the ways in which narrative, narration and visual style deviate from the mainstream/classical aesthetic
Independent films --- Independent filmmakers --- Independent moviemakers --- Motion picture producers and directors --- Indie films --- Motion pictures --- History and criticism. --- Mamet, David --- Weisz, Richard --- מאמט, דיוויד. ששקו, לאה. מק׳קרדי, מייקל --- Criticism and interpretation. --- Spanish prisoner (Motion picture)
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Drama --- Dialogue --- Discourse analysis, Literary --- Literary discourse analysis --- Rhetoric --- Style, Literary --- Dialog --- Drama, Modern --- Plays --- Stage --- Literature --- Acting --- Philosophy --- Mamet, David --- -Bakhtin, M. M. --- Weisz, Richard --- מאמט, דיוויד. ששקו, לאה. מק׳קרדי, מייקל --- Criticism and interpretation --- Bachtin, Michaïl --- Bajtin, Mijail --- Bakhtin, M. M. --- Bakhtine, Mikhail --- Literary style --- Drama. --- Discourse analysis, Literary. --- -Bahtin, Mihail Mihajlovič --- Bahtin, Mihail Mihajlovič. --- Criticism and interpretation. --- Dramas --- Dramatic works --- Playscripts
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American drama --- Theater --- Théâtre américain --- Théâtre --- History and criticism --- History --- Histoire et critique --- Histoire --- 20th century --- United States --- Drama --- American literature --- anno 1900-1999 --- Théâtre américain --- --1945-1990 --- --American drama --- History and criticism. --- 820-2 "19" --- 820 <73> "19" --- 820 <73> "19" Amerikaanse literatuur--20e eeuw. Periode 1900-1999 --- Amerikaanse literatuur--20e eeuw. Periode 1900-1999 --- 820-2 "19" Engelse literatuur: toneel; drama--20e eeuw. Periode 1900-1999 --- Engelse literatuur: toneel; drama--20e eeuw. Periode 1900-1999 --- American drama - 20th century - History and criticism --- Theater - United States - History - 20th century --- THEATRE (GENRE LITTERAIRE) AMERICAIN --- SHEPARD (SAM) --- MAMET (DAVID) --- ALBEE (EDWARD), 1928 --- -O'NEILL (EUGENE), 1888-1953 --- MILLER (ARTHUR), 1915-2005 --- WILLIAMS (TENNESSEE), 1911-1983 --- 20E SIECLE --- HISTOIRE ET CRITIQUE
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