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Mikhail Lifshitz is a major forgotten figure in the tradition of Marxist philosophy and art history. A significant influence on Lukács, and the dedicatee of his The Young Hegel , as well as an unsurpassed scholar of Marx and Engels’s writings on art and a lifelong controversialist, Lifshitz’s work dealt with topics as various as the philosophy of Marx and the pop aesthetics of Andy Warhol. The Crisis of Ugliness (originally published in Russian by Iskusstvo, 1968), published here in English for the first time, and with a detailed introduction by its translator David Riff, is a compact broadside against modernism in the visual arts that nevertheless resists the dogmatic complacencies of Stalinist aesthetics. Its reentry into English debates on the history of Soviet aesthetics promises to re-orient our sense of the basic coordinates of a Marxist art theory.

Modernism (Art)

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The author of this chapter discusses the psychological concept of free will and attempts to answer the following questions: First, what are the psychological roots of our concept of free will? Second, how might progress on the first question contribute to progress regarding normative debates about the proper concept of free will? In sections 2 and 3 I address the first question. Section 2 discusses recent work in the experimental philosophy of free will and motivates the study I report in section 3. Section 4 reflects on the second question in light of the reported results.To preview, the results suggest that the psychological structure of our concept of free will is sensitive to three independent features: Liberty, Ensurance, and Consciousness. I argue this supports the view that our concept is incompatibilist more than the view that our concept is compatibilist, and I discuss two proposals regarding the normative upshot. On one proposal, these results might be taken to offer some support to incompatibilism about the proper concept. A second proposal, however, makes room for a much different upshot.

Modernism (Art)

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Art, Chinese --- Modernism (Art) --- Modernism (Art)

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Art, Japanese --- Modernism (Art)

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One of the defining features of modernism lies in its far-reaching rethinking of the relation between the human and the non-human. In the present volume, this crucial aspect of modernism's legacy is investigated from an authentically transnational perspective, taking an innovative stance on a diverse range of authors - from posthumanist classics such as Beckett and Woolf to Valentine de Saint-Point, Radoje Domanovic and Aldo Palazzeschi among others. On the one hand, this collection sheds new light on the modernist contribution to posthumanism, providing a valuable reference point for future studies on the topic. On the other, it offers a new take on the transnational dimension of modernism, highlighting unexplored convergences between modernist authors from several different national contexts.

Modernism (Art) --- Philosophical anthropology.