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Studien zur Musik des 19. Jahrhunderts
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ISBN: 3764922923 3764922915 3764922931 376492294X 9783764922917 9783764922924 9783764922931 9783764922948 Year: 1985 Volume: 60 Publisher: Regensburg Bosse

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Die Harmonielehren der ersten Hälfte des 19. Jahrhunderts
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ISBN: 3764920815 9783764920814 Year: 1974 Volume: 38 Publisher: Regensburg Bosse

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Das Mittelalter im 19. Jahrhundert : ein Beitrag zur Kompositionsgeschichte in Frankreich
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ISBN: 9783515102940 3515102949 Year: 2013 Volume: 72 Publisher: Stuttgart Franz Steiner

The Cambridge history of nineteenth-century music
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ISBN: 0521590175 9780521590174 9781139053440 9781107679948 Year: 2002 Publisher: Cambridge : Cambridge University Press,


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Das Fortschrittsproblem in der Musik um die Jahrhundertwende : von Richard Wagner bis Arnold Schönberg
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ISBN: 3764921536 9783764921538 Year: 1977 Volume: 53 Publisher: Regensburg : G. Bosse,

Felix Mendelssohn-Bartholdy und die griechische Tragödie : Bühnenmusik im Kontext von Politik, Kultur und Bildung
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ISBN: 3777611352 9783777611358 Year: 2001 Volume: 78/1 Publisher: Stuttgart : S. Hirzel,


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Beethoven 1806
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ISBN: 9780190947187 0190947187 Year: 2019 Publisher: Oxford Oxford University Press

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Between early 1806 and early 1807, Ludwig van Beethoven completed a remarkable series of instrumental works. But critics have struggled to reconcile the music of this banner year with Beethoven's "heroic style," the paradigm through which his middle-period works have typically been understood. Drawing on theories of mediation and a wealth of primary sources, Beethoven 1806 explores the specific contexts in which the music of this year was conceived, composed, and heard. As author Mark Ferraguto argues, understanding this music depends on appreciating the relationships that it both creates and reflects. Not only did Beethoven depend on patrons, performers, publishers, critics, and audiences to earn a living, but he also tailored his compositions to suit particular sensibilities, proclivities, and technologies.


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Le Sens de la Musique: 1750-1900: Vivaldi, Beethoven, Berlioz, Liszt, Debussy, Stravinski
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ISSN: 17612160 ISBN: 2728803285 2728803315 2728836914 272883704X 2728833028 9782728803316 9782728803286 Year: 2005 Publisher: [Place of publication not identified] Unknown Publisher

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Les Quatre Saisons de Vivaldi imitent-elles les bruits du monde ? Peut-on penser l'histoire de la musique comme une libération progressive de la contrainte imitative, d'un ancrage naturel ou même naturaliste ? Beethoven, Berlioz, Schumann, Wagner ou Debussy constituent-ils les étapes qui aboutissent à une musique pure ? Le romantisme a fait de la musique le paradigme de l'Art en la concevant comme un langage délivré du poids du sens, un art abstrait » parce qu'autonome. Par la richesse savante des auteurs et des œuvres examinés, par les repères chronologiques et théoriques mis en lumière, l'anthologie proposée ici est une véritable histoire de la pensée sonore et de la pratique musicale du XVIIIe siècle au début du XXe siècle. Le mélomane, le musicologue, comme l'historien ou le philosophe de l'art, pourront évaluer d'un œil neuf les liens de l'imitation et de l'expression, la dispute de l'abstraction et les rapports que les arts entretiennent à la signification.

Keywords

Music --- Musique --- History and criticism --- Philosophy and aesthetics --- Histoire et critique --- Philosophie et esthétique --- Philosophy and aesthetics. --- History and criticism. --- Philosophie et esthétique --- Berlioz, Hector, --- Debussy, Claude, --- Liszt, Franz, --- Stravinsky, Igor, --- Stravinsky, Igor --- Stravinski, Igor --- Strawinsky, Igor --- Strawinski, Igor --- Debi︠u︡si, Klod, --- Debi︠u︡ssi, K. --- Debi︠u︡ssi, Klod, --- Debussy, Achille Claude, --- Debussy, C. --- Debussy, Claude --- Debuxi, --- Tu-pu-hsi, --- Berlioz, Gektor, --- Berlioz, Khektor, --- Berlioz, Louis Hector, --- Berlioz, H. --- List, Frant︠s︡, --- Liszt, Ferenc, --- Liszt, F. --- Liszt, Franciszek, --- List, Ferent︠s︡, --- Liszt, Francesco, --- Lists, F., --- Criticism and interpretation. --- Stravinskij, Igor' Fëdorovič --- Liszt, Ferencz, --- Liszt, Francisco, --- Liszt, Franz --- Music - 19th century - Philosophy and aesthetics. --- Music - 20th century - Philosophy and aesthetics. --- Music - 19th century - History and criticism. --- Music - 20th century - History and criticism. --- Istrāvīnskī, Īgūr, --- Stravinski, Igor, --- Stravinskiĭ, I. F. --- Stravinskiĭ, Igorʹ Fedorovich, --- Stravinskij, Igor Fiodorovič, --- Strawiński, Igor Fiodorowicz, --- Strawinskij, Igor, --- Strawinsky, I. --- Strawinsky, Igor, --- Strawinsky, Jgor, --- Стравинский, Игорь, --- סטראווינסקי, איגור --- סטראוינסקי, איגור --- Popper, Karl R.

The early clarinet : a practical guide
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ISBN: 9780511481840 9780521624596 9780521624664 0511481845 0511066090 9780511066092 0511059787 9780511059780 0511068220 9780511068225 0521624592 0521624665 9786610417438 6610417431 0521624665 1107115272 1280417439 1139145843 0511173377 0511327528 Year: 2000 Publisher: Cambridge : Cambridge University Press,

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This practical guide is intended for all clarinettists with a desire to investigate music of earlier periods. It contains practical help on both the aquisition and playing of historical clarinets, while players of modern instruments will find much advice on style, approach and techniques which combine to make up a well-grounded, period interpretation. The book presents and interprets evidence from primary sources and offers suggestions for further reading and investigation. Most importantly, a series of case studies which include the music of Handel, Mozart and Brahms helps recreate performances which will be as close as possible to the composer's original intention. As the early clarinet becomes increasingly popular worldwide, this guide, written by one of the foremost interpreters of early clarinet music, will ensure that players at all levels - professional, students or amateurs - are fully aware of historical considerations in their performance.

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