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Theology, Music and Time aims to show how music can enrich and advance theology, extending our wisdom about God and God's ways with the world. Instead of asking: what can theology do for music?, it asks: what can music do for theology? Jeremy Begbie argues that music's engagement with time gives the theologian invaluable resources for understanding how it is that God enables us to live 'peaceably' with time as a dimension of the created world. Without assuming any specialist knowledge of music, he explores a wide range of musical phenomena - rhythm, metre, resolution, repetition, improvisation - and through them opens up some of the central themes of the Christian faith - creation, salvation, eschatology, time and eternity, Eucharist, election and ecclesiology. He shows that music can not only refresh theology with new models, but also release it from damaging habits of thought which have hampered its work in the past.

Christian theology --- Theologie --- Theology --- Theology [Christian ] --- Théologie --- Theology. --- Music --- Time. --- Time in music. --- Religious aspects. --- Music--Religious aspects. --- Music Philosophy --- Music, Dance, Drama & Film --- Religious aspects --- Theology, Christian --- Music in worship --- Religion and music --- Christianity --- Religion --- Arts and Humanities --- Music - Religious aspects.

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Popular music --- Rock music --- 316.728.1 --- 316.728.1 Popculture. Popular culture. Volkscultuur. --- Popculture. Popular culture. Volkscultuur. --- Rock and roll music --- Rock-n-roll music --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Religious aspects&delete& --- Christianity --- Popculture. Popular culture. Volkscultuur --- Religious aspects --- Rock music - Religious aspects --- Popular music - Religious aspects

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Shamanism --- Music --- Religious aspects --- Shamanism. --- History and criticism. --- K9064 --- K9766 --- Korea: Religion -- shamanism -- rituals, practices, events --- Korea: Performing and media arts -- music -- ritual and sacred music --- Folk music --- Music in worship --- Religion and music --- History and criticism --- Korea --- Religious life and customs. --- Shamanism - Korea. --- Music - Religious aspects - Shamanism. --- Music - Korea - History and criticism.

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At a time when fundamentalism is on the rise, traditional religions are in decline and postmodernity has challenged any system that claims to be all-defining, young people have left their traditional places of worship and set up their own, in clubs, at festivals and within music culture. Pop Cults investigates the ways in which popular music and its surrounding culture have become a primary site for the location of meaning, belief and identity. It provides an introduction to the history of the interactions of vernacular music and religion, and the role of music in religious culture. Rupert Til

Popular music - Religious aspects. --- Popular music - Social aspects. --- Popular music --- Music Philosophy --- Music --- Music, Dance, Drama & Film --- Religious aspects --- Social aspects --- #SBIB:309H142 --- #SBIB:316.331H340 --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Cover versions --- Religious aspects. --- Social aspects. --- Populaire muziek: functies, muziekgenres, historiek --- Godsdienst en cultuur: algemeen

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"Theology, Music, and Modernity has arisen from a collaboration between Duke University and Yale University. It addresses the question: how can the study of music contribute to a theological reading of modernity? It has grown out of the conviction that music has often been ignored in narrations of modernity's theological struggles. Written by an international team of distinguished theologians, musicologists, and music theorists, these essays show how music (and discourse about music) has remarkable powers to bring to light the theological currents that have shaped modern culture. It focuses on the concept of freedom, concentrating on the years 1740-1850, a period when freedom-especially religious and political freedom-became a burning matter of concern in virtually every strata stratum of Western society. The book is divided into four sections, each section focusing on a key phenomenon of this period- - the rise of the concept of 'revolutionary' freedom, the move of music from church to concert hall, the cry for eschatological justice in the work of black hymn-writer and church leader Richard Allen, and the often fierce tensions between music and language. There is a particular concern to draw on a distinctively 'Scriptural imagination' (especially the theme of New Creation) in order to elicit the key issues at stake, and to suggest constructive ways forward for a contemporary Christian theological engagement with the legacies of modernity today"--

Music --- Religious aspects --- Christianity --- History --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Religious aspects&delete& --- Christianity&delete& --- 78 --- 246.8 <09> --- 246.8 <09> Religieuze muziek--Geschiedenis van ... --- Religieuze muziek--Geschiedenis van ... --- 78 Muziek --- Muziek --- 78 Music --- Religieuze muziek--Geschiedenis van --- Music - Religious aspects - Christianity - History