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Painting --- Time in art --- Temps dans l'art --- Peinture --- Philosophy --- Philosophie --- Time in art. --- Painting. --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts
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Les oeuvres, d'art et de pensée, ont un rôle dans la constitution de la mémoire, mais elles anticipent aussi la formulation de l'avenir. Ce battement entre mémoire et préfiguration est envisagé ici dans un dialogue entre deux univers de culture : l'un venu du Japon, l'autre développé en Europe. Les rapports au temps qui se jouent à travers l'art et la littérature, aussi bien que la notion même d'oeuvre, se trouvent ainsi confrontés à des usages différents de la tradition et de l'invention. La figure du précurseur, les temps propres du poème, l'invention musicale, la temporalité et la force de rupture des créations visuelles et gestuelles - autant de domaines où l'actualisation esthétique et l'expérience d'écrire sont abordées depuis l'une ou l'autre de ces horizons. Se rencontrent ainsi deux versions d'une interrogation sur les tems et mesures variables de la modernité.
Comparative literature --- Thematology --- Temps dans la litterature --- Temps dans l'art --- Littérature française --- Litterature japonaise --- Memoire (Philosophie) --- Thèmes, motifs --- Themes, motifs --- 895.6 --- 82.04 --- Japanse literatuur --- Literaire thema's --- 82.04 Literaire thema's --- 895.6 Japanse literatuur --- Temps dans la litterature - Congres --- Temps dans l'art - Congres --- Littérature française - Thèmes, motifs - Congrès --- Litterature japonaise - Themes, motifs - Congres
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Metaphysics --- Philosophy of nature --- Aesthetics --- Christian fundamental theology --- Eckhart [Meister] --- Kim, Taery --- Espace et temps dans l'art --- Ruimte en tijd in kunst --- Space and time in art --- Eckhart --- Space and time --- Philosophy --- Video art --- 21st century --- History and criticism
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La collection « Arts contemporains » a pour vocation d’encourager des réflexions originales sur les enjeux des arts de notre époque. Elle a pour objectif d’explorer autant les théories que les formes telles qu’elles se présentent dans leur diversité et leurs différences.
Art --- Temps --- Temps et art --- Temps dans l'art --- Art et histoire --- Temps dans l'art. --- Thèmes, motifs. --- Dans l'art. --- Thèmes, motifs --- Time and art --- Time in art --- Art and history --- Art, Modern --- Themes, motives --- Thèmes, motifs --- Time in art. --- Art and history. --- Themes, motives. --- History and art --- History --- History in art --- Art and time --- Modern art --- Nieuwe Ploeg (Group of artists) --- Art, Modern - Themes, motives
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Chronology --- Iconography --- Symbolism in art --- Time in art --- Art and history --- Symbolisme dans l'art --- Temps dans l'art --- Art et histoire --- Congresses. --- Congrès --- History and art --- Conferences - Meetings --- Congrès --- History --- History in art --- Symbolism in art - Congresses. --- Time in art - Congresses. --- Art and history - Congresses.
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Des historiens, des anthropologues et des historiens de l'art analysent plus de vingt-cinq siècles de productions artistiques d'Europe, d'Afrique, d'Asie et d'Amérique. Ils cherchent notamment à déterminer ce que les images, qui témoignent de traditions techniques et iconiques spécifiques, racontent au-delà des âges et des civilisations.--[Memento].
Picture interpretation --- Time in art --- Time --- Illustrations, images, etc. --- Temps dans l'art --- Temps (Philosophie) --- Philosophy --- Interprétation --- Image --- --Iconographie --- --Histoire --- --Art --- Image (Philosophy) --- History --- kunst --- kunsttheorie --- fotografie --- tijd --- tijdelijkheid --- kunst en antropologie --- beweging --- middeleeuwen --- twintigste eeuw --- futurisme --- 7.01 --- Interprétation --- Art --- Iconographie --- Histoire --- Art - History --- Art history --- History of art
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This book contributes to the re-emerging field of ""theology through the arts"" by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of ""reverse perspective"", which is especially characteristic of Byzantine and Byzantining art. Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky's concept of 's
Space and time in art. --- Espace et temps dans l'art --- Icônes --- Florenskii, P. A. --- Space and time in art --- Florenskiĭ, P. A. --- Icons --- Perspective --- Architectural perspective --- Linear perspective --- Mechanical perspective --- Optics --- Space (Art) --- Space perception --- Projection --- Proportion (Art) --- Shades and shadows --- Eikons --- Ikons --- Christian art and symbolism --- Christian saints in art --- Perspective. --- Icons. --- Icônes
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A multifaceted picture of the dynamic concepts of time and temporality is demonstrated in medieval and Renaissance art, as adopted in speculative, ecclesiastical, socio-political, propagandist, moralistic, and poetic contexts. Questions regarding perception of time are investigated through innovative aspects of Renaissance iconography.
Philosophy of nature --- Iconography --- anno 500-1499 --- anno 1400-1499 --- anno 1500-1599 --- Time in art. --- Time --- Time perception --- Art, Medieval --- Art, Renaissance --- Temps dans l'art --- Temps --- Perception du temps --- Art médiéval --- Art de la Renaissance --- Social aspects --- History --- Themes, motives. --- Aspect social --- Histoire --- Thèmes, motifs --- Art médiéval --- Thèmes, motifs --- Time in art --- Hours (Time) --- Geodetic astronomy --- Nautical astronomy --- Horology --- Chronometry, Mental --- Duration, Intuition of --- Intuition of duration --- Mental chronometry --- Time, Cognition of --- Time estimation --- Orientation (Psychology) --- Perception --- Renaissance art --- Themes, motives --- Social aspects&delete& --- Subjects --- History.
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This book explores the different ways in which art, cinema, and other forms of visual culture respond to a digitized and networked world. Traditional discourses on medium specificity, developed in distinct disciplines, often fail to provide an adequate description of the transformations that photography and film have undergone. The essays, written by internationally renowned scholars, encompass a broad range of different media such as video, documentary film, cinema, photography, and the Internet, as well as different disciplines such as art history, film studies, photography theory, visual culture studies, and media theory. In this way they deal with various practices or techniques ranging from panoramas, drone surveillance, tableau vivant, press coverage, computer-based editing, digitized financial markets, and various concepts such as temporality and contemporaneity, eco-aesthetics and forensic practice, countervisuality, human rights and political imagination, social transparency and control, thus mapping the possibilities of photofilmic images within contemporary art and visual culture. This volume also contains, as an artist’ s contribution, a substantial and richly illustrated interview with Eric Baudelaire.
Art and photography --- Art and the internet --- Art et l'internet --- Art et photographie --- Cinematografie en fotografie --- Cinematography and photography --- Cinématographie et photographie --- Fotografie en cinematografie --- Fotografie en kunst --- Internet and art --- Internet en kunst --- Internet et art --- Kunst en fotografie --- Kunst en internet --- Peinture et photographie --- Photographie et art --- Photographie et cinématographie --- Photographie et peinture --- Photography and art --- Photography and cinematography --- Temps dans l'art --- Tijd in de kunst --- Time in art --- Art and the Internet. --- Cinematography and photography. --- Art and photography. --- Time in art. --- War --- Art et Internet --- Cinéma et photographie --- Guerre --- Press coverage. --- Couverture de presse --- Philosophy and psychology of culture --- Film --- Photography --- Cinéma et photographie --- Press coverage --- Baudelaire, Eric --- Interviews
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Marina Abramovic; Doug Aitken; Francis Alÿs; Matthew Buckingham; Janet Cardiff; Paul Chan; Moyra Davey; Dexter Sinister; Olafur Eliasson; Anthony gormley; Tehching Hsieh; Toril Johannessen; on Kawara; Joachim Koester; Lee Ufan; Christian Marclay; nova Milne; trevor Paglen; Philippe Parreno; Katie Paterson; Raqs Media Collective; Sylvia Sleigh; Simon Starling; Hito Steyerl; Hiroshi Sugimoto
hedendaagse kunst --- art theory --- time --- Contemporary [style of art] --- philosophy of art --- thema's in de kunst --- Art --- Dexter Sinister --- Starling, Simon --- Birnbaum, Daniel --- Nancy, Jean-Luc --- Steyerl, Hito --- Berardi, Franco --- Buckingham, Matthew --- Dogen --- Groys, Boris --- Archey, Karen --- Johannessen, Toril --- Deleuze, Gilles --- Bal, Mieke --- Batchen, Geoffrey --- Woodcock, George --- Filipovic, Elena --- Latour, Bruno --- Agamben, Giorgio --- Dillon, Brian --- Koester, Joachim --- Paglen, Trevor --- Bergson, Henri --- Stevenson, Michael --- Abramovic, Marina --- Gormley, Antony --- Calvino, Italo --- Ufan, Lee --- nova Milne --- Serres, Michel --- Kübler, Georg --- Krauss, Rosalind --- Verwoert, Jan --- Heathfield, Adrian --- Chan, Paul --- Borges, Jorge Luis --- Augustine of Hippo --- Raqs Media Collective [New Delhi] --- anno 2000-2009 --- anno 1900-1999 --- Time in art. --- Arts, Modern --- Temps dans l'art --- Arts --- Time in art --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- 7.038/039 --- Sugimoto Hiroshi --- Steyerl Hito --- Starling Simon --- Sleigh Sylvia --- Raqs media collective --- Paterson Katie --- Parreno Philippe --- Paglen Trevor --- Milne Nova --- Marclay Christian --- Ufan Lee --- Koester Joachim --- Kawara On --- Johannessen Toril --- Hsieh Tehching --- Gormley Anthony --- Eilasson Olafur --- Sinister Dexter --- Davey Moyra --- Chan Paul --- Cardiff Janet --- Buckingham Matthew --- Alÿs Francis --- Aitken Doug --- Abramovic Marina --- tijdelijkheid --- tijd --- 7.049 --- Beeldende kunst ; het begrip TIJD in de hedendaagse kunst --- Thema's in de kunst ; tijd --- Beeldende kunst ; 20ste en 21ste eeuw --- Iconografie ; verschillende onderwerpen --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Temporalité --- Temps --- Kubler, George --- Kunst --- kunsttheorie --- kunstfilosofie --- Augustinus, Aurelius --- MAD-faculty 14 --- kunstkritiek --- Lee, Ufan --- Arts, Modern - 20th century --- Arts, Modern - 21st century
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