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This volume contains the Alexander Lectures in University College, University of Toronto, for the session 1945-46, delivered by Samuel C. Chew, Professor of English Literature at Bryn Mawr College and author of Byron in England and The Crescent and the Rose. For a number of years Professor Chew has been engaged in the study of relation between poetry and the visual arts, especially in the English Renaissance. The Virtues Reconciled embodies his results in an important and more or less self-contained division of this general field. It deals with the allegorical representation, visual and verbal, of the four Virtues, Truth and Justice, Mercy and Peace. The first lecture, "The Friendship of the Arts," considers generally, but with abundant illustrative example, the nature and the relation of verbal and visual imagery. The second lecture, "The Parliament of Heaven," traces the history of the allegory of the Four Daughters of God (Truth, Justice, Mercy, and Peace), who enters into debate upon the Fall of Man and his future destiny. The problem is resolved, and the Virtues are reconciled, when the Son of God offers Himself in the Atonement. The third lecture examines more closely the various forms in which Truth and Justice are personified, both in art and literature; and the final lecture affords a similar treatment of Mercy and Peace. The argument is illustrated by eighteen plates from paintings, drawings, and title-pages. Many others are described in the text, together with the works of literature which present analogous ideas and images. Of equal value for the light which it throws on the literature of the past and on an aspect of the history of the visual arts, The Virtues Reconciled will also interest the general reader. For, as Professor Chew remarks, "by means of these images our forefathers sought to express their experiences of the changes and chances of this mortal life, and one cannot contemplate them without recognizing that these great commonplaces are still applicable to the human situation."
Virtues in literature. --- Virtues in art. --- English literature --- History and criticism.
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Christian art and symbolism --- Vices in art --- Virtues in art --- Themes, motives
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Graphic arts --- Iconography --- Christian art and symbolism --- Conduct of life --- Emblems --- Theological virtues --- Virtues in art --- Faith, hope and charity --- Virtues, Theological --- Virtues --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Symbolism in art
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Le thème des vertus connaît un essor considérable dans la péninsule italienne entre 1300 et 1415. Les personnifications s’affichent partout et deviennent des images incontournables de l’univers visuel et intellectuel aussi bien des laïcs et que des clercs. Les ordres mendiants sont les principaux promoteurs du renouveau du thème. Intégralement tournés vers la propagation des vertus, ils conçoivent des programmes qui célèbrent la supériorité morale de leurs saints en s’appuyant sur une iconographie qui convoque l’exégèse de leurs docteurs respectifs. Dans le même temps, les institutions civiques mettent en œuvre une imagerie cohérente qui cherche non seulement à édifier les citoyens, mais aussi à dresser le portrait de communes vertueuses et de gouvernements légitimes. En plus de retracer le parcours de l’iconographie des vertus dans l’Italie communale, ce livre dégage les notions qui travaillent l’imagerie morale à la fin du Moyen Âge à partir d’une approche méthodologique plurielle. Il met en lumière les procédés artistiques consistant à figurer les entités abstraites, les rouages didactiques qui animent les personnifications et le processus de vulgarisation du système éthique par l’image. Il apporte ainsi une contribution à deux questions déterminantes de la production artistique du Trecento, celle du rapport que les images entretiennent avec leurs destinataires et celle de la circulation de l’iconographie dans la société italienne. Publié avec le soutien des Écoles doctorales de l’université François-Rabelais de Tours.
Art, Italian --- Virtues in art --- Art italien --- Vertus dans l'art --- Themes, motives --- Thèmes, motifs --- Thèmes, motifs --- Art --- Iconography --- anno 1300-1399 --- anno 1400-1499 --- Italy --- Art - Italie - 14e siècle --- Art - Italy - 14th century --- Philosophy --- Medieval & Renaissance Studies --- éthique --- symbolisme --- philosophie --- ordres mendiants --- Italie --- iconographie --- Moyen Âge --- vertu --- morale chrétienne --- Trecento
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Catalogues d'expositions --- Tapisserie d'art --- Tentoonstellingscatalogi --- Wandtapijtkunst --- Tapestry, Flemish --- Tapestry --- Tapestry, Renaissance --- Virtues in art --- Tapisserie --- Van Aelst, Pierre --- 17e siècle --- Tapisserie de la Renaissance --- Los Honores (tapisserie) --- -Tapestry, Flemish --- -Tapestry, Renaissance --- -Virtues in art --- Academic collection --- Tapijten ; wandtapijten ; Vlaanderen ; 16de eeuw --- Wandtapîjten ; Los Honores ; voor Keizer Karel --- 746.1 --- (069) --- Renaissance tapestry --- Fiber sculpture --- Tapestries --- Decorative arts --- Interior decoration --- Needlework --- Textile fabrics --- Wall hangings --- Textielkunst ; weven --- (Musea. Collecties) --- Patrimonio Nacional --- National Heritage (Spain) --- Patrimonio Nacional (Spain) --- PN (Patrimonio Nacional) --- Spain. --- Vertus dans l'art --- Exhibitions. --- Exhibitions --- Expositions --- Exposition --- Honores (Tapestries) --- Honour of nobility --- Tapestry [Renaissance ] --- Belgium --- Tapestry [Flemish ] --- Spain --- Kings and rulers --- Art patronage --- Patrimonio nacional de España (Madrid) --- Charles V --- Art --- Applied arts. Arts and crafts --- allegory [artistic device] --- tapestries --- Aelst, Pieter I van --- Charles V [Holy Roman emperor] --- Patriomonio Nacional [Madrid] --- anno 1500-1599 --- Flanders --- Tapestry, Flemish - Belgium - Brussels --- Tapestry - Spain - Madrid --- Tapestry, Renaissance - Belgium - Brussels --- vorstenspiegel
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Christian moral theology --- Iconography --- Virtues in art --- Vices in art --- Personification in art --- Christian art and symbolism --- Vertus dans l'art --- Vices dans l'art --- Personnification dans l'art --- Art et symbolisme chrétiens --- Indexes. --- Themes, motives --- Indexes --- Index --- Thèmes, motifs --- Art et symbolisme chrétiens --- Thèmes, motifs --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Medieval, 500-1500 --- Symbolism in art --- Middle Ages, 500-1500 --- personification --- kunst en godsdienst
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tapestries --- Los Honores [series] --- Spanje, koninklijke verzameling --- allegory [artistic device] --- Art --- Applied arts. Arts and crafts --- Brussels atelier --- Aelst, Pieter I van --- Charles V [Holy Roman emperor] --- Patriomonio Nacional [Madrid] --- anno 1500-1599 --- Flanders --- Los honores --- Virtues in art --- Honores (Tapestries) --- Tapestry, Flemish --- Tapestry, Renaissance --- Tapestry --- Aelst, Pieter van --- Karel V (Keizer van het Heilig Roomse Rijk) --- Coecke van Aelst, Pieter --- Charles --- Art patronage --- Patrimonio Nacional --- wandtapijten --- historische figuren --- iconografie --- deugden --- conservatie --- 16de eeuw --- Zuidelijke Nederlanden --- Spanje --- Academic collection --- Coecke van Aelst, Pieter, --- Aelst, Pieter van. --- Karel V (Keizer van het Heilig Roomse Rijk). --- Tapestry [Flemish ] --- Catalogs --- wandtapijt --- van Aelst, Pieter --- 760 --- kunstnijverheid --- arts appliqués --- vorstenspiegel --- tentoonstellingen --- van Aelst, Pieter. --- 16de eeuw. --- Zuidelijke Nederlanden. --- Spanje.
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