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The virtues reconciled
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ISBN: 1442652721 9781442652729 9781442654631 1442654635 9781442639096 Year: 1947 Publisher: Toronto, Univ. of Toronto Press

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This volume contains the Alexander Lectures in University College, University of Toronto, for the session 1945-46, delivered by Samuel C. Chew, Professor of English Literature at Bryn Mawr College and author of Byron in England and The Crescent and the Rose. For a number of years Professor Chew has been engaged in the study of relation between poetry and the visual arts, especially in the English Renaissance. The Virtues Reconciled embodies his results in an important and more or less self-contained division of this general field. It deals with the allegorical representation, visual and verbal, of the four Virtues, Truth and Justice, Mercy and Peace. The first lecture, "The Friendship of the Arts," considers generally, but with abundant illustrative example, the nature and the relation of verbal and visual imagery. The second lecture, "The Parliament of Heaven," traces the history of the allegory of the Four Daughters of God (Truth, Justice, Mercy, and Peace), who enters into debate upon the Fall of Man and his future destiny. The problem is resolved, and the Virtues are reconciled, when the Son of God offers Himself in the Atonement. The third lecture examines more closely the various forms in which Truth and Justice are personified, both in art and literature; and the final lecture affords a similar treatment of Mercy and Peace. The argument is illustrated by eighteen plates from paintings, drawings, and title-pages. Many others are described in the text, together with the works of literature which present analogous ideas and images. Of equal value for the light which it throws on the literature of the past and on an aspect of the history of the visual arts, The Virtues Reconciled will also interest the general reader. For, as Professor Chew remarks, "by means of these images our forefathers sought to express their experiences of the changes and chances of this mortal life, and one cannot contemplate them without recognizing that these great commonplaces are still applicable to the human situation."


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Studies in the iconography of the virtues and vices in the Middle Ages.
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ISBN: 0824000927 Year: 1988 Publisher: New York (N.Y.) Garland

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Emblemata sacra de fide, spe, charitate
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ISBN: 3487116723 Year: 2002 Publisher: Hildesheim Olms


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Sous le regard des vertus : Italie, XIVe siècle
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ISSN: 21072566 ISBN: 9782869063891 9782753541429 2753541426 286906389X 2869065396 Year: 2015 Publisher: Tours : Rennes : Presses universitaires François Rabelais : Presses universitaires de Rennes,

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Le thème des vertus connaît un essor considérable dans la péninsule italienne entre 1300 et 1415. Les personnifications s’affichent partout et deviennent des images incontournables de l’univers visuel et intellectuel aussi bien des laïcs et que des clercs. Les ordres mendiants sont les principaux promoteurs du renouveau du thème. Intégralement tournés vers la propagation des vertus, ils conçoivent des programmes qui célèbrent la supériorité morale de leurs saints en s’appuyant sur une iconographie qui convoque l’exégèse de leurs docteurs respectifs. Dans le même temps, les institutions civiques mettent en œuvre une imagerie cohérente qui cherche non seulement à édifier les citoyens, mais aussi à dresser le portrait de communes vertueuses et de gouvernements légitimes. En plus de retracer le parcours de l’iconographie des vertus dans l’Italie communale, ce livre dégage les notions qui travaillent l’imagerie morale à la fin du Moyen Âge à partir d’une approche méthodologique plurielle. Il met en lumière les procédés artistiques consistant à figurer les entités abstraites, les rouages didactiques qui animent les personnifications et le processus de vulgarisation du système éthique par l’image. Il apporte ainsi une contribution à deux questions déterminantes de la production artistique du Trecento, celle du rapport que les images entretiennent avec leurs destinataires et celle de la circulation de l’iconographie dans la société italienne. Publié avec le soutien des Écoles doctorales de l’université François-Rabelais de Tours.


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Los Honores : tapisseries flamandes pour Charles Quint
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ISBN: 905325207X 9789053252079 Year: 2000 Publisher: Anvers : Pandora,

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Catalogues d'expositions --- Tapisserie d'art --- Tentoonstellingscatalogi --- Wandtapijtkunst --- Tapestry, Flemish --- Tapestry --- Tapestry, Renaissance --- Virtues in art --- Tapisserie --- Van Aelst, Pierre --- 17e siècle --- Tapisserie de la Renaissance --- Los Honores (tapisserie) --- -Tapestry, Flemish --- -Tapestry, Renaissance --- -Virtues in art --- Academic collection --- Tapijten ; wandtapijten ; Vlaanderen ; 16de eeuw --- Wandtapîjten ; Los Honores ; voor Keizer Karel --- 746.1 --- (069) --- Renaissance tapestry --- Fiber sculpture --- Tapestries --- Decorative arts --- Interior decoration --- Needlework --- Textile fabrics --- Wall hangings --- Textielkunst ; weven --- (Musea. Collecties) --- Patrimonio Nacional --- National Heritage (Spain) --- Patrimonio Nacional (Spain) --- PN (Patrimonio Nacional) --- Spain. --- Vertus dans l'art --- Exhibitions. --- Exhibitions --- Expositions --- Exposition --- Honores (Tapestries) --- Honour of nobility --- Tapestry [Renaissance ] --- Belgium --- Tapestry [Flemish ] --- Spain --- Kings and rulers --- Art patronage --- Patrimonio nacional de España (Madrid) --- Charles V --- Art --- Applied arts. Arts and crafts --- allegory [artistic device] --- tapestries --- Aelst, Pieter I van --- Charles V [Holy Roman emperor] --- Patriomonio Nacional [Madrid] --- anno 1500-1599 --- Flanders --- Tapestry, Flemish - Belgium - Brussels --- Tapestry - Spain - Madrid --- Tapestry, Renaissance - Belgium - Brussels --- vorstenspiegel

Virtue and vice : the personifications in the index of Christian Art.
Authors: ---
ISBN: 0691050376 0691050368 Year: 2000 Volume: 1 Publisher: Princeton : Princeton University Press,

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