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ADCS : Australasian Document Computing Symposium : Melbourne, Australia, November 27-28, 2014
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ISBN: 1450330002 Year: 2014 Publisher: [Place of publication not identified] ACM

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Proceedings of the seventeenth Australasian Document Computing Symposium
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ISBN: 1450314112 Year: 2012 Publisher: [Place of publication not identified] ACM

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ADCS 2013 : proceedings of the 18th Australasian Document Computing Symposium : Brisbane, Queensland, December 5-6, 2013
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ISBN: 1450325246 Year: 2013 Publisher: [Place of publication not identified] ACM

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Printers, Stationers and Bookbinders of London and Westminster in the Fifteenth Century
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ISBN: 0511795300 1108026753 Year: 1899 Publisher: Place of publication not identified : Cambridge : publisher not identified, Cambridge University Press

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Edward Gordon Duff (1863-1924) was a bibliographer and librarian with a particular interest in early printed books. He was librarian of the John Rylands Library, Manchester, from 1893 to 1900, and Sandars Reader in Bibliography at Cambridge in 1899, 1904 and 1911. Alongside research and writing he also did freelance cataloguing. Duff's work set new standards of accuracy in bibliography, which he considered a science. This study of the early London book trade contains the text of Duff's 1899 Sandars Lectures. William Caxton began printing in England in 1476 at Westminster, but most printers and booksellers working in England at that time were foreigners. Duff covers Westminster and London printing separately, and devotes individual chapters to the related trades of bookselling and bookbinding, which were often carried out by the same person. This reissue also contains Duff's lecture English Printing on Vellum, delivered in 1900.


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Creative common : guia de usuario : un manual completo de teoria y sugerencias practicas
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ISBN: 8867050575 8867052330 8867050796 Year: 2012 Publisher: Milano Ledizioni

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Aquí tiene un manual operacional que sirve de guía para los creadores que deseen adentrarse en el mundo de las licencias Creative Commons, las licencias más famosas y populares de libre distribución de productos intelectuales. Sin dejar de lado útiles aclaraciones conceptuales, el autor entra en detalles técnicos de las herramientas ofrecidas por Creative Commons, lo que los hace también comprensible para los neófitos totales. Este es un libro fundamental para todos aquellos que estén interesados en la OpenContent y el mundo copyleft.


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Gabriela, Baiana de Todas as Cores : as imagens das capas e suas influências culturais
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ISBN: 9788523209339 Year: 2009 Publisher: SciELO Books - EDUFBA

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The essay fulfills the role of providing literary scholars with a detailed view of the illustrations and covers of various editions of the novel Gabriela, clove and cinnamon, in Brazil and worldwide. The great challenge is to constantly promote a channel of experiences and cultural exchanges, encouraging and systematizing the production of studies, theses and essays based on the work of Jorge Amado.


Book
Getting published
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ISBN: 8776945464 9788776945466 9788791114762 8791114764 9788791114779 8791114772 Year: 2009 Publisher: Copenhagen, Denmark NIAS Press

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Buchwissenschaft in Deutschland : ein Handbuch
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ISBN: 311173658X 1282716239 9786612716232 Year: 2010 Publisher: Berlin : De Gruyter Saur,

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In the competition with modern digital media, the book has commanded the attention of a wider public as a medium with its specific advantages and communicative achievements. This collected volume presents the findings of research into the book, institutions and associations concerned with expert communication, concepts of teaching in book studies, bibliophile societies and research libraries. Over 40 renowned scholars have collaborated to provide a handbook giving an overview of research into book studies in Germany which will not only appeal to experts in the field but will also be of interes


Periodical
Journal of open access to law.
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Year: 2013 Publisher: Ithaca, NY : Legal Information Institute, Cornell Law School,

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L'esthétique du livre
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ISBN: 2840160528 2821817746 2821826850 Year: 2010 Publisher: Presses universitaires de Paris Nanterre

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CE LIVRE EST NÉ DE LA VOLONTÉ DE DÉCLINER une piste que nous n’avions pu aborder dans notre précédent ouvrage, Le Livre et ses espaces, qui envisageait le livre dans sa mise en scène spatiale, réelle et métaphorique, que ce soit à travers l’espace du livre - ses dimensions -, l’espace dans le livre - la typologie de la page -, ou l’espace hors du livre - la bibliothèque par exemple. Dans L’Esthétique du livre par contre, c’est le livre comme lieu d’expériences sensibles que nous souhaitons traiter. Mais que l’on ne s’y méprenne pas ; c’est plus la question de la perception du livre comme objet, industriel ou non, que ses liens éventuels avec la création artistique qui nous intéresse. Et plutôt que d’en rester à la simple analyse du beau livre avec les deux sous-entendus qui l’accompagnent : le beau livre serait le livre d’artiste ou le livre d’art, et l’esthétique du livre l’affaire exclusive des bibliophiles, nous avons préféré partir des perceptions suscitées par l’objet livre pour creuser ses dimensions esthétiques et les impressions qu’il engendre.

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