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Temples --- Ishtar (Assyro-Babylonian deity) --- Ishtar (Divinité assyro-babylonienne) --- Ashur (Extinct city) --- Assour (Ville ancienne) --- Archeologische vondsten. --- Tempels. --- Asjtarte. --- Ausgrabung. --- Assur / Ischtar-Tempel. --- Ishtar (Assyro-Babylonian deity). --- Ashur (Extinct city). --- Ishtar (Divinité assyro-babylonienne) --- Ishtar --- Temples - Iraq - Ashur (Extinct city)

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Ishtar (Assyro-Babylonian deity) --- Goddesses --- Glyptics --- Iconography --- Goddesses, Assyro-Babylonian --- Astarte (Phoenician deity) --- Inanna (Sumerian deity) --- Ishtar (Assyro-Babylonian deity).

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"This book investigates the issue of the singularity versus the multiplicity of ancient Near Eastern deities who are known by a common first name but differentiated by their last names, or geographic epithets. It focuses primarily on the Ishtar divine names in Mesopotamia, Baal names in the Levant, and Yahweh names in Israel"--

God --- God (Judaism) --- Elohim --- Jehovah --- Yahveh --- Yahweh --- Yehovah --- Yhwh --- Metaphysics --- Misotheism --- Theism --- Name --- Name. --- Ishtar (Assyro-Babylonian deity) --- Baal --- Baal Shamen --- Baal Shemin --- Bel --- Baal (Canaanite deity) --- Ishtar --- Ištar --- Inanna --- Astarte --- Gods, Canaanite --- Ancient Near Eastern deities. --- Divine epithets.

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Inanna (Sumerian deity) --- Assyro-Babylonian religion --- Inanna (Divinité sumérienne) --- Sources --- -Ishtar (Assyro-Babylonian deity) --- -Religion, Assyro-Babylonian --- Religions --- Rituals --- -Texts --- -History and criticism --- Cult --- Ishtar (Assyro-Babylonian deity) --- Texts --- History and criticism. --- Cult. --- -Rituals --- Inanna (Divinité sumérienne) --- Religion, Assyro-Babylonian --- Rituals&delete& --- Texts&delete& --- History and criticism --- Inanna

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The Akkadian Gilgamesh Epic, perhaps the most famous of Mesopotamian literature, has been considered the artistry of one author inspired by Sumerian tales. Specialists have assumed that all the earliest evidence (ca. 1800-1700 BCE) reflects this creative unity. Deep contrasts in characterization and narrative logic, however, distinguish the central adventure to defeat the monster Huwawa from what precedes and follows it. The Huwawa narrative stands on its own, so that the epic must have been composed from this prior Akkadian composition. Recognition of the tale embedded in the epic allows each block of material to be understood on its own terms. Such literary-historical investigation from contemporary texts is new to Assyriology and may produce important results when applied to other Mesopotamian writing. 'The book is well written and tightly argued...This makes it a first point of reference for anyone interested in the OB evidence for the Gilgamesh Epic.' Scott C. Jones, Covenant College

Assyriology --- Epic poetry, Assyro-Babylonian --- History. --- History and criticism. --- Gilgamesh. --- History and criticism --- History --- Gilgamesh --- Assyro-Babylonian epic poetry --- Assyro-Babylonian poetry --- Assyro-Babylonian studies --- Epic of Gilgamesh --- Ghilgameš --- Gilgamesch --- Gilgamesz --- Gilgāmish --- Guilgamesh --- Ishtar and Izdubar --- Ishtar (Assyro-Babylonian epic) --- Izdubar --- Jiljāmish --- Kilkāmish --- Sha naqba imura