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Chris Kraus, Jan Tumlir & Jane McFadden --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- Verenigde Staten --- Los Angeles --- Adler Amy --- Athey Ron --- Ausgang Anthony --- Baldessari John --- Bleecker Hillary --- Bowers Andrea --- Bradford Mark --- Brown Delia --- Bunn David --- Burden Chris --- Burton Jeff --- Callister Jane --- Calvin Brian --- Caroompas Carole --- Castano Carolyn --- Cranston Meg --- Crotty Russell --- Davis Vaginal --- Durant Sam --- Fisher Kim --- Gilbert-Rolfe Jeremy --- Grotjahn Mark --- Hoeber Julian --- Holloway Evan --- Kelley Mike --- Kelly Mary --- Kersels Martin --- Los Super Elegantes --- Koh Terrence --- Larner Liz --- Lim Won Ju --- Won Ju Lim --- Lockhart Sharon --- Lowe Nick --- McCarthy PAul --- Morley Ivan --- Mukherjee Sandeep --- Muller Dave --- Munro JP --- Opie Catherine --- Oshiro KAz --- OWens Laura --- Pardo Jorge --- Pastor Jennifer --- Pettibon raymond --- Pittman Lari --- Prieto Monique --- Pylypchuk John --- Rhoades Jason --- Ruscha Ed --- Ryden MArk --- Sameshima Dean --- Sanchez Pauline Stella --- Shaw Jim --- Sietsema Paul --- Strak Frances --- Steinkamp Jennifer --- Templeton Ed --- Thater Diana --- Thomson Mungo --- Tribe Kerry --- Tse Shirley --- Weber Marnie --- White Pae --- White Wayne --- Zittel Andrea --- 7.039 --- 7.038/039 --- Art [American ] --- California --- Los Angeles (Calif.) --- 20th century --- 21st century --- Art and society

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This elegant volume presents more than 40 vintage photographs by the pioneering American photographer Francesca Woodman (1958-81), many of which have never before been seen. These photographs span the creative arc of the artist's life, focusing on the varied thought processes, interests and influences that inspired her work. Clustered thematically, Francesca Woodman: Alternate Stories highlights previously unexplored relational contexts, drawing deeply on Woodman's formative years in Providence, Rhode Island, and Italy, and featuring previously unpublished photographs and archival materials. In the newly commissioned essay "Impure Alchemy," critic and novelist Chris Kraus explores Francesca Woodman's life via her work, drawing upon her journals and letters as primary source materials, and exploring the technical means and literary strategies that animate Woodman's works. Francesca Woodman: Alternate Stories portrays the artist's lasting impact on generations of artists, and offers a compendium of images, which, as Kraus writes, still "inspire new mysteries and questions. Cet impressionnant recueil présente plus de 40 photographies d'époque de la pionnière de la photographie américaine Francesca Woodman (1958-81), dont beaucoup n'ont jamais été vues auparavant. Ces photographies couvrent tous les aspects créatifs au cours de la vie de l'artiste, en mettant l'accent sur les divers processus de pensée, intérêts et influences qui ont inspiré son travail. Regroupées par thèmes, Francesca Woodman : Alternate Stories met en lumière des contextes relationnels jusqu'alors inexplorés, en s'inspirant profondément des années de formation de Woodman à Providence, dans le Rhode Island, et en Italie, et en présentant des photographies et des documents d'archives inédits. Dans l'essai récemment commandité "Impure Alchemy", la critique et romancière Chris Kraus explore la vie de Francesca Woodman à travers son œuvre, en s'appuyant sur ses carnets et ses lettres comme sources primaires, et en explorant les moyens techniques et les stratégies littéraires qui animent les œuvres de Woodman. Francesca Woodman : Alternate Stories dépeint l'impact durable de l'artiste sur des générations d'artistes et offre un recueil de photographies qui, comme l'écrit Kraus, "suscitent encore de nouveaux mystères et de nouvelles questions".

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The first monograph dedicated to the visual art of Belgian cult poet and writer Sophie Podolski (1953-1974) features original essays, previously unpublished drawings and texts, and selected translations of her handwritten, illustrated manuscript 'The Country Where Everything Is Permitted' (1972). The contributing writers each explore specific iconographies that are crystallized in Podolski's remarkable graphic oeuvre, considering her highly personal vocabulary and uninhibited style against the backdrop of the late 1960s' and early 1970s' counterculture. Founded on new research that underpinned her solo exhibitions at WIELS (Brussels) and Villa Vassilieff (Paris), this book brings Podolski's lost art into the limelight.

kunst --- twintigste eeuw --- literatuur --- kunst en poëzie --- poëzie --- 7.071 PODOLSKI --- Podolski Sophie --- kunst en waanzin --- kunst en psychiatrie --- psychopathologische kunst --- kunst en literatuur --- België --- Exhibitions --- Podolski, Sophie --- Art --- Drawing --- anno 1900-1999 --- Brussels --- Artists --- Poetry --- Book