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surrealisme --- mythologie --- erotiek --- planten --- symbolisme --- art nouveau --- hedendaagse kunst --- Narcissus --- Cahun, Claude --- Henri, Florence --- Beaton, Cecil --- Molinier, Pierre --- Dalí, Salvador --- Minne, George --- 20ste eeuw --- kunst --- iconografie --- iconologie --- narcisme --- twintigste eeuw --- eenentwintigste eeuw --- Cahun Claude --- Henri Florence --- Beaton Cecil --- Molinier Pierre --- homoseksualiteit --- seksualiteit --- gender studies --- Kusama Yayoi --- Dali Salvador --- 7.046 --- Exhibitions --- Art, Modern --- Narcissism in art --- Narcissus (Greek mythology) --- Surrealism --- Art --- planten (in het algemeen) --- surrealisme. --- mythologie. --- erotiek. --- planten (in het algemeen). --- symbolisme. --- art nouveau. --- hedendaagse kunst. --- Narcissus. --- Cahun, Claude. --- Henri, Florence. --- Beaton, Cecil. --- Molinier, Pierre. --- Dalí, Salvador. --- Minne, George. --- 20ste eeuw.
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[back cover:] This book is the first attempt to chart the history of art and its interaction with written language. Art, Word and Image examines the use of words (or language) in many genres of art – most often painting, but including prints, the book as art, sculpture, installation,and performance. This book asks what does it mean when a painting is 'invaded' by language? How do the two forms converse and combine, and what messages are intended for the viewer? In addition, other important themes that are also addressed include the naming or titling of paintings, the uses of narrative in art, and the literary connections and aspirations of artists. ## Art, Word and Image is constructed around three wide-ranging essays by John Dixon Hunt, David Lomas and Michael Corris. These essays discuss the use and significance of words in art – from Classical Greece and Assyria, through to the Middle Ages and the Renaissance, to modern times and today’s digital media, where the words and imagequestion has become a central issue. The essays cover a variety of movements (Pre-Raphaelites, Cubists, Surrealists, and Lettrists, for example) and many artists, among them Duchamp, Picasso, Ernst, Twombly, Michaux, Warhol and Kruger. The book also includes ‘spotlight’ essays on artists whose work engages substantially with questions ofword and image: Blake, Klee, Schwitters, Haack, Pettibon, McCahon and Walla. ## This ground-breaking book will form a new framework for thinking about the interactions between word and image in the visual arts. ## With contributions by Jeremy Adler, Stephen Barber, Rex Butler and Laurence Simmons, Michael Corris, John Dixon Hunt, Michael R. Leaman, David Lomas, Joseph Viscomi, Hamza Walker, Barbara Weyandt and Michael White.
Beeldende kunst ; kunst en tekst --- Beeld en woord ; beeld en tekst --- Blake, William --- Klee, Paul --- Schwitters, Kurt --- Walla, August --- McCahon, Colin --- Haack, Horst --- Pettibon, Raymond --- Kruger Barbara --- Warhol Andy --- Twombly Cy --- Ernst Max --- Picasso Pablo --- lettrisme --- prerafaëlieten --- Pettibon Raymond --- Haack Horst --- McCahon Colin --- Walla August --- Klee Paul --- Blake William --- woord en beeld --- Iconografie ; verschillende onderwerpen --- texts [documents] --- art theory --- Finlay, Ian Hamilton --- Johns, Jasper --- Fulton, Hamish --- Kosuth, Joseph --- Dubuffet, Jean --- Warhol, Andy --- Ruscha, Ed --- Basquiat, Jean-Michel --- Weiner, Lawrence --- Rodtschenko, Alexander Michajlowitsch --- Picasso, Pablo --- Picabia, Francis --- Lichtenstein, Roy --- Baldessari, John --- Ernst, Max --- Jaar, Alfredo --- Lissitzky, Eliezer --- Jorn, Asger --- Kiefer, Anselm --- Höch, Hannah --- Moholy-Nagy, László --- Cornell, Joseph --- Gilbert and George --- Hausmann, Raoul --- Morris, Robert --- Michaux, Henri --- Delaunay, Sonia --- Miró, Joan --- Broodthaers, Marcel --- Dalí, Salvador --- Scanlan, Joe --- Hamilton, Richard --- Matta-Clark, Gordon --- Twombly, Cy --- Wearing, Gillian --- Rauschenberg, Robert --- Schneeman, Carolee --- Magritte, René --- Dean, Tacita --- Opałka, Roman --- Indiana, Robert --- Holman Hunt, William --- Bulatov, Erik --- 7.049 --- Michaux Henri --- Duchamp Marcel --- surrealisme --- kubisme --- 7.036 --- twintigste eeuw --- 7.03 --- kunst --- Art --- History --- Iconography --- Semiotics --- language [general communication] --- art history --- Man Ray --- Kruger, Barbara --- Holzer, Jenny --- Marinetti, Filippo Tommaso --- Braque, Georges --- Duchamp, Marcel --- Rosler, Martha --- Art & Language --- Lissitzky, El --- Hunt, William Holman --- Sémiotique et art. --- Sémiotique et art.
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Serpins constitute a superfamily of proteins that possess a unique tertiary structure and mechanism of proteinase inhibition. In humans, serpins constitute 10% of the plasma proteins and are best known as critical regulators of both the thrombotic and fibrinolytic systems. Serpins also participate in the regulation of the complement cascade, angiogenesis, tumor metastasis, apoptosis and innate immunity. Considering the importance of these molecules in regulating proteolytic cascades, it is not surprising to find that loss- and gain-of-function mutations result in significant human diseases. Ma
Serpins. --- Serpins --- Serine proteinases --- Physiological effect. --- Inhibitors
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Desire was one of the defining themes of surrealism. Published to accompany the exhibition of international surrealism, this title features essays that are intended to provide a wide-ranging exploration of the theme of surrealism and desire.
Surrealist --- surrealisme --- ruimtelijke kunst --- Art --- Surrealism --- Desire in art --- Surréalisme --- Désir dans l'art --- Exhibitions --- Expositions --- begeerte --- verlangen --- 20ste eeuw --- Surréalisme --- Désir dans l'art --- verlangen: ‘Desiderio’ (Ripa) --- CDL --- 7.037 --- (069) --- Beeldende kunst ; 20ste eeuw ; Surrealisme ; naslagwerken --- Tentoonstellingscatalogi ; London ; Tate Gallery --- (Musea. Collecties) --- Kunstgeschiedenis ; 1900 - 1950 --- Art. --- Desire. --- Surrealism. --- Surrealisme. --- 20ste eeuw.
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