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A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Contemporary film and television production is extraordinarily mobile. Filming large-scale studio productions in Atlanta, Budapest, London, Prague, or Australia's Gold Coast makes Hollywood jobs available to people and places far removed from Southern California-but it also requires individuals to uproot their lives as they travel around the world in pursuit of work. Drawing on interviews with a global contingent of film and television workers, Kevin Sanson weaves an analysis of the sheer scale and complexity of mobile production into a compelling account of the impact that mobility has had on job functions, working conditions, and personal lives. Mobile Hollywood captures how an expanded geography of production not only intensifies the often invisible pressures that production workers now face but also stretches the parameters of screen-media labor far beyond craftwork and creativity.
Motion picture industry --- Motion pictures --- PERFORMING ARTS / Film & Video / General. --- Employees --- Social conditions. --- Production and direction
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"The film industry in Hollywood now employs a global mode of production run by massive media conglomerates that mobilize hundreds, sometimes thousands, of workers for each feature film or television series. Yet these workers and their labor remain largely invisible to the general audience. In fact, this has been a signal characteristic of Hollywood style for more than a hundred years: everything that matters happens onscreen, not off. Consequently, when it comes to movies and television, the voices heard most often are those belonging to talent and corporate executives. Those we hear least are the voices of labor, and it's that silence we aim to redress in the collection of interviews in this book. Drawing from the detailed and personal accounts in this collection, we offer three interrelated propositions about the current state and future prospects of craftwork and screen media labor: 1. Craftwork exists within an intricate and intimate matrix of social relations. 2. Hollywood craftwork today constitutes a regime of excessive labor. 3. Screen media production is a protean entity. We organized the collection into three sections: company town, global machine, and fringe city. The first section refers to Hollywood's historic roots as a core component of the motion picture business. The second section engages more directly with the spatial dynamics of film and television production to underscore the economic and political structures that are integrating distant locations into the studios' mode of production. We close with a section on the visual effects sector, in which stories shared by vfx artists, advocates, and organizers specifically illustrate how the industry today relies on marginal institutions to sustain its power and profitability"--Provided by publisher.
Motion picture industry --- Mass media and globalization. --- Employees --- Globalization and mass media --- Globalization --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- SOCIAL SCIENCE / Media Studies. --- artists. --- behind the scenes. --- blue collar. --- business. --- conglomerates. --- craftwork. --- feature film. --- film industry. --- historic roots. --- history. --- hollywood. --- interviews. --- media. --- motion picture. --- movies. --- personal accounts. --- power. --- production. --- profitability. --- screen media. --- social relations. --- studios. --- style. --- television series. --- tv. --- vfx. --- visual effects. --- workers.
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"Precarious Creativity examines the seismic changes confronting media workers in an age of globalization and corporate conglomeration. This pathbreaking anthology peeks behind the hype and supposed glamor of screen media industries to reveal the intensifying pressures and challenges confronting actors, editors, electricians, and others. The authors take on pressing conceptual and methodological issues while also providing insightful case studies of workplace dynamics regarding creativity, collaboration, exploitation, and cultural difference. Furthermore, it examines working conditions and organizing efforts on all six continents, offering broad-ranging and comprehensive analysis of contemporary screen media labor in such places as Lagos, Prague, Hollywood, and Hyderabad. The collection also examines labor conditions across a range of job categories that includes, for example, visual effects, production services, and adult entertainment. With contributions from such leading scholars as John Caldwell, Vicki Mayer, Herman Gray, and Tejaswini Ganti, Precarious Creativity offers timely critiques of media globalization while also intervening in broader debates about labor, creativity, and precarity"--Provided by publisher.
Labor and globalization --- Mass media and globalization --- Mass media --- Cultural industries --- Precarious employment --- Industries --- Business & Economics --- Globalization and mass media --- Globalization --- Globalization and labor --- Employment, Precarious --- Labor --- Creative industries --- Culture industries --- Employees --- Social aspects --- SOCIAL SCIENCE / Media Studies. --- adult entertainment. --- analysis. --- anthology. --- collaboration. --- conglomerations. --- corporate. --- creativity. --- cultural difference. --- culture. --- exploitation. --- globalization. --- herman gray. --- hollywood. --- hyderabad. --- international. --- john caldwell. --- labor conditions. --- labor. --- lagos. --- luminos. --- media production. --- media workers. --- media. --- modern world. --- political science. --- prague. --- screen media. --- tejaswini ganti. --- true story. --- university of california. --- vicki mayer. --- visual effects. --- worldwide. --- Mass media and globalization. --- Labor and globalization. --- Social aspects. --- Employees. --- Non-standard employment
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As patterns of media use become more integrated with mobile technologies and multiple screens, a new mode of viewer engagement has emerged in the form of connected viewing, which allows for an array of new relationships between audiences and media texts in the digital space. This exciting new collection brings together twelve original essays that critically engage with the socially-networked, multi-platform, and cloud-based world of today, examining the connected viewing phenomenon across television, film, video games, and social media.The result is a wide-ranging analysis of
Multimedia communications. --- Mass media. --- Social media. --- Réseaux multimédias --- Médias --- Médias sociaux --- Mass communications --- Multimedia communications --- Mass media --- Social media --- User-generated media --- Communication --- User-generated content --- Mass communication --- Media, Mass --- Media, The --- Multimedia networks --- Multimedia telecommunications --- Multimedia systems --- Telecommunication systems
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This eBook is a collection of articles from a Frontiers Research Topic. Frontiers Research Topics are very popular trademarks of the Frontiers Journals Series: they are collections of at least ten articles, all centered on a particular subject. With their unique mix of varied contributions from Original Research to Review Articles, Frontiers Research Topics unify the most influential researchers, the latest key findings and historical advances in a hot research area! Find out more on how to host your own Frontiers Research Topic or contribute to one as an author by contacting the Frontiers Editorial Office: frontiersin.org/about/contact
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Management --- Business & Economics --- Management Theory --- Knowledge management --- Communication in human services. --- Communication in the social sciences. --- Children --- Social aspects. --- Services for. --- Management of knowledge assets --- Social sciences --- Human services --- Information technology --- Intellectual capital --- Organizational learning
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Distribution Revolution is a collection of interviews with leading film and TV professionals concerning the many ways that digital delivery systems are transforming the entertainment business. These interviews provide lively insider accounts from studio executives, distribution professionals, and creative talent of the tumultuous transformation of film and TV in the digital era. The first section features interviews with top executives at major Hollywood studios, providing a window into the big-picture concerns of media conglomerates with respect to changing business models, revenue streams, and audience behaviors. The second focuses on innovative enterprises that are providing path-breaking models for new modes of content creation, curation, and distribution-creatively meshing the strategies and practices of Hollywood and Silicon Valley. And the final section offers insights from creative talent whose professional practices, compensation, and everyday working conditions have been transformed over the past ten years. Taken together, these interviews demonstrate that virtually every aspect of the film and television businesses is being affected by the digital distribution revolution, a revolution that has likely just begun. Interviewees include: • Gary Newman, Chairman, 20th Century Fox Television • Kelly Summers, Former Vice President, Global Business Development and New Media Strategy, Walt Disney Studios • Thomas Gewecke, Chief Digital Officer and Executive Vice President, Strategy and Business Development, Warner Bros. Entertainment • Ted Sarandos, Chief Content Officer, Netflix • Felicia D. Henderson, Writer-Producer, Soul Food, Gossip Girl • Dick Wolf, Executive Producer and Creator, Law & Order
Motion pictures --- Television programs --- Television broadcasting. --- Digital media --- Chief executive officers --- Telecasting --- Television --- Television industry --- Broadcasting --- Mass media --- Programs, Television --- Shows, Television --- Television shows --- TV shows --- Television broadcasting --- Electronic program guides (Television) --- Television scripts --- CEOs (Executives) --- Executive officers, Chief --- Executives --- Electronic media --- New media (Digital media) --- Digital communications --- Online journalism --- Circulation of motion pictures --- Distribution of motion pictures --- Film distribution --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture circulation --- Motion picture distribution --- Movie-making --- Moviemaking --- Release of motion pictures --- Marketing. --- Distribution. --- Influence. --- Release --- 20th century fox. --- audience behaviors. --- business. --- content creation. --- content distribution. --- creative development. --- creative talent. --- digital delivery systems. --- digital era. --- direct marketing. --- entertainment business. --- entertainment industry. --- film and television. --- film professionals. --- hollywood. --- movie industry. --- netflix. --- online streaming. --- revenue streams. --- silicon valley. --- streaming services. --- studio executives. --- technology. --- television professionals. --- walt disney studios. --- warner bros entertainment.
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Le centre en France relève de définitions en creux. Les termes “juste milieu”, “marais”, “entre-deux” ont une connotation négative. La culture politique française ne reconnaît pas ce qui n'est ni la droite, ni la gauche. Le centriste est bien souvent celui qui évolue de la gauche vers la droite au gré des circonstances et par ambition personnelle. Le centrisme n'a pas sa place dans une culture politique marquée par le conflit. Le conflit, qui peut aussi s'identifier au consensus, est circonstanciel, construit mais rarement intériorisé. On peut donc s'interroger sur cette image négative qui n'est pas celle que l'on trouve dans tous les pays européens où il existe sans doute une forte tradition de culture libérale ou chrétienne-démocrate et où le poids du parti communiste est plus faible qu'en France. Ce colloque tente d'expliquer les échecs du centrisme en France. Il sera suivi d'un autre colloque au Sénat, au printemps 2005, qui s'attachera à la dimension européenne du “tropisme du centrisme” pour reprendre les termes d'un programme de recherche présenté par Sylvie Guillaume dans le cadre de l'Institut universitaire de France.
Political parties --- Center parties --- Partis politiques --- Centre (Science politique) --- History --- Congresses --- Histoire --- Congrès --- Congrès --- Right and left (Political science) --- France --- Politics and government --- Parties, Political --- Party systems, Political --- Political party systems --- Political science --- Divided government --- Intra-party disagreements (Political parties) --- Political conventions --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Faransā --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrijk --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant︠s︡ --- Frant︠s︡ Uls --- Frant︠s︡ii︠a︡ --- Frantsuzskai︠a︡ Rėspublika --- Frantsyi︠a︡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangsŭ --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat --- Γαλλική Δημοκρατία --- Γαλλία --- Франц --- Франц Улс --- Французская Рэспубліка --- Францыя --- Франция --- Френска република --- פראנקרייך --- צרפת --- רפובליקה הצרפתית --- فرانسه --- فرنسا --- フランス --- フランス共和国 --- 法国 --- 法蘭西 --- 法蘭西共和國 --- 프랑스 --- France (Provisional government, 1944-1946) --- progressisme --- pouvoir --- brandisme --- colloque --- fédération --- centrisme
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Ce volume sur les parlementaires de la Seine est publié dans le cadre de l’enquête sur le personnel parlementaire de la Troisième République, entreprise par le Centre d’Histoire du xixe siècle (Universités Paris I et Paris IV) associé au CNRS. Parallèlement au dictionnaire de ces parlementaires, un ensemble de contributions veulent éclairer le monde des élus, à la Chambre et au Sénat, du département de la Seine : Paris et sa proche banlieue. Origines et formation, activités professionnelles et associations, fortune, vie familiale, orientations spirituelles et philosophiques, itinéraires politiques, ce sont quelques-unes des interrogations qui s’efforcent de discerner l’originalité de ce personnel. Ce livre témoigne de l’intérêt de la démarche prosopographique et constitue un apport à l’histoire sociale et politique de la Seine et de la France de la Troisième République.
History --- Troisième République --- parlementaire --- dictionnaire biographique --- prosopographie --- histoire sociale --- histoire politique
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