Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

";[a] fascinating and indispensable book.";-Christopher Knight, Los Angeles Times Carleton Watkins (1829-1916) is widely considered the greatest American photographer of the nineteenth century and arguably the most influential artist of his era. He is best known for his pictures of Yosemite Valley and the nearby Mariposa Grove of giant sequoias. Watkins made his first trip to Yosemite Valley and Mariposa Grove in 1861 just as the Civil War was beginning. His photographs of Yosemite were exhibited in New York for the first time in 1862, as news of the Union's disastrous defeat at Fredericksburg was landing in newspapers and while the Matthew Brady Studio's horrific photographs of Antietam were on view. Watkins's work tied the West to Northern cultural traditions and played a key role in pledging the once-wavering West to Union. Motivated by Watkins's pictures, Congress would pass legislation, later signed by Abraham Lincoln, that preserved Yosemite as the prototypical "national park," the first such act of landscape preservation in the world. Carleton Watkins: Making the West American includes the first history of the birth of the national park concept since pioneering environmental historian Hans Huth's landmark 1948 "Yosemite: The Story of an Idea." Watkins's photographs helped shape America's idea of the West, and helped make the West a full participant in the nation. His pictures of California, Oregon, and Nevada, as well as modern-day Washington, Utah, and Arizona, not only introduced entire landscapes to America but were important to the development of American business, finance, agriculture, government policy, and science. Watkins's clients, customers, and friends were a veritable "who's who" of America's Gilded Age, and his connections with notable figures such as Collis P. Huntington, John and Jessie Benton Frémont, Eadweard Muybridge, Frederick Billings, John Muir, Albert Bierstadt, and Asa Gray reveal how the Gilded Age helped make today's America. Drawing on recent scholarship and fresh archival discoveries, Tyler Green reveals how an artist didn't just reflect his time, but acted as an agent of influence. This telling of Watkins's story will fascinate anyone interested in American history; the West; and how art and artists impacted the development of American ideas, industry, landscape, conservation, and politics.

Landscape photographers --- Watkins, Carleton E., --- 19th american photographer. --- 19th photography. --- american photography. --- civil war era photographs. --- historical photography. --- historical photos california. --- historical photos nevada. --- historical photos oregon. --- historical photos washington. --- landscape photography. --- mariposa grove photos. --- national park photography. --- northern cultural traditions in 19th century america. --- photography of the american west. --- photos of the american west. --- the american west. --- yosemite valley photographs.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Louisiana Purchase --- History. --- West (U.S.) --- American West --- Trans-Mississippi West (U.S.) --- United States, Western --- Western States (U.S.) --- Western United States --- Discovery and exploration.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Le Corbusier famously said, “A house is a machine for living in.” We now confront the litany of environmental challenges associated with the legacy of the architectural machine: a changing climate, massive species die-off, diminished air and water quality, and resource scarcities. Brook Muller offers an alternative: water-centric urban design that fosters sustainability, equity, and architectural creativity. Inspired by the vernacular, such as the levadas of Madeira Island and both the arid and drenched places of the American West, Muller articulates a “hydro-logical” philosophy in which architects and planners begin by conceptualizing interactions between existing waterways and the spaces they intend to develop. From these interactions—and the new technologies and approaches enabling them—aesthetic, spatial, and experiential opportunities follow. Not content merely to work around sensitive ecology, Muller argues for genuinely climate-adapted urban landscapes in which buildings act as ecological infrastructure that actually improve watersheds while delivering functionality and beauty for diverse communities. Rich in images and practical examples, Blue Architecture will change the way we think about our designed world.

Water and architecture --- urban design, water sustainability sustainable urban planning, water sustainability, climate resilience, architecture, architectural design, Climate Change, American West, sustainable design, Environmental systems.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"The American West and the World provides a synthetic introduction to the transnational history of the American West. Drawing from the insights of recent scholarship, Janne Lahti recenters the history of the U.S. West in the global contexts of empires and settler colonialism, discussing exploration, expansion, migration,violence, intimacies, and ideas. Lahti discusses both established subfields of Western scholarship, such as borderlands studies and transnational histories of empire, as well as relatively unexplored connections between the West and geographically nonadjacent spaces. Lucid and incisive, The American West and the World firmly situates the historical West in its proper global context"--

Borderlands --- West (U.S.) --- Historiography. --- Colonization. --- Border-lands --- Border regions --- Frontiers --- Boundaries --- American West --- Trans-Mississippi West (U.S.) --- United States, Western --- Western States (U.S.) --- Western United States

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Sixty-eight selections representing writers who spent their creative years in Nevada from the 1860s to the early twentieth century and have become known as the Sagebrush School. Features Mark Twain, Dan De Quille, Sam Davis, Joe Goodman, and Rollin Daggett, and lesser-known writers Arthur McEwen, Fred Hart, and others"--Provided by publisher.

American literature --- English literature --- Agrarians (Group of writers) --- West (U.S.) --- American West --- Trans-Mississippi West (U.S.) --- United States, Western --- Western States (U.S.) --- Western United States --- Civilization.