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Architecture, Italian --- Architecture --- Canova, Antonio,

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La réalité juridique de l’esclave à Rome et l’approche économique de l’esclavage ont longtemps figé nos représentations de la place de l’esclave dans la société romaine. C’est l’objet de cet ouvrage, à partir de la confrontation des sources littéraires et de la riche documentation épigraphique, iconographique et archéologique de Rome, du Latium et de la Campanie, du Ier siècle avant notre ère au IIIe siècle ap. J.-C., que de proposer une réévaluation de la situation de l’esclave sous l’angle de sa participation à la vie religieuse, en réfutant l’idée d’une exclusion induite par le modèle de la religion civique. En interrogeant les modalités d’accès des esclaves aux pratiques religieuses, leur participation aux sacrifices publics, aux cultes des uici, des collegia, de la familia, l’ouvrage pose la question de la nature de leur engagement, de leur initiative, voire de leur autorité dans le cadre d’une religion ritualiste, où les obligations sont conditionnées par le statut, mais où, pour les esclaves, la sociabilité joue un rôle fondamental. S’il n’y a pas de religion propre aux esclaves, c’est bien parce que chacun est à même de participer à la vie religieuse des structures romaines en vertu de l’enchevêtrement des réseaux auxquels il appartient.

Architecture, Renaissance --- Art, Renaissance --- Art, Italian --- Architecture --- Art --- Artists --- History --- Archivio di Stato di Venezia --- Architecture, Italian --- Documentation and information --- art [fine art] --- reference sources --- Renaissance --- anno 1400-1499 --- anno 1500-1599 --- Venice --- E-books --- Architecture, Italian - Italy - Venice - 15th century - Sources --- Architecture, Italian - Italy - Venice - 16th century - Sources --- Architecture, Renaissance - Italy - Venice - Sources --- Art, Italian - Italy - Venice - 15th century - Sources --- Art, Italian - Italy - Venice - 16th century - Sources --- Art, Renaissance - Italy - Venice - Sources --- Religion --- esclavage --- religion --- Haut-Empire --- art [discipline] --- Rome --- Religious life and customs. --- Politics and government --- History.

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The official Biennale catalogue—a global overview of architecture of the last one hundred years. The emphasis of the 2014 Biennale is on architectural history. Each country is asked to narrate its history over the last one hundred years in relation to the idea of modernity. Has national identity been sacrificed on the altar of modernity? This is the issue that the Biennale is called on to address.

architectuur --- architecture [discipline] --- Architecture --- Architecture, Modern --- Exhibitions. --- Expositions --- Architecture, Italian --- Biënnale Venetië --- Biennale Venezia --- Biennale di Venezia --- 72.078 --- 72.037 --- 711.4 --- 72.039 --- Biennale van Venetië (2014) ; 14de internationale architectuurtentoonstelling --- Koolhaas, Rem --- Bouwelementen --- Stedenbouw ; architectuur ; onderdelen ; catalogisering --- Italian architecture --- Architectuurtentoonstellingen --- Eenentwintigste eeuw (architectuur) --- 21ste eeuw (architectuur) --- Stedenbouw --- Architectuurgeschiedenis ; 2000 - 2050 --- Exhibitions --- Biennale de Venise --- exhibitions [events] --- tentoonstellingen

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Architecture, Renaissance --- Mannerism (Architecture) --- Architecture de la Renaissance --- Maniérisme (Architecture) --- 72.034 --- 1501-1600 --- Italië --- Architectuur ; Renaissance ; Italië --- 72.034(45) --- 720.945 --- 724.1 --- Renaissancearchitectuur --- Renaissance (architectuur) --- Architectuurgeschiedenis ; Renaissance ; Barok ; Rococo ; Italië --- Arts Architecture Italy --- Arts Architecture Early Modern (1400 - 1800) --- Architecture --- Maniérisme (Architecture) --- Architecture, Italian --- Architecture, Modern --- Gruppo 7 (Group of architects) --- Architecture [Renaissance ] --- Italy

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Regarded as one of the most influential architects and designers of the twentieth century, Gio Ponti (1891-1979) was a prolific creator, as much interested in industrial production as in handicrafts, who has revolutionised post-war architecture while opening up the prospects for a new way of life. This book covers his entire career from 1921 to 1978, highlighting the many aspects of his work, from architecture to industrial design, from furniture to lighting, from the creation of magazines to a foray into the fields of glass, ceramics and goldsmithery.0More than 500 pieces trace this multi-disciplinary journey through architecture, furniture, installations for private homes or public buildings (universities, cathedrals), displaying the creative world of this legendary figure of the Italian scene, whose generosity and enthusiasm have stimulated his contemporaries and still inspire new generations of designers and architects.00Exhibition: Musée des Arts Décoratifs, Paris, France (19.10.2018-10.02.2019).

Architect-designed furniture --- Architecture, Italian --- Design --- History --- Ponti, Gio, --- Criticism and interpretation. --- 749.07 --- 72.07 --- Meubelkunst ; Italië ; Gio Ponti (1891-1979) --- Architectuur ; interieurarchitectuur ; 20ste eeuw ; Gio Ponti --- Ponti, Gio 1891-1979 (°Milaan, Italië) --- Architect-designed decorative arts --- Furniture --- Italian architecture --- Creation (Literary, artistic, etc.) --- Meubelontwerpers ; designers ; interieurarchitecten --- Architecten. Stedenbouwkundigen A - Z --- Ponti, Giovanni, --- Exhibitions --- Mobilier d'architecte --- Ponti, Gio