Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Solidarity has re-entered the global zeitgeist with resounding force in the last decades and is especially urgent to consider today. Yet this concept – both a potent ideal and a slippery notion – is one of the least analysed within the arts. Why? It is perhaps because colonialism, Neoliberalism, hyper-individualism and Western-centred concepts of art have eroded visions of a care-based society. Creating a fair and vital social fabric inspired by mutual dependencies between living beings and all entities including fauna, flora, air, land and water, is fundamental for our collective existence. A critical toolbox with intersectional perspectives is needed to examine this minefield and reveal meaningful and inspiring narratives that can guide our future. Working with these complexities, this Reader considers the agency that artists, collectives and art institutions have generated from the 1970s to today to build the radical imaginaries of care and solidarity needed to transform the conditions of our collective existence in the face of local and global crises. Presenting new and historical material, the Reader narrates a series of stories of solidarity across geographies in relation to emergencies connected to ecocide, femicide, genocide, migration, neocolonialism, inter-religious conflicts, class divisions and heteronormativity, amongst others. It also gives a central place to Indigenous perspectives rarely considered when discussing solidarity in the arts.

Art --- art [fine art] --- sociology --- environments [object groupings] --- colonization --- migration [function] --- environmental art --- social classes --- political art --- cooperation --- Beschaving; Cultuur; Vooruitgang --- Kunst en politiek ; Zuid-Afrika ; apartheid --- Kunsttheorie ; postkolonialisme --- Kunsttheorie : over artistieke samenwerking ; werking --- Kunst en politiek ; solidariteit Palestijnse kwestie --- Kunst en politiek ; 21ste eeuw --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Développement social des quartiers --- Rapports sociaux --- Communauté --- Mouvement social --- kunst --- kunst en politiek --- twintigste eeuw --- eenentwintigste eeuw --- sociologie --- activisme --- postkolonialisme --- 7.038/039 --- politiek --- kunsttheorie --- art [discipline]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Hoe gaan kunstenaars en culturele werkers op de werkvloer om met diversiteit? (Bron: covertekst)

cultuursociologie --- kunstparticipatie --- art [fine art] --- Sociology of cultural policy --- kunstprojecten --- kunst --- Art --- Artistic collaboration --- Artistieke samenwerking --- Collaboration artistique --- interculturaliteit --- 600 Cultuur --- 668.6 Multiculturele samenleving --- 7.071 --- 7.01 --- 7.039 --- Beeldende kunst ; podiumkunsten ; diversiteit --- Diversiteit ; interculturele competenties ; Vlaanderen en Brussel --- diversiteit --- cultuur --- 305.81 --- S2007329.JPG --- interculturele communicatie --- multiculturele samenleving --- Kunst ; kunstenaars en beroep --- Kunst ; theorie, filosofie, esthetica --- Kunstgeschiedenis ; 2000 - 2050 --- interculturele communicatie, intercultureel zakendoen, cultuurverschillen en interculturaliteit --- 007 --- 7 --- 325 --- 700.7 --- 765.20 --- Creatie en productie - productie --- cultuurbeleid --- projects [artistic concepts] --- 766 --- Theorie van het theater en de film - Kritiek --- art [discipline]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Many artists, writers, and other creative people do their best work when collaborating within a circle of likeminded friends. Experimenting together and challenging one another, they develop the courage to rebel against the established traditions in their field. Out of their discussions they develop a new, shared vision that guides their work even when they work alone.In a unique study that will become a rich source of ideas for professionals and anyone interested in fostering creative work in the arts and sciences, Michael P. Farrell looks at the group dynamics in six collaborative circles: the French Impressionists; Sigmund Freud and his friends; C. S. Lewis, J. R. R. Tolkien, and the Inklings; social reformers Elizabeth Cady Stanton and Susan B. Anthony; the Fugitive poets; and the writers Joseph Conrad and Ford Maddox Ford. He demonstrates how the unusual interactions in these collaborative circles drew out the creativity in each member. Farrell also presents vivid narrative accounts of the roles played by the members of each circle. He considers how working in such circles sustains the motivation of each member to do creative work; how collaborative circles shape the individual styles of the persons within them; how leadership roles and interpersonal relationships change as circles develop; and why some circles flourish while others flounder.

Groepsdynamiek --- Group dynamics --- Groupes sociaux --- Social groups --- Sociale groepen --- Artistic collaboration --- Groupes, Dynamique des --- Collaboration artistique --- Social groups. --- Artistic collaboration. --- 7.01 --- Kunsttheorie : over artistieke samenwerking ; werking --- Artist' circles --- Kunstenaarsgroepen ; groepsdynamiek --- Franse Impressionisten --- The Oxford Group ; J.R.R. Tolkien en C.S. Lewis --- Freud, Sigmund ; samenwerking met J.Breuer en W. Fleiss --- The Rye Group ; groep rond Henry James, J. Conrad en Ford Maddox Ford --- The Inklings --- American women's rights movement --- The Fugitive poets --- Artistieke collaboratie en creativiteit --- Kunstenaarsverenigingen --- Collaboration, Artistic --- Creation (Literary, artistic, etc.) --- Group work in art --- Association --- Groups, Social --- Associations, institutions, etc. --- Social participation --- Kunst ; theorie, filosofie, esthetica --- Friendship. --- Case studies --- Friendship --- Case studies.