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Art and science. --- Cubism. --- Relativity (Physics) --- Mathematics in art.

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Les Demoiselles d'Avignon: five young women that changed modern art forever. Faces seen simultaneously from the front and in profile, angular bodies whose once voluptuous feminine forms disappear behind asymmetric lines - with this work, Picasso revolutionised the entire history of painting. Cubism was thus born in 1907. Transforming natural forms into cylinders and cubes, painters like Juan Gris and Robert Delaunay, led by Braque and Picasso, imposed a new vision upon the world that was in total opposition to the principles of the Impressionists. Largely diffused in Europe, Cubism developed r

Cubism. --- Aesthetics --- Art --- Art, Modern --- Modernism (Art) --- Painting --- Cubo-futurism (Art) --- Post-impressionism (Art)

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Cubist --- decorative arts --- Architecture --- architecture [discipline] --- Art --- anno 1900-1999 --- France --- Bohemian --- Arts appliqués --- Cubisme --- Cubism (Architecture) --- Decoration and ornament --- History --- Cubism --- Prague --- République tchèque --- -Cubism (Architecture) --- -Decoration and ornament --- -Architecture --- -72.01 --- 72.036 --- 72.03 --- kubisme --- Europa --- Tsjechië --- Architectuur en design ; Bohemen en Frankrijk ; 1910-1914 --- Architectuur ; design ; Tsjechisch kubisme --- Meubelkunst ; kubistische meubels --- Duchamp-Villon ; kubistisch huis --- 7.037 --- 72.037 --- 749.037 --- architectuur --- kunstnijverheid --- design --- twintigste eeuw --- Frankrijk --- Tsjechoslowakije --- meubelkunst --- interieurarchitectuur --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Building --- Art, Decorative --- Decorative art --- Decorative design --- Design, Decorative --- Nature in ornament --- Ornament --- Painting, Decorative --- Decorative arts --- Arts and crafts movement --- Architecture, Cubist --- Cubist architecture --- Architecture, Modern --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Twintigste eeuw (architectuur) --- 20ste eeuw (architectuur) --- Architectuurgeschiedenis --- Architectuur (geschiedenis) --- Kunstgeschiedenis ; 1900 - 1950 --- Architectuurgeschiedenis , 1900 - 1950 --- Meubelkunst en design ; 1900 - 1950 --- Design and construction --- Cubism. --- 72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- 72.01 --- Architectuur --- Tsjechisch kubisme --- kubistisch --- Czech Cubism --- 72.01 Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Architecture, Primitive --- Decoration and ornament, Primitive --- Cubism (Architecture) - Czech Republic - Bohemia --- Architecture - Czech Republic - Bohemia - History - 20th century --- Decoration and ornament - Czech Republic - Bohemia - Cubism --- Cubism (Architecture) - France --- Architecture - France - History - 20th century --- Decoration and ornament - France - Cubism

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Painting --- Art styles --- Gleizes, Albert --- kubisme --- Delaunay, Robert --- Cubism --- Painting, French --- Painters --- CDL --- 75.071 GLEIZES --- Artists --- Gleizes, Albert, --- 20th century --- kubisme. --- Gleizes, Albert. --- Delaunay, Robert.

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Cubism and futurism were related movements that vied with each other in the economy of renown. Perception, dynamism, and the dynamism of perception-these issues passed back and forth between the two. Cubism and Futurism shows how movement became, in the traditional visual arts, a central factor with the advent of the cinema: gone were the days when an artwork strived merely to lift experience out the realm of change and flow. The cinema at this time was understood as an electric art, akin to X-rays, coloured light, and sonic energy. In this book, celebrated filmmaker and author Bruce Elder connects the dynamism that the cinema made an essential feature of the new artwork to the new science of electromagnetism. Cubism is a movement on the cusp of the transition from the world of standardized Cartesian coordinates and interchangeable machine parts to a Galvanic world of continuities and flows. In contrast, futurism embraced completely the emerging electromagnetic view of reality. Cubism and Futurism shows that the notion of energy made central to the new artwork by the cinema assumed a spiritual dimension, as the cinema itself came to be seen as a pneumatic machine.

Motion pictures --- Futurism (Art) --- Cubism. --- Aesthetics --- Art --- Art, Modern --- Modernism (Art) --- Painting --- Cubo-futurism (Art) --- Post-impressionism (Art) --- Action in art --- History. --- History and criticism