Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Music --- Music, French --- Musique --- Musique française --- History and criticism --- Histoire et critique --- Milhaud, Darius, --- Criticism and interpretation. --- 513 --- Muziekanalyse - vormleer --- Milhaud, Darius --- -Criticism and interpretation --- Miĭo, D. --- Miĭo, Darii︠u︡s, --- Milhaud, D. --- Milo, D. --- Milo, Darius, --- Miyō, Dariusu, --- מיו, דריוס --- 526.10 --- Monografieën componisten en uitvoerders - Biografieën, Stijl- en oeuvrebesprekingen

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

791.42 --- Cardiff Jack --- Chapman Michael --- Contard Raoul --- DOP --- DP --- Deakins Roger --- Dryburgh Stuart --- Kaminski Janusz --- Khondji Darius --- Kovacs Laszlo --- Mitra Subrata --- Müller Robby --- Nykvist Sven --- Peter Ettedgui --- Seale John --- Serra Eduardo --- Slocombe Douglas --- Wexler Haskell --- Williams Billy --- Willis Gordon --- belichting --- camera's --- cameramannen --- camerawerk --- cinematografie --- director of photography --- film --- filmfotografie --- filmtechniek --- fotografie en film --- fotografie --- licht --- 798.53 --- Cardiff, Jack --- Chapman, Michael --- Coutard, Raoul --- Deakins, Roger --- Dryburgh, Stuart --- Kaminski, Janusz --- Khondji, Darius --- Kovacs, Laszlo --- Mitra, Subrata --- Müller, Robby --- Nykvist, Sven --- Seale, John --- Serra, Eduardo --- Slocombe, Douglas --- Wexler, Haskell --- Williams, Billy --- Willis, Gordon --- cineasten --- film, cineasten

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The last of Cyrus the Great’s dynastic inheritors and the legendary enemy of Alexander the Great, Darius III ruled over a Persian Empire that stretched from the Mediterranean to the Indus River. Yet, despite being the most powerful king of his time, Darius remains an obscure figure. As Pierre Briant explains in the first book ever devoted to the historical memory of Darius III, the little that is known of him comes primarily from Greek and Roman sources, which often present him in an unflattering light, as a decadent Oriental who lacked the masculine virtues of his Western adversaries. Influenced by the Alexander Romance as they are, even the medieval Persian sources are not free of harsh prejudices against the king Dara, whom they deemed deficient in the traditional kingly virtues. Ancient Classical accounts construct a man who is in every respect Alexander’s opposite—feeble-minded, militarily inept, addicted to pleasure, and vain. When Darius’s wife and children are captured by Alexander’s forces at the Battle of Issos, Darius is ready to ransom his entire kingdom to save them—a devoted husband and father, perhaps, but a weak king. While Darius seems doomed to be a footnote in the chronicle of Alexander’s conquests, in one respect it is Darius who has the last laugh. For after Darius’s defeat in 331 BCE, Alexander is described by historians as becoming ever more like his vanquished opponent: a Darius-like sybarite prone to unmanly excess.

HISTORY / Ancient / Greece. --- Darius --- Alexander, --- Alejandro, --- Alekjhāṇḍara, --- Aleksandar, --- Aleksander, --- Aleksandr, --- Alekʻsandre, --- Aleksandros bar Filipos, --- Aleksandŭr, Makedonski, --- Alessandro, --- Alexander --- Alexandre, --- Alexandros --- Alexandros, --- Alexandros, Megalos, --- Alexandru, --- Alexantros, --- Aleksandŭr, --- Александър, --- Iskandar, --- Maḳdonya, Aleksandros bar Filipos, --- Makedonski, Aleksandŭr, --- Македонски, Александър, --- Megalexandros, --- Megas Alexandros, --- Nagy Sándor, --- Sikandar, --- Iskender, --- Μέγας Ἀλέξανδρος, --- Ἀλέξανδρος, --- Ἀλέξανδρος --- אלכסנדר בן פיליפוס, --- אלכסנדר, --- اسكندر كبير --- اسکندر اعظم --- سکندراعظم --- Codommanus, --- Dārā, --- Darayavaush, --- Dareius --- Iran --- Kings and rulers --- History

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Cinematography --- Photographers --- Cinéma --- Photographes --- Entretiens réalisés par Dominique Maillet ; Photographies de Sylvie Biscioni --- cameramannen --- DP --- DOP --- Director of Photography --- fotografie en film --- Alazraki Robert --- Arbogast Thierry --- Aronovich Ricardo --- Arvanitis Yorgos --- de Battista Gérard --- Berta Renato --- Blossier Patrick --- Catonné François --- Champetier Caroline --- Chapuis Dominique --- Choquart Alain --- Coutard Raoul --- Dailland Laurent --- Delhomme Benoît --- Dreujou Jean-Marie --- Fabre Jean-Marc --- Fraisse Robert --- Gautier Eric --- Glenn Pierre-William --- Godard Agnès --- Guichard Eric --- de Keyzer Bruno --- Khondji Darius --- Kurant Willy --- Lapoirie Jeanne --- Lenoir Denis --- Lhomme Pierre --- Lubtchansky William --- Machuel Emmanuel --- Marti Pascal --- Richard Edmond --- Robin Jean-François --- Rousselot Philippe --- Serra Eduardo --- Van Damme Charlie --- Varini Carlo --- Zitzermann Bernard --- 791.47 --- Cinematographers --- Motion picture producers and directors --- 791.42 --- belichting --- camera's --- camerawerk --- cinematografie --- film --- filmtechniek --- fotografie --- licht --- Cameramen, Lighting --- Directors of photography (Cinematographers) --- Lighting cameramen --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- Professional relationships

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art --- anno 1900-1999 --- 7.01 --- 7.049 --- Animisme --- Animatie en deanimatie ; inanimisme --- Thema's in de kunst ; animisme ; animatie --- Kunst en antropologie --- Tentoonstellingscatalogi ; Antwerpen ; Museum van Hedendaagse Kunst (M HKA) --- Tentoonstellingscatalogi ; Anwerpen ; Extra City - Kunsthal --- Kunst en beweging --- Art & Language --- Broodthaers, Marcel --- Disney, Walt --- Dujourie, Lili --- Durham, Jimmie --- Edison, Thomas Alva --- Jacobs, Ken --- Koester, Joachim --- Manders, Mark --- Maray, Etienne-Jules --- Meuris, Wesley --- Michaux, Henri --- Resnais, Alain --- Richter, Hans --- Trockel, Rosemarie --- Van Kerckhoven, Annemie --- Weerasethakul, Apichatpong --- Kunst ; theorie, filosofie, esthetica --- Iconografie ; verschillende onderwerpen --- Exhibitions --- Aesthetics, Modern. --- Animism. --- kunst --- animisme --- animatie --- mummificatie --- kunsttheorie --- antropologie --- Tylor Edward --- primitivisme --- kolonialisme --- natuur --- cultuur --- cultuurfilosofie --- kunst en technologie --- digitale cultuur --- Zuid-Afrika --- Disney Walt --- Roussel Raymond --- spiritisme --- Agency --- Alexandrov Grigory --- Avikianen Adam --- Broodthaers Marcel --- Chan Paul --- Conrad Tony --- Demorcy Didier --- Dujourie Lili --- Durham Jimmie --- Duvivier Eric --- Edison Thomas A. --- Farocki Harun --- Ferrari Leon --- Gill Simryn --- Green Walon --- Grippo Victor --- Gysin Brion --- Jacob Luis --- Jacobs Ken --- James Darius --- Koester Joachim --- Kunuk Zacharias --- Lawler Louise --- Lutz & Guggisberg --- Lye Len --- Marey Etienne-Jules --- Marker Chris --- Resnais Alain --- Manders Mark --- Martin Daria --- Melitopoulos Angela --- Lazzarato Maurizio --- Meuris Wesley --- Michaux Henri --- Mofokeng Santu --- Monnikendam Vincent --- Nicholson Tom --- Nkanga Otobong --- Pulfer Reto --- Richter Hans --- Regnault Félix-Louis --- Robakowski Jozef --- Sadr Haghighian Natascha --- Sharits Paul --- Sone Yutaka --- Svankmajer Jan --- Tretiakoff David --- Trockel Rosemarie --- Van Kerckhoven Anne-Mie --- Vertov Dziga --- Weber Klaus --- Weerasethakul Apichatpong --- 7.039 --- 130.2 --- Czolgosz Leon F. --- Alexandrov, Grigory --- Avikainen, Adam --- Chan, Paul --- Conrad, Tony --- Demorcy, Didier --- Duvivier, Eric --- Farocki, Harun --- Ferrari, Leon --- Gill, Simryn --- Green, Walon --- Grippo, Victor --- Gysin, Brion --- Jacob, Luis --- Darius, James --- Isuma Productions et al. --- Aesthetics [Modern ] --- Animism --- Edison Thomas A --- Czolgosz Leon F