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The view of modernism as representing an epistemological break between technology and history and tradition has long been challenged. Le Corbusier’s work has proved to be an inexhaustible reference point in this debate. This is due, on the one hand, to the legacy of nineteenth-century historicism, and on the other to his creative process of creation through destruction which, as John Summerson has noted, is comparable to the processes of avant-garde poets and painters. The contributions to this book explore particular episodes which bring to light both the operative role of the past in the creation of a new abstract synthesis, and Le Corbusier’s modernist historical consciousness. They illustrate how the past participated in the modernist creative process of abstract art, from the 1920s machine aesthetics to the late infatuation with myth. They also shed light on the extent to which the operative quality of the history was framed by a comprehensive historical vision that took the form of metanarrative, which neither the analytical studies on his architecture nor the synthetic approaches to his philosophical thinking should dismiss.
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An unrivalled collection of literary gossip and intimate sidelights on the lives of the authors. This hugely entertaining anthology ranges from Chaucer to the present day, with anecdotes that are hilarious, touching, outrageous, sinister, inspiring, and downright weird.
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In this richly illustrated study of the relationship of art, drama, and fiction in the nineteenth century, Martin Meisel illuminates the collaboration between storytelling and picturemaking that informed narrative painting, pictorial dramaturgy, and serial illustrated fiction.Originally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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This book provides a pioneering and data-oriented investigation of the syntax and semantics of important prepositional complementation patterns dependent on the prepositions in, to, at, on, with, and of in current English. The investigation is based on a sample of matrix verbs that governs the pattern of sentential complementation. The data includes the Brown and LOB corpora, English dictionaries and grammars, and the intuitions of native speakers.Rudanko sets up taxonomies of matrix verbs and argues that they often can be based on relatively few core classes. He questions whether verbs selecting a pattern also select other patterns of sentential complementation. Noting the quantity and quality of such alternation, he observes how differences in form are linked to differences in meaning. The study of relevant matrix verbs, supplemented with discussion of alternation and other syntactic and semantic properties of the patterns, points to the semantic functions that are associated typically with each pattern of complementation.
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""As facets on a gem reveal its hidden beauty, so Dr Ellens' sermons for Ordinary Time(s) disclose the depth and beauty of the scriptures relating to these months of the Christian year between Pentecost and Advent. His long career prepared him well to author this book. With the approach of a scholar, the patience of a teacher, and the understanding of a pastor, he gives the reader new insights into these familiar scriptures. To read one of his sermons on a glorious summer day is to pray in the...
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Feathers in Reverse is the ideal gift for a loved one who is scared of poetry. It engages and immerses readers with the luring subtlety of a serpent. Themes treated include good and evil, heaven and earth, man and woman, birth and death, urbanism and rural life, wealth and poverty. As much as the poet highlights salient issues and conflicts in everyday life, he suggests answers to burning problems as well. A common thread runs through the over 300 poems feathered and featured in this collection. The notion of the 'feather' is cross-cultural. It reminds us of the feather used as a pen in ancient Europe and the 'red feather' that is stuck on the caps of African notables as a mark of distinction. Feathers in Reverse is a magic pudding to be sampled, shared and indulged.
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Like his poetry, Middleton's prose pieces are alive with incongruity, collage, and surprising juxtapositions.
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Although the Brontës have long fascinated readers of fiction and biography, their poetry was all too little known until this pioneering selection by Stevie Davies, the novelist and critic. Charlotte (1816-1855) is certainly a competent poet, and Anne (1820-1849) developed a distinctive voice, while Emily (1818-1848) is one of the great women poets in English. Read together with their novels, the poems movingly elucidate the ideas around which the narratives revolve. And they surprise us out of our conventional notions of the sisters' personalities: Emily's rebelliousness, for exampl
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Three volumes of his verse were published in Coward's lifetime, but while The Complete Verse features all of the work from these three volumes it also presents previously unpublished material for the very first time. Coward expert Barry Day has collected together the additional verse which Coward sent to family and friends and which paints a vivid portrait of his more private life. For anyone who has enjoyed the Diaries or the Letters of Noel Coward , The Complete Verse offers further enjoyment and appreciation of Coward's wit, insatiable interest in people and skilful rendering of his public
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Pride Aside and Other Poems rattles the brain as it blurs thematic boundaries. Even though Bill F. Ndi's poems seem to clearly draw inspiration from everyday life, almost all the poems are structured as sonnets. Through the lines of the various poems in this collection, influences of poets from different schools of poetic creativity and streams of inspiration resonate. They bring to mind the metaphysical poets, the Romantics, the Symbolists, the Confessionalists, poets of the Beat Generation, Committed poetry, etc. As such reading the collection places the reader before a multifaceted and intriguing cultural document imbued with literary influences from Chaucer to W.B Yeats and beyond. However, their insight and the richness of their humanity transform the poems essentially into meditations on the soul of our civilization. This poetic work is vibrant and thought provoking.
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