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Indian arts --- Ethnicity in art. --- History
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The role of race and ethnicity in global humor
Wit and humor in art. --- Race in art. --- National characteristics in art. --- Ethnicity in art. --- Art and society.
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Early twentieth-century art and art practice in Britain and the United States were, Janet Wolff asserts, marginalized by critics and historians in very similar ways after the rise of post-Cubist modern art. In a masterly book on the sociology of modernism, Wolff explores work that was primarily realist and figurative and investigates the social, institutional, political, and aesthetic processes by which that art fell by the wayside in the postwar period. Throughout, she shows that questions of gender and ethnicity play an important role in critical, curatorial, and historical evaluations. For example, Wolff finds that the work of the artists central to the development of the Whitney Museum was relegated to a secondary status in the postwar period, when realism was labeled "feminine" in contrast to the aggressive masculinity of abstract expressionism.The three key periods considered in AngloModern are the early twentieth century, when modernist art and existing and new realist traditions coexisted in a certain tension; the postwar period, in which modernism claimed superiority over realism; and the late twentieth century, when a retrieval of the realist and figurative traditions seemed to occur. Wolff concludes by considering this re-emergence, as well as the limitations of earlier discussions of the struggles of realist and figurative art to endure the currents of modernism.
Ethnicity in art. --- Gender identity in art. --- Painting, British --- Painting, American --- Modernism (Art) --- British painting --- Paintings, British --- Painting, Modern --- Washington Color School (Group of artists) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Gender identity in art --- Ethnicity in art
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African Americans in art. --- Ethnicity in art. --- African American art --- Afro-American art --- Art, African American --- Negro art --- Ethnic art --- Afro-Americans in art --- Negroes in art --- Themes, motives. --- Motley, Archibald John, --- Criticism and interpretation.
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This book employs an ethnographic approach to understand the evolution of jua kali (Swahili for ""hot sun"") art forms, especially in response to the international tourism industry. The importance of ethnicity to Lamu's jua kali artists and the ways that ethnic identity is expressed visually in their artwork offers a unique approach to analyzing processes of cultural commoditization.
Art and society -- Kenya -- Lamu. --- Art, Kenyan -- Kenya -- Lamu. --- Artisans -- Kenya -- Lamu. --- Ethnicity in art. --- Informal sector (Economics) -- Kenya -- Lamu. --- Lamu (Kenya) -- Social conditions. --- Tourism and art -- Kenya -- Lamu. --- Art and society --- Tourism and art --- Art, Kenyan --- Ethnicity in art --- Artisans --- Informal sector (Economics) --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- Hidden economy --- Parallel economy --- Second economy --- Shadow economy --- Subterranean economy --- Underground economy --- Economics --- Small business --- Artizans --- Craftsmen --- Craftspeople --- Craftspersons --- Skilled labor --- Cottage industries --- Kenyan art --- Art and tourism --- Tourist trade and art --- Art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Lamu (Kenya) --- Social conditions.
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Ethnicity in art. --- Street art --- Mexican American mural painting and decoration --- Art, Street --- Art, Wall --- Wall art --- Art and society --- Mural painting and decoration --- Performance art --- Politics in art --- Graffiti --- Mural painting and decoration, Mexican American --- Mexican American painting --- Mural painting and decoration, American
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Patricia A. Banks traverses the New York and Atlanta art worlds to uncover how black identities are cultivated through black art patronage. Drawing on over 100 in-depth interviews, observations at arts events, and photographs of art displayed in homes, Banks elaborates a racial identity theory of consumption that highlights how upper-middle class blacks forge black identities for themselves and their children through the consumption of black visual art. She not only challenges common assumptions about elite cultural participation, but also contributes to the heated debate about the signific
African Americans --- African American art --- Art and race. --- Art and the middle class. --- Ethnicity in art. --- Afro-American art --- Art, African American --- Negro art --- Ethnic art --- Negritude --- Middle class and art --- Middle class --- Race and art --- Ethnopsychology --- Race identity. --- Social aspects. --- Ethnic identity
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"Adrian Piper has consistently produced groundbreaking work that has profoundly shaped the form and content of conceptual art since the 1960s. Strongly inflected by her longstanding involvement with philosophy and yoga, her pioneering investigations into the political, social, psychological and spiritual potential of conceptual art have had an incalculable influence on artists working today. Published in conjunction with the most comprehensive exhibition of her work to date, this catalog presents more than 280 artworks that encompass the full range of Piper's mediums: works on paper, video, multimedia installation, performance, painting, sound and photo-texts. Essays by curators and scholars examine her extensive research into altered states of consciousness; the introduction of the Mythic Being - her subversive masculine alter-ego; her media and installation works from after 1980, which reveal and challenge stereotypes of race and gender; and the global conditions that illuminate the significance of her art. Previously unpublished texts by the artist lay out significant events in her personal history and her deeply felt ideas about the relationship between viewer and art object. This publication expands our understanding of the conceptual and post-conceptual art movements and Piper's pivotal position among her peers and for later generations."--
Piper, Adrian --- conceptual artists --- video art --- identity --- Post-Conceptual --- dolls --- philosophy --- mixed media --- photography [process] --- Art --- drugs --- performance art --- race [group of people] --- ethnic groups --- newspapers --- gelatin silver prints --- typescripts --- Conceptual --- drawings [visual works] --- easel paintings [paintings by form] --- ART / General. --- African American women artists --- African American women artists. --- Art and Design. --- Art and philosophy --- Art and philosophy. --- Art, Modern --- Art, Modern. --- Conceptual art --- Conceptual art. --- Ethnicity in art --- Ethnicity in art. --- Identity (Psychology) in art --- Identity (Psychology) in art. --- Other (Philosophy) in art --- Other (Philosophy) in art. --- Race in art --- Race in art. --- Self (Philosophy) in art --- Self (Philosophy) in art. --- Themes, motives. --- Words in art --- Words in art. --- Piper, Adrian, --- Criticism and interpretation. --- 1900-2099. --- New York (State). --- United States. --- Kunst --- kranten --- typoscripten --- tekeningen --- fotografie --- filosofie --- videokunst [kunstwerken] --- Post-Conceptueel --- performances [live] --- gelatinezilverdrukken --- gemengde media --- schilderijen --- etnische groepen --- poppen --- ras [begrip] --- identiteit --- conceptueel --- dolls [figurines] --- #breakthecanon --- Femmes artistes --- Art conceptuel --- Art vidéo --- Installations (art) --- Art de performance --- Art multimédia. --- Exhibitions. --- kunst --- 7.071 PIPER --- racisme --- gender studies --- performance --- performances --- yoga --- concept art --- conceptuele kunst --- kunsttheorie --- Verenigde Staten --- Afro-American women artists --- Women artists, African American --- Women artists --- Philosophy and art --- Philosophy --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Performance art --- Earthworks (Art) --- Sky art --- Piper, Adrian M. S., --- Exhibitions --- 705.9 --- gender --- genderexpressie --- performancekunst --- ostracisme --- sociale uitsluitingsmechanismen --- tentoonstellingscatalogus --- MoMA (Museum of Modern Art) --- kunstgeschiedenis, 21e eeuw --- paintings [visual works]
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