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book (8)


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English (8)


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Book
Visualities 2 : more perspectives on contemporary American Indian film and art
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ISBN: 1609175980 9781609175986 9781611863192 1611863198 Year: 2019 Publisher: East Lansing, Michigan : Michigan State University Press,

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Book
No laughing matter : visual humor in ideas of race, nationality, and ethnicity
Authors: --- ---
ISBN: 1611688221 9781611688221 9781611688207 1611688205 9781611688214 1611688213 Year: 2016 Publisher: Hanover, New Hampshire : Dartmouth College Press,

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The role of race and ethnicity in global humor

AngloModern
Author:
ISBN: 1501717464 9781501717468 080143923X 9780801439230 0801487420 9780801487422 Year: 2018 Publisher: Ithaca, NY

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Early twentieth-century art and art practice in Britain and the United States were, Janet Wolff asserts, marginalized by critics and historians in very similar ways after the rise of post-Cubist modern art. In a masterly book on the sociology of modernism, Wolff explores work that was primarily realist and figurative and investigates the social, institutional, political, and aesthetic processes by which that art fell by the wayside in the postwar period. Throughout, she shows that questions of gender and ethnicity play an important role in critical, curatorial, and historical evaluations. For example, Wolff finds that the work of the artists central to the development of the Whitney Museum was relegated to a secondary status in the postwar period, when realism was labeled "feminine" in contrast to the aggressive masculinity of abstract expressionism.The three key periods considered in AngloModern are the early twentieth century, when modernist art and existing and new realist traditions coexisted in a certain tension; the postwar period, in which modernism claimed superiority over realism; and the late twentieth century, when a retrieval of the realist and figurative traditions seemed to occur. Wolff concludes by considering this re-emergence, as well as the limitations of earlier discussions of the struggles of realist and figurative art to endure the currents of modernism.


Book
Archibald Motley Jr. and Racial Reinvention : the old negro in new negro art
Author:
ISBN: 9780252099700 0252099702 9780252041143 0252041143 Year: 2017 Publisher: Urbana, Chicago, Springfield, [Illinois] : University of Illinois Press,


Book
Art, Culture, and Tourism on an Indian Ocean Island : An Ethnographic Study of Jua Kali Artists in Lamu, Kenya
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ISBN: 9780773444423 0773444424 0773444424 Year: 2009 Publisher: Lewiston : The Edwin Mellen Press,

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This book employs an ethnographic approach to understand the evolution of jua kali (Swahili for ""hot sun"") art forms, especially in response to the international tourism industry. The importance of ethnicity to Lamu's jua kali artists and the ways that ethnic identity is expressed visually in their artwork offers a unique approach to analyzing processes of cultural commoditization.


Book
Give Me Life : Iconography and Identity in East LA Murals
Authors: ---
ISBN: 0826357482 9780826357489 9780826357472 0826357474 Year: 2016 Publisher: Albuquerque : University of New Mexico Press,


Book
Represent : art and identity among the black upper-middle class
Author:
ISBN: 9780203862865 0203862864 9780415800600 0415800609 9781135177966 1135177961 9781135177911 1135177910 9781135177959 1135177953 9780415654050 041565405X 1282974653 9781282974654 9786612974656 6612974656 Year: 2010 Publisher: New York : Routledge,

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Patricia A. Banks traverses the New York and Atlanta art worlds to uncover how black identities are cultivated through black art patronage. Drawing on over 100 in-depth interviews, observations at arts events, and photographs of art displayed in homes, Banks elaborates a racial identity theory of consumption that highlights how upper-middle class blacks forge black identities for themselves and their children through the consumption of black visual art. She not only challenges common assumptions about elite cultural participation, but also contributes to the heated debate about the signific


Book
Adrian Piper : a synthesis of intuitions, 1965-2016
Authors: --- --- --- --- --- et al.
ISBN: 9781633450493 163345049X Year: 2018 Publisher: New York, N.Y. The Museum of Modern Art

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"Adrian Piper has consistently produced groundbreaking work that has profoundly shaped the form and content of conceptual art since the 1960s. Strongly inflected by her longstanding involvement with philosophy and yoga, her pioneering investigations into the political, social, psychological and spiritual potential of conceptual art have had an incalculable influence on artists working today. Published in conjunction with the most comprehensive exhibition of her work to date, this catalog presents more than 280 artworks that encompass the full range of Piper's mediums: works on paper, video, multimedia installation, performance, painting, sound and photo-texts. Essays by curators and scholars examine her extensive research into altered states of consciousness; the introduction of the Mythic Being - her subversive masculine alter-ego; her media and installation works from after 1980, which reveal and challenge stereotypes of race and gender; and the global conditions that illuminate the significance of her art. Previously unpublished texts by the artist lay out significant events in her personal history and her deeply felt ideas about the relationship between viewer and art object. This publication expands our understanding of the conceptual and post-conceptual art movements and Piper's pivotal position among her peers and for later generations."--

Keywords

Piper, Adrian --- conceptual artists --- video art --- identity --- Post-Conceptual --- dolls --- philosophy --- mixed media --- photography [process] --- Art --- drugs --- performance art --- race [group of people] --- ethnic groups --- newspapers --- gelatin silver prints --- typescripts --- Conceptual --- drawings [visual works] --- easel paintings [paintings by form] --- ART / General. --- African American women artists --- African American women artists. --- Art and Design. --- Art and philosophy --- Art and philosophy. --- Art, Modern --- Art, Modern. --- Conceptual art --- Conceptual art. --- Ethnicity in art --- Ethnicity in art. --- Identity (Psychology) in art --- Identity (Psychology) in art. --- Other (Philosophy) in art --- Other (Philosophy) in art. --- Race in art --- Race in art. --- Self (Philosophy) in art --- Self (Philosophy) in art. --- Themes, motives. --- Words in art --- Words in art. --- Piper, Adrian, --- Criticism and interpretation. --- 1900-2099. --- New York (State). --- United States. --- Kunst --- kranten --- typoscripten --- tekeningen --- fotografie --- filosofie --- videokunst [kunstwerken] --- Post-Conceptueel --- performances [live] --- gelatinezilverdrukken --- gemengde media --- schilderijen --- etnische groepen --- poppen --- ras [begrip] --- identiteit --- conceptueel --- dolls [figurines] --- #breakthecanon --- Femmes artistes --- Art conceptuel --- Art vidéo --- Installations (art) --- Art de performance --- Art multimédia. --- Exhibitions. --- kunst --- 7.071 PIPER --- racisme --- gender studies --- performance --- performances --- yoga --- concept art --- conceptuele kunst --- kunsttheorie --- Verenigde Staten --- Afro-American women artists --- Women artists, African American --- Women artists --- Philosophy and art --- Philosophy --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Performance art --- Earthworks (Art) --- Sky art --- Piper, Adrian M. S., --- Exhibitions --- 705.9 --- gender --- genderexpressie --- performancekunst --- ostracisme --- sociale uitsluitingsmechanismen --- tentoonstellingscatalogus --- MoMA (Museum of Modern Art) --- kunstgeschiedenis, 21e eeuw --- paintings [visual works]

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