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The greatest artist of the 18th century, Francisco de Goya began his career as an apprentice to a local artist where one of his jobs was adding draperies and modesty items to nude figures in religious paintings; for this he was titled ""Reviser of Indecent Paintings."" But by the age of 40, Goya had established himself as a leading Spanish artist. Goya simultaneously pursued a number of disparate projects, commissions he received from prestigious churches and royalty, as well as producing several lengthy series of lithographs to express his dislike of several subjects, notably Spanish high soc

Goya, Francisco, --- Goya, Francisco --- de Goya y Lucientes, Francisco --- Ko-ya, --- Goya y Lucientes, Francisco José de, --- Goĭa, Fransisko Khose de, --- Goĭi︠a︡, Fransisko Khose de, --- Goja, Francisko, --- Goĭi︠a︡-i-Lusientes, Fransisko, --- De Goya, Francisco, --- Goya y Lucientes, Francisco, --- Goya, Louis-Philippe, --- Goya y Lucientes, Jose de, --- Lucientes, Jose de Goya y, --- Paula, José Goya y Lucientes, Francisco de, --- גויה, פראנסיסקו, --- ゴヤ,

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Artists --- Goya, Francisco, --- Goya, Francisco --- de Goya y Lucientes, Francisco --- Ko-ya, --- Goya y Lucientes, Francisco José de, --- Goĭa, Fransisko Khose de, --- Goĭi︠a︡, Fransisko Khose de, --- Goja, Francisko, --- Goĭi︠a︡-i-Lusientes, Fransisko, --- De Goya, Francisco, --- Goya y Lucientes, Francisco, --- Goya, Louis-Philippe, --- Goya y Lucientes, Jose de, --- Lucientes, Jose de Goya y, --- Paula, José Goya y Lucientes, Francisco de, --- גויה, פראנסיסקו, --- ゴヤ,

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"Francisco Goya (1746-1828) is the first truly modern artist, whose penetrating vision of humanity is as relevant today as it was revolutionary in his own time. His most innovative works were created after a near-fatal illness that left him profoundly deaf at the age of forty-seven. Alongside a prodigious output in paintings and prints, he expressed his most private thoughts and feelings in eight remarkable albums of drawings. Made over a period of thirty years, the albums were split up after his death; their pages are now scattered in public and private collections throughout the world." "The album drawings reveal Goya's astonishing powers of invention and observation. They include amazing flights of fantasy, nightmare and biting satire, and show the artist's imagination at work on a vast range of subjects - the pageant of carnival and Holy Week, the upheavals of war, images of childhood and old age, witches and charlatans - in a reflection, both violent and tender, of the world around him." "In this book, Juliet Wilson-Bareau brings together 117 of the finest album drawings. They are shown here for the first time as full-page colour reproductions, all save the largest album as actual-size facsimiles. The drawings are accompanied by extensive commentaries, together with an introductory essay and texts on each of the albums."--Jacket.

Drawing --- Goya y Lucientes, de, Francisco José --- Goya y Lucientes, Francisco José de --- Goya, Francisco, --- Goya, Francisco --- de Goya y Lucientes, Francisco --- CDL --- 741.071 GOYA --- Ko-ya, --- Goya y Lucientes, Francisco José de, --- Goĭa, Fransisko Khose de, --- Goĭi︠a︡, Fransisko Khose de, --- Goja, Francisko, --- Goĭi︠a︡-i-Lusientes, Fransisko, --- De Goya, Francisco, --- Goya y Lucientes, Francisco, --- Goya, Louis-Philippe, --- Goya y Lucientes, Jose de, --- Lucientes, Jose de Goya y, --- Paula, José Goya y Lucientes, Francisco de, --- גויה, פראנסיסקו, --- ゴヤ, --- Exhibitions --- Goya y Lucientes, Francisco José de.

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L'amour de la peinture, c'est la commune passion de trois hommes très différents : Rembrandt, ou la méditation des images, Goya, ou la fureur de voir, Picasso, tout le jeu des formes et toutes les formes du jeu. «Donner à voir, c'est donner à vivre», disait Paul Éluard. On pourrait placer ces mots en épigraphe du livre de Claude Roy, où les génies du passé ne sont pas moins vivants que Picasso, accompagné jour après jour par l'écrivain et son journal dans son travail à Vallauris. La bonne critique d'art, la critique vraiment pénétrante, c'est celle qui pénètre, en effet, les tableaux. Claude Roy va plus loin encore : c'est dans l'œil et l'esprit du peintre en train de peindre qu'il nous introduit, au cœur même de la passion des formes et des couleurs.

Art criticism --- Painting --- Critique d'art --- Peinture --- Rembrandt Harmenszoon van Rijn, --- Goya y Lucientes, Francisco de, --- Picasso, Pablo, --- Art appreciation. --- Aesthetics. --- 75.03 --- CDL --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Appreciation of art --- History. --- Psychology --- Analysis, interpretation, appreciation --- Goya, Francisco, --- Bīkāsū, Bāblū, --- Luyisi Bikasuo, Babuluo, --- Luzi Bikasuo, Babuluo, --- Pikaso, Pablo, --- Pikaso, Paburo, --- Pikasso, Pablo, --- Ruiz, Pablo, --- Ruiz Picasso, Pablo, --- Ruiz y Picasso, Pablo, --- Ruys, Pablo, --- Ruys Picasso, Pablo, --- פיקאסו --- פיקאסו, פאבלו, --- פיקאסו, פבלו --- ピカソパブロ, --- Bijiasuo, --- Ko-ya, --- Goya y Lucientes, Francisco José de, --- Goĭa, Fransisko Khose de, --- Goĭi︠a︡, Fransisko Khose de, --- Goja, Francisko, --- Goĭi︠a︡-i-Lusientes, Fransisko, --- De Goya, Francisco, --- Goya y Lucientes, Francisco, --- Goya, Louis-Philippe, --- Goya y Lucientes, Jose de, --- Lucientes, Jose de Goya y, --- Paula, José Goya y Lucientes, Francisco de, --- גויה, פראנסיסקו, --- ゴヤ, --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Art appreciation --- Aesthetics --- History --- Goya, Francisco --- de Goya y Lucientes, Francisco --- Rembrandt van Rijn --- Bīkāsū, Bāblū --- Luyisi Bikasuo, Babuluo --- Luzi Bikasuo, Babuluo --- Pikaso, Pablo --- Pikaso, Paburo --- Pikasso, Pablo --- Ruiz, Pablo --- Ruiz Picasso, Pablo --- Ruys, Pablo --- Ruys Picasso, Pablo --- ピカソパブロ --- Bijiasuo --- Reception of art --- Reception --- Rembrandt --- Rembrandt Harmenszoon van Rijn --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand --- Radio broadcasting Aesthetics --- 75.01 --- 75.01 Esthetica. Filosofie van de schilderkunst. Theorie van de schilderkunst --- Esthetica. Filosofie van de schilderkunst. Theorie van de schilderkunst --- Picasso, Pablo

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Goya y Lucientes, Francisco José de. --- March, Juan. --- grafiek --- techniek --- verzameling Stichting Juan March (Madrid) --- Goya y Lucientes, Francisco José de --- March, Juan --- Goya, Francisco --- Goya y Lucientes, de, Francisco José --- prints [visual works] --- prentkunst --- Goya y Lucientes, Francisco de, --- Musée d'art moderne (Liège, Belgique) --- Cabinet des estampes (Liège) --- #gsdbA --- #SMV:Spanje --- 76 <460> "17" --- 76 <460> "18" --- 76 GOYA Y LUCIENTES, FRANCISCO JOSE --- 76 <460> "17" Grafische kunsten. Grafiek. Prentkunst--Spanje--18e eeuw. Periode 1700-1799 --- Grafische kunsten. Grafiek. Prentkunst--Spanje--18e eeuw. Periode 1700-1799 --- 76 <460> "18" Grafische kunsten. Grafiek. Prentkunst--Spanje--19e eeuw. Periode 1800-1899 --- Grafische kunsten. Grafiek. Prentkunst--Spanje--19e eeuw. Periode 1800-1899 --- 76 GOYA Y LUCIENTES, FRANCISCO JOSE Grafische kunsten. Grafiek. Prentkunst--GOYA Y LUCIENTES, FRANCISCO JOSE --- Grafische kunsten. Grafiek. Prentkunst--GOYA Y LUCIENTES, FRANCISCO JOSE --- de Goya y Lucientes, Francisco --- Exhibitions --- #GSDBA --- Goya y Lucientes, Francisco José de, --- De Goya y Lucientes, Francisco --- Schilderkunst --- Tekenkunst --- Geschiedenis --- Etsen --- Art --- bulls [animals] --- capricci [visual works] --- De Gruwelen van de Oorlog --- 76.071 GOYA --- CDL --- Goya, Fransisco --- Etstechniek --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- verzameling Stichting Juan March (Madrid).