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film studies --- history --- cinema --- Motion pictures and history --- History in motion pictures --- Cinéma et histoire --- Histoire au cinéma --- Motion pictures --- History and motion pictures --- Moving-pictures and history --- History --- Motion pictures and history. --- History in motion pictures.
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History as a science --- World history --- Cinéma et histoire --- Evenementen (Geschiedenis) --- Event history analysis --- Faits (Histoire) --- Faits historiques --- Film en geschiedenis --- Histoire au cinéma --- Histoire et cinéma --- Histoire événementielle --- Motion pictures and history --- Traumatisme historique --- Événement --- Événement (Histoire) --- Événement historique --- Événementiel --- Événements --- History --- Photography in historiography --- Histoire --- Photographie en historiographie --- Histoire universelle --- Methodology --- Pictorial works --- Sources --- Evaluation --- Méthodologie --- Ouvrages illustrés --- Kunsttheorie ; visuele beelden als historisch materiaal --- Fotografie ; in historiografie --- Iconografie ; iconologie --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Méthodologie --- Ouvrages illustrés --- Pictorial works. --- Evaluation.
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Can filmed history measure up to written history? What happens to history when it is recorded in images, rather than words? Can images convey ideas and information that lie beyond words? Taking on these timely questions, Robert Rosenstone pioneers a new direction in the relationship between history and film. Rosenstone moves beyond traditional approaches, which examine the history of film as art and industry, or view films as texts reflecting their specific cultural contexts. This essay collection makes a radical venture into the investigation of a new concern: how a visual medium, subject to the conventions of drama and fiction, might be used as a serious vehicle for thinking about our relationship with the past.Rosenstone looks at history films in a way that forces us to reconceptualize what we mean by "history." He explores the innovative strategies of films made in Africa, Latin America, Germany, and other parts of the world. He journeys into the history of film in a wide range of cultures, and expertly traces the contours of the postmodern historical film. In essays on specific films, including Reds, JFK, and Sans Soleil, he considers such issues as the relationship between fact and film and the documentary as visionary truth.Theorists have for some time been calling our attention to the epistemological and literary limitations of traditional history. The first sustained defense of film as a way of thinking historically, this book takes us beyond those limitations.
791.43 --- #SBIB:309H1326 --- #SBIB:309H1329 --- #SBIB:93H1 --- #SBIB:AANKOOP --- #SBIB:309H521 --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Films met een informatieve functie (met inbegrip van de documentaire film) --- Geschiedwetenschap. Hulpwetenschappen van de geschiedenis --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- #A9801H --- Cinéma et histoire --- Film en geschiedenis --- Histoire au cinéma --- Histoire et cinéma --- Robert A. Rosenstone --- film en geschiedenis --- Historical films --- Motion pictures and history --- History and motion pictures --- Moving-pictures and history --- History --- History and criticism --- film --- filmgeschiedenis --- Film --- Motion pictures and history. --- History and criticism. --- Cinéma et histoire --- Films historiques --- Histoire et critique --- Historical films - History and criticism
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Throughout Europe, narratives about the past circulate at a dizzying speed, and producing and selling these narratives is big business. In museums, in cinema and opera houses, in schools, and even on the Internet, Europeans are using the power of performance to craft stories that ultimately define the ways their audiences understand and remember history. Performing the Past offers unparalleled insights into the philosophical, literary, musical, and historical frameworks within which the past has entered into the European imagination. The essays in this volume, from such internationally renowned scholars as Reinhart Koselleck, Jan Assmann, Jane Caplan, Marianne Hirsch, Leo Spitzer, Peter Burke, and Alessandro Portelli, investigate various national and disciplinary traditions to explain how Europeans see themselves in the past, in the present, and in the years to come.
History of civilization --- Europe --- Memorialization --- Collective memory --- Historiography --- History in art --- History in literature --- History in mass media --- History in motion pictures --- History in popular culture --- Commémorations --- Mémoire collective --- Historiographie --- Histoire dans l'art --- Histoire dans la littérature --- Histoire dans les médias --- Histoire au cinéma --- Histoire dans la culture populaire --- History --- Philosophy --- Philosophy. --- History. --- geschiedenis --- identiteit --- geheugen --- historiografie --- cultuurfilosofie --- tatoeage --- holocaust --- Europa --- muziek --- muziek en geschiedenis --- kunst --- kunst en geschiedenis --- Mozart Wolfgang Amadeus --- Ivanhoe --- Scott Walter --- literatuur --- literatuur en geschiedenis --- politiek --- Tsjechië --- Polen --- 130.2 --- 815 Geschiedenis --- 866 Herdenking en herinnering --- Commémorations --- Mémoire collective --- Histoire dans la littérature --- Histoire dans les médias --- Histoire au cinéma --- History, Modern --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Memory --- Social psychology --- Group identity --- National characteristics --- History - Philosophy --- Collective memory - Europe --- Europe - History --- Philosophie de l'histoire --- Histoire
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Since the fall of the Berlin Wall, there has been a proliferation of German historical films. These productions have earned prestigious awards and scored at box offices both at home and abroad, where they count among the most popular German films of all time. Suddenly, however, a significant departure has been made from the country's prominent cinematic take on history: the radical style, content, and politics of the New German Cinema. With in-depth analyses of the major trends and films, this book represents a comprehensive assessment of the historical film in postwall Germany. Challenging p
Film. --- Germans in motion pictures. --- Historia på film. --- Historical films --- Historical films. --- Historischer Film. --- History in motion pictures. --- Motion pictures. --- Tyskar på film. --- Tyskland. --- History and criticism. --- Deutschland. --- Germany --- Germany. --- In motion pictures. --- History in motion pictures --- Histoire au cinéma --- In motion pictures --- #SBIB:309H1328 --- Films met een ideologische en spiegelfunctie --- Histoire au cinéma --- Au cinéma --- #SBIB:309H1326 --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Films historiques --- History and criticism --- Histoire et critique --- Allemagne --- Motion pictures --- Germans in motion pictures --- Alemania --- Ashkenaz --- BRD --- Bu̇gd Naĭramdakh German Uls --- Bundesrepublik Deutschland --- Deutsches Reich --- Deutschland --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federal Republic of Germany --- Federalʹna Respublika Nimechchyny --- FRN --- German Uls --- Germania --- Germanii︠a︡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Weimar Republic --- Weimarer Republik --- ХБНГУ --- Германия --- جرمانيا --- ドイツ --- ドイツ連邦共和国 --- ドイツ レンポウ キョウワコク --- Germany (East) --- Germany (Territory under Allied occupation, 1945-1955) --- Germany (Territory under Allied occupation, 1945-1955 : British Zone) --- Germany (Territory under Allied occupation, 1945-1955 : French Zone) --- Germany (Territory under Allied occupation, 1945-1955 : Russian Zone) --- Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone) --- Germany (West) --- Holy Roman Empire --- Deguo --- 德国 --- Gėrman --- Герман Улс
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