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Folk music --- Ballads, English --- Literature and folklore --- History and criticism.
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One of the best known and enduring genres, the fairy fales origins extend back to the preliterate oral societies of the ancient world. This books surveys its history and traces its evolution into the form we recognized today. Jones Builds on the work of folklorist and critics to provide the student with a stunning, lucid overview of the genre and a solid understanding of its structure.
Fairy tales --- Literature and folklore. --- History and criticism. --- Folklore and literature --- Literature and folk-lore --- Folklore
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This title starts from the proposition that folklore - usually thought of in its historical social context as 'oral tradition' - is easily appropriated, recycled, into other contexts. The book discusses the larger issue of folklore being recycled into non-folk contexts, and proceeds to look at a number of instances of repurposing.
Folklore --- Folk literature, American --- Literature and folklore --- Folk art --- History and criticism. --- History.
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The devotional poems of Annamaya (15th century) are perhaps the most accessible and universal achievement of classical Telugu literature, one of the major literatures of pre-modern India. This book offers translations of 150 of Annamaya's poems, which are readable as poetry in their own right.
Literature and folklore --- Poetry. --- Poems --- Poetry --- Verses (Poetry) --- Literature --- Folklore and literature --- Literature and folk-lore --- Folklore --- Philosophy
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By recapturing the nineteenth-century worlds of the super- and sub-human, and recontextualizing a forgotton obsession - this text enables twentieth-century readers to recover a legacy too precious to be lost.
Fairies. --- Folklore --- Literature and folklore --- English literature --- Folklore and literature --- Literature and folk-lore --- Folk-lore, English --- History and criticism. --- Great Britain --- Social conditions
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The arguments presented will interest not only folklorists and scholars of narrative but readers in fields ranging from comparative literature to feminist theory.
Literature and folklore. --- Postmodernism (Literature) --- Tales --- Fiction --- Literary movements --- Literature, Modern --- Folklore and literature --- Literature and folk-lore --- Folklore --- History and criticism. --- Postmodernism (Literature).
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This study of oral tradition in African literature is borne from the awareness that African verbal arts still survive in works of discerning writers and in the conscious exploration of its tropes, perspectives, philosophy and consciousness, its complementary realism, and ontology, for the delineation of authentic African response to memory, history and other possible comparisons with modern existence such as witnessed in recent developments of the African novel. In this series we have strived to adopt innovative and multilayered perspectives on orality or indigeneity and its manifestations on contemporary African and new literatures. These studies use multi-faceted theories of orality which discuss and deconstruct notions of history, truth-claims and identity-making, not excluding gender and genealogy (cultural and biological) studies in African contexts.
Literature and folklore --- African literature --- Black literature (African) --- Authors, African --- Folklore and literature --- Literature and folk-lore --- Folklore --- History and criticism.
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Focusing on the lineage and traditions of pivotal African American and Irish women writers, Jacqueline Fulmer traces the line of descent from Mary Lavin to Éilís Ní Dhuibhne and from Zora Neale Hurston to Toni Morrison. She argues that these authors adopt strategies of indirection influenced by folklore, such as signifying, masking, sly civility, and the grotesque. Their magical and magisterial folk women characters entice readers toward controversial subjects.
Women and literature --- Literature and folklore. --- Narration (Rhetoric) --- Stereotypes (Social psychology) in literature. --- Women in literature. --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Stereotype (Psychology) in literature --- Literature --- Folklore and literature --- Literature and folk-lore --- Folklore --- History. --- Morrison, Toni, --- Ní Dhuibhne, Éilís, --- Hurston, Zora Neale --- Lavin, Mary, --- Morrison, Toni --- Wofford, Chloe Anthony --- Morrisonová, Toni --- מוריסון, טוני --- Ní Dhuibhne-Almqvist, Éilís, --- Dhuibhne, Éilís ní, --- O'Hara, Elizabeth, --- Criticism and interpretation. --- Literature and folklore --- Stereotypes (Social psychology) in literature --- Women in literature --- History --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric)
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Conceived as a companion volume to the well-received Simple Forms: Essays on Medieval English Popular Literature(2015), Make We Merry More and Less is a comprehensive anthology of popular medieval literature from the twelfth century onwards. Uniquely, the book is divided by genre, allowing readers to make connections between texts usually presented individually. This anthology offers a fruitful exploration of the boundary between literary and popular culture, and showcases an impressive breadth of literature, including songs, drama, and ballads. Familiar texts such as the visions of Margery Kempe and the Paston family letters are featured alongside lesser-known works, often oral. This striking diversity extends to the language: the anthology includes Scottish literature and original translations of Latin and French texts. The illuminating introduction offers essential information that will enhance the reader’s enjoyment of the chosen texts. Each of the chapters is accompanied by a clear summary explaining the particular delights of the literature selected and the rationale behind the choices made. An invaluable resource to gain an in-depth understanding of the culture of the period, this is essential reading for any student or scholar of medieval English literature, and for anyone interested in folklore or popular material of the time.
English literature --- Popular literature --- Literature and folklore --- Renaissance --- Folk literature, English --- English folk literature --- Folklore and literature --- Literature and folk-lore --- Folklore --- History and criticism. --- Essays on Medieval English Popular Literature --- anthology --- popular medieval literature --- twelfth century --- literary and popular culture --- songs --- drama --- ballads --- Douglas Gray --- Jane Bliss
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The figure of the violent man in the African American imagination has a long history. He can be found in 19th-century bad man ballads like 'Stagolee' and 'John Hardy,' as well as in the black convict recitations that influenced 'gansta' rap. Born in a Mighty Bad Land connects this figure with similar characters in African American fiction.
Men --- Men in literature. --- Violence --- African Americans --- African American men in literature. --- Literature and folklore --- Violence in literature. --- American fiction --- Human males --- Human beings --- Males --- Effeminacy --- Masculinity --- Violence (in religion, folklore, etc.) --- Afro-American men in literature --- Folklore and literature --- Literature and folk-lore --- Folklore --- African American intellectuals --- Folklore. --- Intellectual life. --- African American authors --- History and criticism.
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