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Culture and the arts played a central role in the ideology and propaganda of National Socialism from the early years of the movement until the last months of the Third Reich in 1945. Hitler and his followers believed that art and culture were expressions of race, and that "Aryans" alone were capable of creating true art and preserving true German culture. This volume's essays explore these and other aspects of the arts and cultural life under National Socialism, and are authored by some of the most respected authorities in the field.
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While we often think about talented artists fleeing the clutches of the Nazi regime - forced out or sickened by the strictures placed upon them - we rarely consider those artists who willingly stayed behind. This is the first comprehensive treatment of the German Art Society, a group of artists, authors and right-wing activists who actively embraced Nazism.
National socialism and art. --- Art and national socialism --- Nazi art --- Art --- Deutsche Kunstgesellschaft. --- German Art Society
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National socialism and art. --- Art and national socialism --- Nazi art --- Art --- Art - Political aspects - Germany.
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A fresh and insightful history of how the German arts-and-letters scene was transformed under the Nazis Culture was integral to the smooth running of the Third Reich. In the years preceding WWII, a wide variety of artistic forms were used to instill a Nazi ideology in the German people and to manipulate the public perception of Hitler's enemies. During the war, the arts were closely tied to the propaganda machine that promoted the cause of Germany's military campaigns. Michael H. Kater's engaging and deeply researched account of artistic culture within Nazi Germany considers how the German arts-and-letters scene was transformed when the Nazis came to power. With a broad purview that ranges widely across music, literature, film, theater, the press, and visual arts, Kater details the struggle between creative autonomy and political control as he looks at what became of German artists and their work both during and subsequent to Nazi rule.
Arts, German --- National socialism and art --- Arts and society --- History --- 1900-1999 --- Germany.
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Im Sommer 1937 holten die Nationalsozialisten zum großen Schlag gegen die »entartete« Kunst aus. Mehr als 20.000 Gemälde, Skulpturen, Zeichnungen und Grafiken wurden beschlagnahmt, viele Werke vernichtet, andere veräußert. Der als »Verwertung« bezeichnete Verkauf der konfiszierten Kunst erfolgte über Händler, die eigens vom Propagandaministerium ausgewählt wurden. Zu ihnen gehörte auch der Buch- und Kunsthändler Karl Buchholz aus Berlin. Er fand Kunden in Holland, Norwegen und der Schweiz, doch ging der überwiegende Teil der beschlagnahmten Werke an seinen New Yorker Geschäftspartner Curt Valentin. Es war ein von den Nationalsozialisten gewiss nicht beabsichtigter Nebeneffekt, dass die Verfemung der Moderne in Deutschland deren sammlerische - und damit letztlich auch kunsthistorische - Etablierung auf dem amerikanischen Kontinent bewirkte. Die vorliegende Untersuchung verfolgt den Weg der »entarteten« Kunst in die Privatsammlungen und Museen der Neuen Welt, sie zeichnet aufgrund ausführlicher, oft erstmals ausgewerteter Quellenanalysen das Geschäftsgebaren der beteiligten Kunsthändler nach und erforscht die gegensätzliche Entwicklung zweier Kunstmärkte während des Zweiten Weltkriegs. Die mit dem Buch »Die ›entartete‹ Moderne und ihr amerikanischer Markt. Karl Buchholz und Curt Valentin als Händler verfemter Kunst« vorgelegte Studie bietet damit einen profunden Beitrag zur internationalen Rezeptionsgeschichte der modernen, von der nationalsozialistischen Kulturpolitik verfemten Kunst.
Entartete Kunst. --- National socialism and art. --- Art dealers --- Dealers (Retail trade) --- Art and national socialism --- Nazi art --- Art --- Degenerate art --- Art, Modern --- History --- Buchholz, Karl, --- Valentin, Curt,
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National socialism and art --- Art schools --- -1930 --- -1940 --- -705.8 --- architectuur --- bauhaus --- grafische vormgeving --- industriële architectuur --- nazisme --- productdesign --- reclame --- Art --- Schools --- Art and national socialism --- Nazi art --- History --- kunstgeschiedenis, 20e eeuw --- Study and teaching --- Bauhaus --- Berlin (Germany). --- Dessau (Dessau, Germany). --- Weimar (Thuringia, Germany). --- Baohaosi --- Bauhaus Dessau --- 1930 --- Bauhaus. --- Staatliches Bauhaus --- National socialism and art. --- Architecture --- Moral and ethical aspects.
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Art --- History of Germany and Austria --- anno 1900-1999 --- Arts, German --- National socialism and art --- 7.036 --- Duitsland --- film --- kunst --- literatuur --- muziek --- nazisme --- twintigste eeuw --- wereldoorlog II --- Art and national socialism --- Nazi art --- German arts
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"This first comprehensive analysis of the Third Reich's efforts to confiscate, loot, censor and influence art begins with a brief history of the looting of artworks in Western history. The artistic backgrounds of Adolf Hitler and Hermann Goering are examined, along with the various Nazi art looting organizations, and Nazi endeavors to both censor and manipulate the arts for propaganda purposes. Long-held beliefs about the Nazi destruction of "degenerate art" are examined, drawing on recently developed university databases, new translations of original documents and recently discovered information. Theft and destruction of artworks by the Allies and looting by Soviet Trophy Brigades are also documented"--
Criminology. Victimology --- Polemology --- Art --- theft [social issue] --- National Socialism --- propaganda --- world wars --- kunstroof --- Göring, Hermann --- Hitler, Adolf --- anno 1930-1939 --- anno 1940-1949 --- Europe --- National socialism and art. --- World War, 1939-1945 --- Art treasures in war --- Destruction and pillage --- History
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Art styles --- anno 1900-1999 --- Germany --- Bauhaus --- Nazism och konst --- National socialism and art --- Duitsland --- twintigste eeuw --- 7.037 --- Bauhaus. --- National socialism and art. --- Nazism och konst. --- politics --- art education --- kunstonderwijs --- kunstenaarsgeschriften --- politiek --- Art --- Art and national socialism --- Nazi art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Study and teaching --- History --- Berlin (Germany). --- Dessau (Dessau, Germany). --- Weimar (Thuringia, Germany). --- Baohaosi --- Bauhaus Dessau --- Staatliches Bauhaus --- Art, Primitive
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