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Theater --- Slave trade in the theater. --- Race in the theater. --- History --- London (England) --- Philadelphia (Pa.) --- Social life and customs. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Slave trade in the theater --- Race in the theater --- History of civilization --- History of the United Kingdom and Ireland --- History of North America --- anno 1700-1799 --- anno 1800-1899 --- London --- Philadelphia [Pennsylvania]

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Monographie largement illustrée des projets du groupe d'architectes américains composés de A. Eugène Kohn, William Pedersen et Sheldon Fox.

Kohn, A. Eugene --- Fox, Sheldon --- Pedersen, William --- Kohn Pedersen Fox (Firm) --- Park Centre (Calgary, Alta.) --- Architecture --- History --- KPF --- Kohn Pedersen Fox --- Kohn, Eugene --- A. Eugene Koch (° 1930, Philadelphia, Pennsylvania, USA) William Pedersen (° 1938, St. Paul, Minnesota, USA) --- Sheldon Fox (°1930, New York City, New York, USA) --- Architectuur ; Verenigde Staten ; 1974-1986 ; Kohn Pedersen Fox --- 72.07 --- 72.038 --- Architecten. Stedenbouwkundigen A - Z --- Architectuurgeschiedenis ; 1950 - 2000 --- Kohn, Eugene, --- Kohn Pedersen Fox (Firm). --- Architecture, Modern --- Kohn Pedersen Fox Associates --- KPF (Firm) --- Architecture - United States - History - 20th century --- Postmodernisme

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Of the some sixty thousand vacant properties in Philadelphia, half of them are abandoned row houses. Taken as a whole, these derelict homes symbolize the city's plight in the wake of industrial decline. But a closer look reveals a remarkable new phenomenon-street-level entrepreneurs repurposing hundreds of these empty houses as facilities for recovering addicts and alcoholics. How It Works is a compelling study of this recovery house movement and its place in the new urban order wrought by welfare reform. To find out what life is like in these recovery houses,

Self-help housing --- Recovery movement --- Social settlements --- Welfare recipients --- Alcoholics --- Substance abuse treatment facilities --- Informal sector (Economics) --- Hidden economy --- Parallel economy --- Second economy --- Shadow economy --- Subterranean economy --- Underground economy --- Artisans --- Economics --- Small business --- Drug abuse treatment facilities --- Drug addiction --- Drug addiction treatment facilities --- Drug addicts --- Narcotic clinics --- Health facilities --- Alcoholism --- Drinkers, Problem --- Drunkards --- Drunks --- Inebriates --- Problem drinkers --- Addicts --- Public welfare recipients --- Poor --- Church settlements --- College settlements --- Neighborhood centers --- Settlement houses --- Settlements, Social --- University settlements --- Charities --- Social movements --- Housing --- Political aspects --- Rehabilitation --- Government policy --- Hospitals --- Patients --- Kensington (Philadelphia, Pa.) --- Kensington, Pa. --- Social conditions --- welfare, philadelphia, pennsylvania, recovery, citizenship, citizen, vacant, row house, city, industry, industrial, urban, decline, phenomenon, entrepreneur, alcoholic, addict, drugs, facilities, reform, change, access, neighborhood, government, regulation, local, criminal, labor, relapse, challenges, policy, movement, activist, activism.

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This book traces the feminist icon Carolee Schneemann’s prolific six-decade output, spanning her remarkably diverse, transgressive, and interdisciplinary expression. Carolee Schneemann (1939–2019) was one of the most experimental artists of the twentieth and early twenty-first centuries. This book traces six decades of the feminist icon’s diverse, transgressive and interdisciplinary expression through Schneemann’s experimental early paintings, sculptural assemblages and kinetic works; rarely seen photographs of her radical performances; her pioneering films; and groundbreaking multi-media installations. Contributors shed new light on Schneemann’s work, which addressed urgent topics from sexual expression and the objectification of women to human suffering and the violence of war. An artist who was concerned with the precarious lived experience of both humans and animals, this book positions Schneemann as one of the most relevant, provocative and inspiring artists in recent years.

Schneeman, Carolee --- Art --- assemblages [sculpture] --- multimedia works --- wars --- feminism --- Kinetic [style] --- performance art --- easel paintings [paintings by form] --- women [female humans] --- Human figure in art --- Human figure in art. --- Human body --- Performing arts --- Performance art --- Political aspects --- Schneemann, Carolee, --- Kunst ; Verenigde Staten ; 20ste eeuw --- Nieuwe media ; multimediale installaties --- Kunst; performance --- Kunst en feminisme ; Verenigde Staten --- Body Art ; performances ; videokunst --- Schneemann, Carolee 1939-2019 (°Fox Chase, Philadelphia, Pennsylvania, Verenigde Staten) --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A-Z --- Schneemann Carolee --- Verenigde Staten --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- 7.071 --- performances --- installaties --- assemblages --- schilderkunst --- collages --- videokunst --- video --- body art --- biografie --- 737.8 --- Schneemann, Carolee --- 705.8 --- conceptuele kunst --- feminisme --- activisme --- schilder- en tekenkunst, 20e eeuw, overige landen, kunstenaars afzonderlijk --- kunstgeschiedenis, 20e eeuw --- Kinetic Art --- paintings [visual works]

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Impressionism (Art) --- Post-impressionism (Art) --- Modernism (Art) --- Painting, French --- Impressionnisme (Art) --- Postimpressionnisme (Art) --- Modernisme (Art) --- Peinture française --- Exhibitions. --- Exhibitions --- Expositions --- Barnes Foundation --- Catalogs. --- schilderkunst --- impressionisme --- kubisme --- fauvisme --- The Barnes Foundation (Merion) --- Barnes, Albert C. --- 19de eeuw --- 20ste eeuw --- Impressionnisme --- --Exposition --- --1993 --- --Paris --- --catalogue --- --7.073 --- Albert Coombs Barnes 1872-1951 (°Kensington, Philadelphia, Pennsylvania) --- Cézanne, Paul --- Matisse, Henri --- Renoir, Pierre-Auguste --- Frankrijk ; schilderkunst --- Post-Impressionisme --- Fauvisme --- Kunstverzamelingen ; The Barnes Foundation ; Merion (Pennsylvania) --- 75.037 --- (069) --- Kunstwaardering. Cultuurparticipatie. Activiteiten van kunstliefhebbers; fans; toeschouwers --- Schilderkunst ; 1900 - 1950 --- (Musea. Collecties) --- 7.073 --- 7.073 Kunstwaardering. Cultuurparticipatie. Activiteiten van kunstliefhebbers; fans; toeschouwers --- moderne kunst --- Modern [style or period] --- Painting --- Picasso, Pablo --- Gogh, van, Vincent --- Braque, Georges --- Fresnaye, de la, Roger Noël François --- Renoir, Auguste --- Manet, Edouard --- Soutine, Chaïm --- Gauguin, Paul --- Monet, Claude --- Seurat, Georges --- Rousseau, Henri --- Toulouse-Lautrec, de, Henri --- Modigliani, Amedeo --- Barnes Foundation [Merion, Pa] --- France --- --schilderkunst --- Peinture française --- Matisse Henri --- Modigliani Amedeo --- Soutine Chaim --- de la Fresnaye Roger --- Braque Georges --- Rouseau le Douanier --- Picasso¨Pablo --- Rousseau Henri --- de Toulouse-Lautrec Henri --- Seurat Georges --- Van Gogh Vincent --- Gauguin Paul --- Cézanne Paul --- Monet Claude --- Renoir Pierre-Auguste --- Manet Édouard --- Barnes Albert Coombs --- postimpressionisme --- 7.074 --- 7.078 --- museologie --- kunst --- musea --- verzamelingen --- collecties --- --moderne kunst --- --Impressionism (Art) --- --The Barnes Foundation (Merion) --- CDL --- 730 --- schilder- en tekenkunst --- peinture et dessin --- Exposition --- Paris --- Barnes (albert coombs), 1872-1951 --- Peinture --- Picasso, pablo (1881 - 1973) --- Barnes,albert c. --- Art moderne --- Cezanne --- Peinture francaise --- Collections d'art --- 20e siecle --- Etats-unis --- 19e siecle --- 19de eeuw. --- 20ste eeuw.