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In this fascinating study, Chris Messenger posits F. Scott Fitzgerald as a great master of sentiment in modern American fiction. Sentimental forms both attracted and repelled Fitzgerald while defining his deepest impulses as a prose writer. Messenger demonstrates that the sentimental identities, refractions, and influences Fitzgerald explores in Tender Is the Night define key components in his affective life, which evolved into a powerful aesthetic that informed his vocation as a modernist writer. In "Tender Is the Night" and F. Scott Fitzgerald's Sentimental Identities, Messenger traces the r
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Tracing the eighteenth-century origins of sentimentalism, the collection illustrates its proliferation in nineteenth-century America. Sentimental writings by both sexes played a major role in the formation of middle-class culture and identity as sentimentalism interacted with developing ideals of domesticity, reform movements, and nationhood. Contributors explore motherhood, education, reform, loss and mourning, and the Civil War's explosion of the faith in universal feelings and ideas on which sentimentalism was based. ("Both sexes" is an impo
American literature --- Sentimentalism in literature. --- Sentimentalism --- Sentimentality --- Emotions --- History and criticism. --- History
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Laurence Sterne’s A Sentimental Journey through France and Italy continues to be as widely read and admired as upon its first appearance. Deemed more accessible than Sterne’s Life and Opinions of Tristram Shandy, Gentleman, and often assigned as a college text, A Sentimental Journey has received its share of critical attention, but—unlike Tristram Shandy—to date it has not been the subject of a dedicated anthology of critical essays. This volume fills that gap with fresh perspectives on Sterne’s novel that will appeal to students and critics alike. Together with an introduction that situates each essay within A Sentimental Journey’s reception history, and a tailpiece detailing the culmination of Sterne’s career and his death, this volume presents a cohesive approach to this significant text that is simultaneously grounded and revelatory.
British --- Travelers --- Sterne, Laurence, --- sentimentalism, journeying, affect, gender, Sterne.
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"Narrating Desire: Moral Consolation and Sentimental Fiction in Fifteenth-Century Spain proposes a new taxonomy and conceptual frame for the controversial Iberian genre of sentimental fiction. It traces its origin to late-medieval education in rhetoric, philosophy, and medicine as the foundation for virtuous living. In establishing the genre's boundaries and cultural underpinnings, Narrating Desire emphasizes the crucial link between Eastern and Western Iberian sentimental traditions, and offers close readings of a vast array of Catalan and Castilian fictions, translations, narrative poems, letters, and doctrinal treatises: the Catalan translations of Boethius's Consolation of Philosophy, Santillana's El sueño, Bernat Metge's Lo somni, Romeu Llull's Lo despropiament d'amor, Pedro Moner's La noche and L'anima d'Oliver, Rodríguez del Padrón's Siervo libre de amor, Carrós Pardo de la Casta's Regoneixenća, Roís de Corella's Parlament and Tragedia de Caldesa, Pedro de Portugal's Sátira, Francesc Alegre's Somni and Raonament, Pere Torroella's correspondence, and the well-known works by Diego de San Pedro (Arnalte y Lucenda; Cárcel de Amor) and Juan de Flores (Grisel y Mirabella; Grimalte y Gradissa) among others. From them, Miguel-Prendes singles out a group of dream visions whose interpretive and compositional practices sire the sentimental genre. Social interactions lead to either a consolatory or a sentimental form, which imply very different ways of seeing: the allegorical gaze of consolation gives way to narrative fiction. In distorting moral conversion, the sentimental genre heralds the novel"--
Sentimentalism in literature. --- Spanish literature --- History and criticism.
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When did the sentimental start to mean awful? Why are many popular mainstream films so often dismissed for their sentimentality? What are the key differences between the sentimental and the melodramatic? These are some of the questions to be addressed in this illuminating genealogy of the sentimental as both literary genre and aesthetic philosophy, a tradition that prefigures the advent of film yet serves as a vital framework for understanding its emotional and ethical appeals.
Sentimentalism in motion pictures --- Motion pictures --- Sentimentalisme au cinéma --- Cinéma --- History. --- Histoire --- Sentimentalism in motion pictures. --- Sentiments --- History --- Au cinéma --- Au cinéma. --- Au cinéma.
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'Sentimental Memorials' explores how popular women writers used the art form of the novel to record their changing relations to literary history. At the end of the eighteenth century, as sentimental fiction slipped out of emerging conceptions of literary value, Sophia Lee, Ann Radcliffe, Charlotte Smith, and Mary Robinson reflected on what changes in literature's meaning and status would mean for their own works and legacies. Their novels provide a means of understanding how women novelists clarified, protested, and finally memorialised the historical conditions under which they wrote.
English fiction --- Women and literature --- Sentimentalism in literature. --- Women authors --- History and criticism. --- History
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"Romantic Vacancy argues that, at the cult of sensibility's height, Romantic writers found alternative tropes of affect to express movement beyond sensation and the body. Grappling with sensibility's claims that sensation could be translated into ideas and emotions, poets of vacancy rewrote core empiricist philosophies that trapped women and men in sensitive bodies and, more detrimentally, in ideological narratives about emotional response that gendered subjects' bodies and minds. Kate Singer contends that affect's genesis occurs instead through a series of figurative responses and movements that loop together human and nonhuman movements of mind, body, and nature into a posthuman affect. This study discovers a new form of Romantic affect that is dynamically linguistic and material. It seeks to end the long tradition of holding women and men writers of the Romantic period as separate and largely unequal. It places women writers at the forefront of speculative thinking, repositions questions of gender at the vanguard of Romantic-era thought, revises how we have long thought of gender in the period, and rewrites our notions of Romantic affect. Finally, it answers pivotal questions facing both affect studies and Romanticism about interrelations among language, affect, and materiality. Readers will learn more about the deep history of how poetic language can help us move beyond binary gender and its limiting intellectual and affective ideologies" --
English literature --- Sentimentalism in literature. --- Senses and sensation in literature. --- Romanticism --- History and criticism.
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Though the public may retain a hoary image of the lone scientific or philosophical genius generating insights in isolation, scholars discarded it long ago. In reality, the families of scientists and philosophers in the Enlightenment played a substantial role, not only making space for inquiry within the home but also assisting in observing, translating, calculating, and illustrating. Sentimental Savants is the first book to explore the place of the family among the savants of the French Enlightenment, a group that openly embraced their families and domestic lives, even going so far as to test out their ideas-from education to inoculation-on their own children. Meghan K. Roberts delves into the lives and work of such major figures as Denis Diderot, Émilie Du Châtelet, the Marquis de Condorcet, Antoine Lavoisier, and Jérôme Lalande to paint a striking portrait of how sentiment and reason interacted in the eighteenth century to produce not only new kinds of knowledge but new kinds of families as well.
Families --- Philosophers --- Enlightenment --- Philosophy. --- Family relationships --- Enlightenment. --- families. --- philosophy. --- science. --- self-fashioning. --- sentimentalism.
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"Binhammer uses the methodologies of contemporary critical finance studies and narrative theory to argue that the myth of downward mobility is as central to the cultural history of capitalism as the myth of upward mobility. By exploring the relationship between economic growth and financial failure, she demonstrates how stories of downward mobility in eighteenth-century sentimental novels are not simple tales about the losers of capitalism but help manage the crises and speculative collapses that are inevitable to capital's circulation"--
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A deepening interest in both social and interior experience was a distinguishing feature of the cultural life of eighteenth-century Britain, influencing writers in all genres from fiction to philosophy. Focusing on this interplay of ideas and genres, Mark Phillips explores the ways in which writers and readers of history, memoir, biography and related literatures responded to the social and sentimental concerns of a modern, commercial society. He shows that the writing of history, which once concentrated exclusively on political events, widened its horizons in ways that often paralleled better-known developments in the contemporary novel. Ultimately, Phillips proposes a new model for the study of historiographical narrative. Countering tropological readings identified with Hayden White, he offers a more historically nuanced approach that stresses questions of genre and reception as a guide to understanding how narratives were reshaped by new audiences and new social needs. Drawing inspiration from both the social analysis of the Scottish Enlightenment and the sentimental aesthetics of the contemporary novel, historical writing began to explore the areas of social experience and private life for which there was no place in classical historiography. The consequence, Phillips argues, was a significant reframing of historical thought that expressed itself through new themes, including the histories of commerce, manners, literature, and women, and through some lively experiments in narrative form. This book offers a rich picture of historiography that will interest students of history and fiction alike.
Historiography --- Literary form --- Sentimentalism --- Social aspects --- History --- Great Britain --- Historiography. --- Social life and customs --- Sentimentality --- Historical criticism --- Authorship --- Criticism --- Emotions
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