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"Lorna Simpson is a multimedia artist known for her pioneering approach to conceptual photography. In 1993 Simpson was the first African-American woman ever to show in the Venice Biennale and to have a solo exhibition at the Museum of Modern Art, New York. This landmark book documents Simpson's career in its entirety, up to her most recent work. In doing so, it sheds light on the remarkable path that Simpson paved to global critical acclaim and art-world stardom"--Publisher's description.
7.07 --- Simpson, Lorna °13 augustus 1960, Brooklyn, New York City, New York, Verenigde Staten --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Simpson, Lorna, --- Criticism and interpretation. --- Simpson, Lorna, - 1960 --- -Simpson, Lorna, - 1960 --- -7.07 --- -Photographie --- -Simpson, Lorna, --- Photographie
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Photo-based artist and filmmaker Lorna Simpson is considered one of the key representatives of Black-American visual culture. Emerging in the 1980s, Lorna Simpson was in 1993 the first African-American woman ever to show in the Venice Biennale and to have a solo exhibition in the 'Projects' series of The Museum of Modern Art in New York. She is also one of very few Black-American artists ever to have exhibited at Documenta, in 1987 and 2002. Simpson's well-known fragmented photographs combining images with fragments of text create mysterious, quiet works that reflect the silence of a portion of society - African-American women - rarely if ever represented in art. Curator of Simpson's Autumn 2002 exhibition at the Studio Museum, Harlem, New York, Thelma Golden talks about the artist's shift from her signature photographic work to her recent, more filmic and sculptural art. In her Survey critic and scholar Kellie Jones places the work in the context of the history of African-American culture as well as the recent history of self-portraiture in art through photography and performance. Curator of Simpson's film presentation at the Whitney Museum of American Art, New York, in 2002, Chrissie Iles analyses in her Focus the artist's filmworks including a new work to be screened at Documenta 11 (2002). The artist's fragmentary usage of speech is paralleled in her Artist's Choice, an extract from Top Dog/UnderDog by contemporary African-American playwright Suzan Lori Parks, and reflected in her Artist's Writings.
Simpson, Lorna --- 7.071 SIMPSON --- 791.471 SIMPSON --- Afro-Amerikanen --- Kellie Jones, Thelma Goldern, Chrissie Iles --- Simpson Lorna --- Verenigde Staten --- feminisme --- film --- fotografie --- gender studies --- installaties --- kunst --- polaroids --- twintigste eeuw --- 705.8 --- conceptuele kunst --- foto-kunst --- videokunst --- kunstgeschiedenis, 20e eeuw --- motion pictures [visual works] --- installations [visual works] --- art [fine art] --- multimedia works --- photography [process] --- Art --- Simpson, Lorna, --- Criticism and interpretation. --- African American --- United States --- art [discipline] --- United States of America
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Bleckner, Ross ; Cemin, Saint Clair ; Ebner, Tim ; Finley, Karen ; Gober, Robert ; Halley, Peter ; Hatch, Connie ; Hsu, Tishan ; De Jong, Constance ; Kelley, Mike ; Koons, Jeff ; Labat, Tony ; Lemieux, Annette ; Oursler, Tony ; Prina, Stephen ; Prince, Richard ; Rollins, Tim & K.O.S. ; Simpson, Lorna ; Starn, Doug & Mike ; Steinbach, Haim ; Taaffe, Philip ; Vaisman, Meyer ; Webster, Meg ; Welling, James ; Wool, Christopher
History --- Art --- art history --- art [fine art] --- Starn Twins --- Halley, Peter --- Gober, Robert --- Cemin, Saint Clair --- Kelley, Mike --- Bleckner, Ross --- Steinbach, Haim --- Hsu, Tishan --- Simpson, Lorna --- Taaffe, Philip --- Prina, Stephen --- Prince, Richard --- Finley, Karen --- De Jong, Constance --- Webster, Meg --- Vaisman, Meyer --- Hatch, Connie --- Lemieux, Annette --- Wool, Christopher --- Oursler, Tony --- Labat, Tony --- Ebner, Tim --- Welling, James --- McGough, Peter --- Rollins, Tim --- Koons, Jeff --- McDermott, David --- anno 1900-1999 --- anno 1980-1989 --- United States --- Art, American --- Art américain --- Exhibitions. --- Expositions --- jaren 80 --- Amerika --- Duitsland --- Art, Modern --- Kunst --- twintigste eeuw --- Verenigde Staten --- Bleckner Ross --- Cemin Saint Clair --- DeJong Constance --- Ebner Tim --- Finley Karen --- Gober Robert --- Halley Peter --- Hatch Connie --- Hsu Tishan --- Kelley Mike --- Koons Jeff --- Labat Tony --- Lemieux Annette --- McDermott David --- McGough Peter --- Oursler Tony --- Prina Stephen --- Prince Richard --- Tollins Tim --- Simpson Lorna --- Starn Doug --- Starn Mike --- Steinbach Haim --- Taaffe Philip --- Vaisman Meyer --- Webster Meg --- Welling James --- Wool Christopher --- 7.038 --- Art américain --- Jong, de, Constance --- art [discipline] --- United States of America
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Marina Abramovic; Joseph Beuys; Tacita Dean; Walter De Maria; AK Dolven; Olafur Eliasson; Jitka Hanzlova; Gary Hill; Susan Hiller; Shirazeh Houshiary; Anish Kapoor; Mike Kelley; Yves Klein; Richard Long; Gusav Metzger; Henri Michaux; Barnett Newman; Tony Oursler; Cornelia Parker; Gerhard Richter; Doris Salcedo; Lorna Simpson; Stelarc; Hiroshi Sugimoto; Fred Tomaselli; James Turell; Luc Tuymans; Bill Viola; Zhang Huan
political art --- philosophy of art --- anxiety --- Sublime, the --- hedendaagse kunst --- supernatural --- Art --- Contemporary [style of art] --- kunstfilosofie --- art [fine art] --- Nature --- technology --- Auto-destructive art --- Metzger, Gustav --- Maria, de, Walter --- Sugimoto, Hiroshi --- Parker, Cornelia --- Long, Richard --- Kelley, Mike --- Zhang Huan --- Simpson, Lorna --- Hiller, Susan --- Hanzlová, Jitka --- Viola, Bill --- Beuys, Joseph --- Kapoor, Anish --- Salcedo, Doris --- Tuymans, Luc --- Hill, Gary --- Klein, Yves --- Abramovic, Marina --- Michaux, Henri --- Houshiary, Shirazeh --- Dolven, Anne Katrine --- Eliasson, Olafur --- Oursler, Tony --- Stelarc --- Richter, Gerhard --- Tomaselli, Fred --- Newman, Barnett --- Dean, Tacita --- Turrell, James --- Sublime, The, in art --- Art, Modern --- Art and society --- Sublime, The, in art. --- History --- kunst --- kunsttheorie --- twintigste eeuw --- eenentwintigste eeuw --- Abramovic Marina --- Beuys Joseph --- Dean Tacita --- De Maria Walter --- Dolven A K --- Eliasson Olafur --- Hanzlova Jitka --- Hill Gary --- Hiller Susan --- Houshiary Shirazeh --- Kapoor Anish --- Kelley Mike --- Klein Yves --- Long Richard --- Metzger Gustav --- Michaux Henri --- Newman Barnett --- Oursler Tony --- Parker Cornelia --- Richter Gerhard --- Salcedo Doris --- Simpson Lorna --- Sugimoto Hiroshi --- Tomaselli Fred --- Turrell James --- Tuymans Luc --- Viola Bill --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- 7.049 --- Kunsttheorie ; over het sublieme ; in de kunst van de 21ste eeuw --- Kunst en maatschappij ; 20ste en 21ste eeuw --- Iconografie ; verschillende onderwerpen --- Dolven, A.K. --- Contemporary art --- Modernism (Art) --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Kunst --- bezorgdheid --- het Verhevene --- bovennatuurlijk --- technologie --- Destructieve kunst --- natuur --- politieke kunst --- technology [general associated concept] --- Art, Modern - 20th century --- Art, Modern - 21st century --- art [discipline]
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Marina Abramovic; Eija-Liisa Ahtila; Kutlug Ataman; Uta Barth; Tom Burr; Sophie Calle; Paul Chan; Desire Machine Collective; Stan Douglas; Cherryl Dunye; Kota Ezawa; Jef Geys; Liam Gillick; Shumona Goel; Felix Gonzalez-Torres; Sharon Hayes; Susan Hiller; Roni Horn; Craigy Horsfeld; Pierre Huyghe; Amar Kanwar; William Kentridge; Idreis Kahn; Zoe leonard; Ilan Lieberman; Glen Ligon; Elisabeth Manchester; Kabir Mohanty; Robert Morris; RabihMroué; Jun Nguyen-Hatsushiba; Uriel Orlow; Philippe Parreno; Walid Raad; Anri Sala; Fazal Sheikh; Lorna Simson; Vivan Sundaram. Luc Tuymans
hedendaagse kunst --- art theory --- Art --- thema's in de kunst --- art [fine art] --- memory --- psychology --- Contemporary [style of art] --- Khan, Idris --- Parreno, Philippe --- Horn, Roni --- Gonzalez-Torres, Felix --- Ataman, Kutlug --- Sala, Anri --- Burr, Tom --- Sundaram, Vivan --- Hayes, Sharon --- Geys, Jef --- Kanwar, Amar --- Ahtila, Eija-Liisa --- Simpson, Lorna --- Leonard, Zoe --- Hiller, Susan --- Ezawa, Kota --- Walker, Kara --- Douglas, Stan --- Orlow, Uriel --- Ligon, Glenn --- Tuymans, Luc --- Gillick, Liam --- Abramovic, Marina --- Morris, Robert --- Barth, Uta --- Nguyen-Hatsushiba, Jun --- Kentridge, William --- Dunye, Cheryl --- Chan, Paul --- Raad, Walid --- Mroué, Rabih --- Sheikh, Fazal --- Huyghe, Pierre --- Horsfield, Craigie --- Calle, Sophie --- anno 1900-1999 --- anno 2000-2099 --- Memory in art. --- Arts, Modern --- Mémoire dans l'art --- Arts --- Memory in art --- kunst --- twintigste eeuw --- geheugen --- archieven --- archivering --- tijd --- tijdelijkheid --- Abramovic Marina --- Ahtila Eija-Liisa --- Ataman Kutlug --- Barth Uta --- Burr Tom --- Calle Sophie --- Chan Paul --- Desire machine collective --- Douglas Stan --- Dunye Cheryl --- Ezawa Kota --- Geys Jef --- Gillick Liam --- Goel Shumona --- Gonzalez-Torres Felix --- Hayes Sharon --- Hiller Susan --- Horn Roni --- Horsfield Craigie --- Huyghe Pierre --- Kanwar Amar --- Kentridge William --- Khan Idris --- Leonard Zoe --- Lieberman Ilan --- Ligon Glenn --- Manchester Elizabeth --- Mohanty Kabir --- Morris Robert --- Mroué Rabih --- Nguyen-Hatsushiba Jun --- Orlow Uriel --- Parreno Philippe --- Raad Walid --- Sala Anri --- Sheikh Fazal --- Simpson Lorna --- Sundaram Vivan --- Tuymans Luc --- Walker Kara --- 7.038/039 --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Kunsttheorie ; geheugen ; herinnering in de kunst --- Adaptatie ; assimilatie in de kunst ; 20ste en 21ste eeuw --- Mémoire dans l'art --- Kunst --- psychologie --- kunsttheorie --- Arts, Modern - 20th century --- Arts, Modern - 21st century --- art [discipline] --- memory [psychological concept]
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Kunsttheorie ; 21ste eeuw ; hoe kunstenaars werken --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Linda Weintraub --- kunst --- kunstenaars --- kunstmarkt --- kunst en economie --- Kinkade Thomas --- Julien Isaac --- Schuckmann Skip --- Rovner Michal --- Ritchie Matthew --- Laramée Eve Andrée --- Ray Charles --- Schade Will --- Morales Arnaldo --- Tiravanija Rirkrit --- Wearing Gillian --- Harrison Jan --- Rist Pipilotti --- La Verdiere Julien --- Grieger Scott --- Kentridge William --- Ofili Chris --- Duprat Hubert --- Cooper Thomas Joshua --- Goldin Nan --- Jones Kim --- Neshat Shirin --- Beecroft Vanessa --- Yanagi Yukinori --- Acres Ethan --- Lyons Marcia --- Simpson Lorna --- Maggi Marco --- Vesna Victoria --- Gu Wenda --- Oursler Tony --- Mori Mariko --- Green Gregory --- Adams China --- Lambert Alix --- Damon Betsy --- Bing Xu --- Martinez Daniel Joseph --- Lopez Michelle --- Barney Matthew --- fotografie --- installaties --- beeldhouwkunst --- schilderkunst --- 7.039 --- kunstfilosofie --- philosophy of art --- hedendaagse kunst --- Contemporary [style of art] --- Art --- anno 1900-1999 --- anno 2000-2099 --- Artists --- Art, Modern --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Persons --- ARTISTES --- ART MODERNE --- BIOGRAPHIES --- ENTRETIENS --- 20E SIECLE
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"A dazzlingly original reassessment of women's stories, bodies and art, and how we think about them. For decades, feminist artists have confronted the problem of how to tell the truth about their experiences as bodies. Queer bodies, sick bodies, racialised bodies, female bodies, what is their language, what are the materials we need to transcribe it? Exploring the ways in which feminist artists have taken up this challenge, Art Monsters is a landmark intervention in how we think about art and the body, calling attention to a radical heritage of feminist work that not only reacts against patriarchy but redefines its own aesthetic aims. Writing in the tradition of Susan Sontag, Hel ne Cixous and Maggie Nelson, Lauren Elkin demonstrates her power as a cultural critic, weaving daring links between disparate artists and writers, from Julia Margaret Cameron's photography to Kara Walker's silhouettes, Vanessa Bell's portraits to Eva Hesse's rope sculptures, Carolee Schneemann's body art to Theresa Hak Kyung Cha's trilingual masterpiece DICTEE, and shows that their work offers a potent celebration of beauty and excess, sentiment and touch, the personal and the political"--Publisher's description.
kunst --- feminisme --- vrouwen --- gender studies --- lichamelijkheid --- twintigste eeuw --- eenentwintigste eeuw --- Horn Rebecca --- Sherman Cindy --- Saville Jenny --- Knight Laura --- Simpson Lorna --- Walker Kara --- Biswas Sutapa --- Lassnig Maria --- Schneemann Carolee --- Johnson Claudette --- Wilke Hannah --- Spence Jo --- Hesse Eva --- Mendieta Ana --- Chadwick Helen --- Bell Vanessa --- Woolf Virginia --- 7.01 --- Women artists --- Human figure in art --- Monsters in art --- Female monsters --- Feminist aesthetics --- Female nude in art --- Women in art --- Nude in art --- Aesthetics --- Feminist theory --- Girl monsters --- Monster females --- Women monsters --- Females --- Monsters --- Human body in art --- Art --- Composition (Art) --- Figurative art --- Anatomy, Artistic --- Figure drawing --- Figure painting --- Artists, Women --- Women as artists --- Artists --- Philosophy and psychology of culture --- feminism --- art criticism --- philosophy of art --- lichaam (van de mens) --- Race --- Feminist criticism --- Disability --- Queer --- Body --- Female body --- Book --- Féminisme --- Corps humain
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The origins of the Vanhaerents Art Collection date back to the 1970s, when a young Walter Vanhaerents began amassing his first works of art. Gathering pieces that were considered extremely fierce and radical at the time, he laid the groundwork for a collection that nowadays ranges among the most prestigious worldwide. This book provides an in-depth look at the Brussels-based collection. Through text and lavish illustrations, it explores the rich history of this family collection and chronicles all exhibitions since 2007, the year the Vanhaerents Art Collection officially opened its doors to the public. Highlighting more than a hundred major works from the collection, this book is a testament to the vanguard spirit of the Vanhaerents family and their passion for new and forward-looking art.
Art --- Handforth, Mark --- Friedl, Peter --- Vo, Danh --- Geers, Kendell --- Nara, Yoshitomo --- Hockney, David --- Shonibare, Yinka --- Saraceno, Tomás --- Altmejd, David --- Warhol, Andy --- Fischer, Urs --- Murakami, Takashi --- Parreno, Philippe --- Wiley, Kehinde --- Banisadr, Ali --- Casebere, James --- Guyton, Wade --- Yang, Haegue --- Jackson, Matthew Day --- Johnson, Rashid --- Mirza, Haroon --- Moshiri, Farhad --- Navarro, Iván --- Noble, Tim --- Pfeiffer, Paul --- Ruby, Sterling --- Sachs, Tom --- Stingel, Rudolf --- Woert, van, Nick --- Boltanski, Christian --- Vezzoli, Francesco --- Webster, Sue --- Koons, Jeff --- Prouvost, Laure --- West, Franz --- Falls, Sam --- Humeau, Marguerite --- Arunanondchai, Korakrit --- Appriou, Jean-Marie --- Moultaka, Zad --- Boafa, Amoako --- Imhof, Anne --- Kaphar, Titus --- Spann, Vaughn --- Labinjo, Joy --- Adams, Derrick --- Barrington, Alvarro --- Botchway, Kwesi --- Elrod, Jeff --- Quaicoe, Otis Kwame Kye --- Taku, Emmanuel --- Mr. --- Sherman, Cindy --- McCarthy, Paul --- Merz, Mario --- Viola, Bill --- Aitken, Doug --- Holzer, Jenny --- Eliasson, Olafur --- Barney, Matthew --- Demand, Thomas --- Fleury, Sylvie --- Gilbert and George --- Halley, Peter --- Hirst, Damien --- Kruger, Barbara --- McCollum, Allan --- Mori, Mariko --- Morris, Sarah --- Nauman, Bruce --- Rhoades, Jason --- Rondinone, Ugo --- Fritsch, Katharina --- Gormley, Antony --- Ligon, Glenn --- Oehlen, Albert --- Richter, Daniel --- Wool, Christopher --- Evans, Cerith Wyn --- Simpson, Lorna --- Ai Weiwei --- Kosuth, Joseph --- AES+F --- art [fine art] --- collecting --- Vanhaerents Art Collection [Brussels] --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2009 --- anno 2010-2019 --- 7.074 --- kunst --- België --- collecties --- verzamelingen --- 7.039 --- eenentwintigste eeuw --- Weiwei Ai --- Aitken Doug --- Arunanondchai Korakrit --- Banisadr Ali --- Barney Matthew --- Boafo Amoako --- Boltanski Christian --- Casebere James --- Demand Thomas --- Eliasson Olafur --- Evans Cerith Wyn --- Falls Sam --- Fischer Urs --- Fleury Sylvie --- Fritsch Katharina --- Geers Kendell --- Gilbert & George --- Gormley Antony --- Guyton Wade --- Halley Peter --- Hirst Damien --- Hockney David --- Holzer Jenny --- Imhof Anne --- Jackson Matthew Day --- Johnson Rashid --- Kaphar Titus --- Koons Jeff --- Kosuth Joseph --- Kruger Barbara --- Ligon Glenn --- McCarthy Paul --- McCollum Allan --- Merz Mario --- Mori Mariko --- Morris Sarah --- Murakami Takashi --- Nara Yoshimoto --- Nauman Bruce --- Navarro Ivan --- Oehlen Albert --- Prouvost Laure --- Rhoades Jason --- Richter Daniel --- Rondinone Daniel --- Ruby Sterling --- Sachs Tom --- Sherman Cindy --- Shonibare Yinka --- Simpson Lorna --- Spann Vaughn --- Stingel Rudolf --- Vezzoli Francesco --- Viola Bill --- Vō Dan --- Warhol Andy --- West Franz --- Wiley Kehinde --- Wool Christopher --- Vanhaerents, Walter --- Vanhaerents, Joost --- Vanhaerents, Els --- art [discipline]
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Alves, Maria Thereza ; Alÿs, Francis ; Araeen, Rasheed ; Bamgboyé, Oladélé Ajiboyé ; Ben Junior, Joe ; Bennett, Gordon ; Berthiers ; Breitz, Candice ; Bruly-Bouabré, Frédéric ; Capelán, Carlos ; Chafes, Rui ; Chen Zhen ; Cho, Charlie ; Debaere, Hugo ; Demming, Dagmar ; Douglas, Stan ; Durham, Jimmie ; Erkmen, Ayse ; Feyzdjou, Chohreh ; Geers, Kendell ; Gonzalez-Torres, Felix ; Grippo, Victor ; Günther, Ingo ; Hatoum, Mona ; Hazoumé, Romuald ; Huang Yong Ping ; Jubelin, Narelle ; Karamustafa, Gülsün ; Kcho ; Kentridge, William ; Khedoori, Rachel ; Kim, Soo-Ja ; Kingelez, Bodys Isek ; Kinoshita, Suchan ; Kuitca, Guillermo ; Leirner, Jac ; Liddell, Siobhan ; Oguibe, Olu ; Paine, Tom ; Ligon, Glenn ; Mendieta, Ana ; Art, Middle ; Muniz, Vik ; Neshat, Shirin ; Orozco, Gabriel ; Phaophanit, Vong ; Ramirez-Jonas, Paul ; Ramos, Ibrahim Miranda ; Rennó, Rosângela ; Rios, Miguel Angel ; Robinson, Peter ; Samba, Cheri ; Schonfeldt, Joachim ; Serrano, Teresa ; Shen Yuan ; Shonibare, Yinka ; Simmons, Gary ; Simpson, Lorna ; Solakov, Nedko ; Tapyuli, Ohannes ; Udé, Iké ; Vaisman, Meyer ; Weems, Carrie Mae ; Wenemoser, Alfred ; Wilson, Fred
Iconography --- migration [function] --- Liddell, Siobhan --- Karamustafa, Gülsün --- Ramírez Jonas, Paul --- Wilson, Fred --- Demming, Dagmar --- Middle Art --- Bamgboyé, Oladélé Ajiboyé --- Kingelez, Bodys Isek --- Shen Yuan --- Tapyuli, Ohannes --- Ben Jr, Joe --- Alves, Maria Thereza --- Simpson, Lorna --- Durham, Jimmie --- Breitz, Candice --- Neshat, Shirin --- Bennett, Gordon --- Jubelin, Narelle --- Solakov, Nedko --- Araeen, Rasheed --- Capelán, Carlos --- Shonibare, Yinka --- Rios, Miguel Angel --- Hatoum, Mona --- Phaophanit, Vong --- Khedoori, Rachel --- Debaere, Hugo --- Bruly Bouabré, Frédéric --- Douglas, Stan --- Huang, Yong Ping --- Kinoshita, Suchan --- Udé, Iké --- Orozco, Gabriel --- Ligon, Glenn --- Gonzalez-Torres, Felix --- Kuitca, Guillermo --- Alÿs, Francis --- Hazoumè, Romuald --- Ramos, Ibrahim Mirando --- Cho, Charlie --- Erkmen, Ayşe --- Kentridge, William --- Robinso, Peter --- Samba, Cheri --- Vaisman, Meyer --- Chen, Zhen --- Mendieta, Ana --- Muniz, Vik --- Rennó, Rosângela --- Paine, Tom --- Leirner, Jac --- Feyzdjou, Chohreh --- Serrano, Teresa --- Wenemoser, Alfred --- Schönfeldt, Joachim --- Grippo, Victor --- Chafes, Rui --- Gunther, Ingo --- Berthiers --- Simmons, Gary --- Weems, Carrie Mae --- KCHO --- Kimsooja --- Geers, Kendell --- Oguibe, Olu --- anno 1900-1999 --- Peter Weibel (Hg.) --- Alvez Maria Thereza --- Araeen Rasheed --- Ben Junior Joe --- Bennett Gordon --- Capelán Carlos --- Chafes Rui --- Chen Zhen --- Cho Charlie --- Debaere Hugo --- Demming Dagmar --- Douglas Stan --- Durham Jimmie --- Feyzdjou Chohreh --- Grippo Victor --- Günther Ingo --- Hazoumé Romuald --- Ping Huang Yong --- Jubelin Narelle --- Karamustafa Gülsün --- Kcho --- Kim Soo-Ja --- Kinoshita Suchan --- Kuitca Guillermo --- Leirner Jac --- Liddell Siobhan --- Paine Tom --- Ligon Glenn --- Oguibe Olu --- Phaophanit Vong --- Ramirez-Jonas Paul --- Ramos Ibrahim Miranda --- Rennó Rosângela --- Rios Miguel Angel --- Robinson Peter --- Samba Chéri --- Schönfeldt Joachim --- Serrano Teresa --- Yuan Shen --- Shonibare Yinka --- Simmons Gary --- Solakov Nedko --- Tapyuli Ohannes --- Udé Iké --- Vaisman Meyer --- Wenemoser Alfred --- Art and society --- Art, Modern --- Outsider art --- 7.038 --- Ajiboyé Oladélé Bamgboyé --- Alÿs Francis --- Breitz Candice --- Bruly Bouabré Frédéric --- Erkmen Ayse --- Geers Kendell --- Gonzalez-Torres Felix --- Hatoum Mona --- Kentridge William --- Khedoori Rachel --- Kingelez Bodys Isek --- kunst --- kunst en politiek --- Mendieta Ana --- migratie --- Muniz Vik --- Neshat Shirin --- Orozco Gabriel --- postkolonialisme --- Simpson Lorna --- twintigste eeuw --- vluchtelingen --- Weems Carrie Mae --- Wilson Fred --- Naive art --- Art --- Art and sociology --- Society and art --- Sociology and art --- Exhibitions --- Social aspects --- migratie (mensen) --- hedendaagse kunst --- Contemporary [style of art] --- thema's in de kunst --- identity --- theme --- identiteit --- Gonzales-Torres, Felix --- art [fine art] --- discrimination --- immigration --- multiculturalism --- postcolonialism --- art [discipline]
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The lavishly illustrated Regarding Beauty surveys late twentieth-century Western art to address why the timeless notion of beauty has recently been so hotly contested and, in the 1980's and 1990's in particular, so highly politicized.... Regarding Beauty argues that beauty has not disappeared from the dialogue of art and that, on the contrary, it has persisted as an essential element in the evolution of art as the 20th century passes into history.
beauty --- performance art --- video art --- Painting --- installations [visual works] --- photography [process] --- Iconography --- Art --- Film --- art [fine art] --- painting [image-making] --- Homo sapiens [species] --- Photography --- landscapes [representations] --- Paolini, Giulio --- Celmins, Vija --- Gonzalez-Torres, Felix --- Warhol, Andy --- Ruscha, Ed --- Turrell, James --- Kooning, de, Willem --- Picasso, Pablo --- Sherman, Cindy --- Freud, Lucian --- Semmes, Beverly --- Simpson, Lorna --- Baldessari, John --- Gordon, Douglas --- Bourgeois, Louise --- Dumas, Marlene --- Antoni, Janine --- Kapoor, Anish --- Sugimoto, Hiroshi --- Pistoletto, Michelangelo --- Lichtenstein, Roy --- Kounellis, Jannis --- Klein, Yves --- Mori, Mariko --- Rist, Pipilotti --- Hodges, Jim --- Ray, Charles --- Barney, Matthew --- Graham, Rodney --- Knoebel, Imi --- Martin, Agnes --- Smith, Kiki --- Morimura, Yasumasa --- Richter, Gerhard --- Trockel, Rosemarie --- Polke, Sigmar --- anno 1900-1999 --- Art, Modern --- Aesthetics, Modern --- Esthétique --- Exhibitions. --- Exhibitions --- Expositions --- Neal Benezra, Olga M. Viso ; with an essay by Arthur C. Danto --- kunst --- twintigste eeuw --- esthetica --- kunsttheorie --- schilderkunst --- beeldhouwkunst --- installaties --- Kunst en politiek --- Martin Agnes --- Klein Yves --- Richter Gerhard --- Warhol Andy --- Lichtenstein Roy --- Celmins Vija --- Sugimoto Hiroshi --- Graham Rodney --- Hodges Jim --- Gonzalez-Torres Felix --- Antoni Janine --- Baldessari John --- Barney Matthew --- Bourgeois Louise --- De Kooning Willem --- Dumas Marlene --- Freud Lucian --- Gordon Douglas --- Kapoor Anish --- Knoebel Imi --- Kounellis Jannis --- Mori Mariko --- Morimura Yasumasa --- Paolini Giulio --- Picasso Pablo --- Pistoletto Michelangelo --- Polke Sigmar --- Ray Charles --- Rist Pipilotti --- Semmes Beverly --- Sherman Cindy --- Smith Kiki --- Turrell James --- Trockel Rosemarie --- 7.038 --- 7.01 --- Abstract [fine arts style] --- artistieke fotografie --- multimedia works --- hedendaagse kunst --- Contemporary [style of art] --- multimediakunst --- abstracte schilderkunst --- Esthétique --- Modern aesthetics --- Gonzales-Torres, Felix --- human figures [visual works] --- Art, Modern - 20th century - Exhibitions --- Aesthetics, Modern - 20th century - Exhibitions. --- art [discipline] --- Abstract [modern European style]
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