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Classics --- History --- Rome --- histoire romaine --- Virgile --- analyse littéraire --- Énéide
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Virgil's Aeneid invites its reader to identify with the Roman nation whose origins and destiny it celebrates. But, as J. D. Reed argues in Virgil's Gaze, the great Roman epic satisfies this identification only indirectly--if at all. In retelling the story of Aeneas' foundational journey from Troy to Italy, Virgil defines Roman national identity only provisionally, through oppositions to other ethnic identities--especially Trojan, Carthaginian, Italian, and Greek--oppositions that shift with the shifting perspective of the narrative. Roman identity emerges as multivalent and constantly changing rather than unitary and stable. The Roman self that the poem gives us is capacious--adaptable to a universal nationality, potentially an imperial force--but empty at its heart. However, the incongruities that produce this emptiness are also what make the Aeneid endlessly readable, since they forestall a single perspective and a single notion of the Roman. Focusing on questions of narratology, intertextuality, and ideology, Virgil's Gaze offers new readings of such major episodes as the fall of Troy, the pageant of heroes in the underworld, the death of Turnus, and the disconcertingly sensual descriptions of the slain Euryalus, Pallas, and Camilla. While advancing a highly original argument, Reed's wide-ranging study also serves as an ideal introduction to the poetics and principal themes of the Aeneid.
National characteristics, Roman, in literature. --- Romains dans la littérature --- Virgil. --- National characteristics, Roman, in literature --- Virgil --- Romains dans la littérature --- Nationalbewusstsein. --- Vergilius Maro, Publius, --- Vergilius Maro, Publius. --- Aeneis (Virgil). --- Virgil - Aeneis --- Virgile (0070-0019 av. J.-C. ) --- Virgile (0070-0019 av. J.-C.). Énéide --- Caractère national romain --- Thèmes, motifs --- Dans la littérature
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Agonistic or friendly song exchange in idyllic settings forms the very heart of Roman pastoral. It is also a key means of metapoetic stance-taking on the part of the long line of authors who have cultivated this "traditional" genre. The present book examines the motif of song exchange in Roman bucolic poetry under this double aspect: as a central theme with established or constantly forming sub-themes and paraphernalia (thus providing a comprehensive listing, description and analysis of such scenes in the totality of Roman literature), and as the locus where, thanks to its very traditionality, innovative generic tendencies are most easily expressed. Starting from Vergil, and continuing with Calpurnius Siculus, the Einsiedeln Eclogues and Nemesianus, the book focuses on how politics, panegyric, elegy, heroic and didactic poetry function as guest genres within the pastoral host genre, by tracing in detail the evolution of a wide variety of literary, linguistic, stylistic and metrical features.
Pastoral poetry, Latin --- Pastoral poetry, Greek --- History and criticism. --- Virgil. --- History and criticism --- Calpurnius. --- Einsiedeln Eclogues. --- Nemesianus. --- Pastoral. --- Vergil. --- Virgile (0070-0019 av. J.-C.) Bucoliques --- Poésie pastorale latine --- Poésie pastorale grecque --- Histoire et critique
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Low discusses the courtly or aristocratic ideal as the great enemy of the georgic spirit, and shows that georgic powerfully invaded English poetry in the years from 1590 to 1700.Originally published in 1985.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Litterature et societe --- Poesie pastorale anglaise --- Poesie anglaise --- Literature and society --- Pastoral poetry, English --- English poetry --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Histoire et critique. --- History and criticism. --- Social aspects --- Virgile --- Virgil --- Influence.
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In this book, conceived as a sort of Prolegomena to his two Teubner editions, Conte gives account of his choices in editing his Virgilian text. Engaging in a passionate debate with his predecessors and critics, he guides the reader in a fascinating journey in the history of transmission and interpretation of Georgics and Aeneid and shows how lively textual criticism can be.
Virgil --- Virgil. --- Criticism and interpretation. --- Poetry, Ancient --- History and criticism. --- Ancient poetry --- Vergilius Maro, P. --- Vergilius Maro, Publius --- Vergilius --- Vergil --- Virgile --- Virgilio Máron, Publio --- Virgilius Maro, Publius --- Vergili Maronis, Publius --- Virgilio Marone, P. --- Vergilīĭ --- Vergílio --- Wergiliusz --- Vergilīĭ Maron, P. --- Vergilīĭ Maron, Publīĭ --- Verhiliĭ Maron, P. --- Virgilio --- Virgilīĭ, --- Virgilius Maro, P. --- Virgil Maro, P. --- ווירגיל, --- וירגיליוס, --- ורגיליוס, --- מרו, פובליוס ורגיליוס, --- فرجيل, --- Pseudo-Virgil --- Pseudo Virgilio --- Virgilio Marón, Publio --- Bhārjila --- Virgile. --- Georgica (Virgil) --- Aeneis (Virgil) --- v00 --- -Bhārjila, --- Pseudo-Virgil, --- Pseudo Virgilio, --- Vergil, --- Vergilīĭ, --- Vergilīĭ Maron, Publīĭ, --- Vergílio, --- Vergilius, Publius, --- Verhiliĭ Maron, P., --- Virgil Maro, P., --- Virgile, --- Virgilio, --- Virgilio Marón, Publio, --- Virgilio Marone, P., --- Virgilius Maro, P., --- Virgilius Maro, Publius, --- Wergiliusz, --- Conte, Gian Biagio, --- Scarron, Paul --- Blumauer, Alois --- -Criticism and interpretation. --- Aeneid (Virgil) --- Eneida (Virgil) --- Enéide (Virgil) --- Georgics (Virgil) --- Marone, Publio Virgilio --- -Vergilius Maro, Publius --- -Conte, Gian Biagio, --- Bhārjila,
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This book is a systematic study of the importance of Greek tragedy as a fundamental 'intertext' for Vergil's Aeneid. Vassiliki Panoussi argues that the epic's representation of ritual acts, especially sacrifice, mourning, marriage, and maenadic rites, mobilizes a connection to tragedy. The tragic-ritual model offers a fresh look into the political and cultural function of the Aeneid, expanding our awareness of the poem's scope, particularly in relation to gender, and presenting new readings of celebrated episodes, such as Anchises' games, Amata's maenadic rites, Dido's suicide, and the killing of Turnus. She interprets the Aeneid as a work that reflects the dynamic nature of Augustan ideology, contributing to the redefinition of civic discourse and national identity. In her rich study, readers will find a unique exploration of the complex relationship between Greek tragedy and Vergil's Aeneid and a stimulating discussion of problems of gender, power, and ideology in ancient Rome.
Virgil --- Epic poetry, Latin --- Poésie épique latine --- History and criticism. --- Histoire et critique --- Virgil. --- Greek influences. --- Poésie épique latine --- Latin epic poetry --- Latin poetry --- Greek influences --- History and criticism --- Epic poetry, Latin. --- Aeneis (Virgil). --- Arts and Humanities --- History --- Virgile (0070-0019 av. J.-C.). Énéide
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Les Commentaires de Servius (4e-5e s. de notre ère) sur les œuvres du poète Virgile (70-19 avant J.-C.), ainsi que les ajouts anonymes du Servius Danielis, constituent un maillon essentiel de la transmission du savoir antique jusqu'à nous, sous une forme pourtant fragmentée. Alors que, par définition, un commentaire linéaire n'est pas une monographie ni un ouvrage spécialisé, l'exégèse de Servius a permis la sauvegarde de nombreuses connaissances pointues, disparues par ailleurs, et constitue, en un sens, un bilan des connaissances du monde latin, et, indirectement, du monde grec. Le présent volume propose 26 contributions qui permettent de mesurer l'importance de Servius dans la transmission et la transformation du savoir antique, et qui s'articulent autour de cinq thématiques : Exploitation des sources érudites, Linguistique, Rhétorique et poétique, Histoire, société et religions de Rome et Mythographie.
Latin literature --- Learning and scholarship --- Littérature latine --- Savoir et érudition --- History and criticism --- Histoire et critique --- Servius, --- Virgil --- Criticism and interpretation. --- Littérature latine --- Savoir et érudition --- Latin language --- Study and teaching. --- Servius, Maurus Honoratus (0363?-03..). --- Servius, active 4th century. --- Servius --- Virgil. --- Servius, Maurus Honoratus --- Virgile --- Servius, Maurus Honoratus (0363?-03)
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At the end of the Thebaid, Statius enjoins his epic 'not to compete with the divine Aeneid but rather to follow at a distance and always revere its footprints'. The nature of the Thebaid's interaction with the Aeneid is, however, a matter of debate. This 2007 book argues that the Thebaid reworks themes, scenes, and ideas from Virgil in order to show that the Aeneid's representation of monarchy is inadequate. It also demonstrates how the Thebaid's fascination with horror, spectacle, and unspeakable violence is tied to Statius' critique of the moral and political virtues at the heart of the Aeneid. Professor Ganiban offers both a way to interpret the Thebaid and a largely sequential reading of the poem.
Epic poetry, Latin --- Poésie épique latine --- History and criticism --- Histoire et critique --- Virgil --- Virgil. --- Statius, P. Papinius --- Influence. --- Statius, Publius Papinius. --- Influence --- History and criticism. --- Poésie épique latine --- Vergil --- Virgile --- Virgilio Máron, Publio --- Virgilius Maro, Publius --- Vergili Maronis, Publius --- Vergilius Maro, Publius --- Virgilius Maro, Publius, --- Virgilio Marone, P., --- Vergilīĭ, --- Virgile, --- Vergílio, --- Wergiliusz, --- Vergilīĭ Maron, P. --- Vergilīĭ Maron, Publīĭ, --- Verhiliĭ Maron, P., --- Vergil, --- Virgilio, --- Virgilīĭ, --- Virgilius Maro, P., --- Virgil Maro, P., --- ווירגיל, --- וירגיליוס, --- ורגיליוס, --- מרו, פובליוס ורגיליוס, --- فرجيل, --- Pseudo-Virgil, --- Pseudo Virgilio, --- Virgilio Marón, Publio, --- Bhārjila, --- Vergilius Maro, P. --- Vergilius --- Virgilio Marone, P. --- Vergilīĭ --- Vergílio --- Wergiliusz --- Vergilīĭ Maron, Publīĭ --- Verhiliĭ Maron, P. --- Virgilio --- Virgilius Maro, P. --- Virgil Maro, P. --- Pseudo-Virgil --- Pseudo Virgilio --- Virgilio Marón, Publio --- Bhārjila --- Arts and Humanities --- History --- Marone, Publio Virgilio --- Epic poetry, Latin - History and criticism --- Virgil - Influence --- Virgil. - Aeneis --- Statius, Publius Papinius. - Thebais. - English
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The Ciris has received a certain amount of scholarly attention during the twentieth century, but on the whole has failed to meet with an adequate appreciation. This book aims to vindicate the Ciris, mainly by exploring its use of pre-Virgilian poetic texts largely ignored in previous scholarship. The core of the book consists of a discursive literary commentary, divided into chapters that examine consecutively the poem's main narrative units. Viewing allusion and allegory as intrinsic features of poetic composition rather than mere artistic devices, the book explores, among more prominent intertexts, Apollonius' Argonautica and Callimachus' Hecale, Lucretius and Catullus 64. Allusions are also suggested to Homer and Empedocles, Theocritus, Moschus, and Bion, Nicander and Euphorion, Choerilus of Samos and Asius of Samos, Ennius and Cicero. Through its intricate web of references to poetic intertexts, the Ciris, it is argued, creates an implicit allegorical pattern with an original poetological message. Allusion and Allegory is thus the first book-length study to offer a coherent literary interpretation of this controversial poem.
Mythology, Classical, in literature. --- Latin poetry --- Narrative poetry, Latin --- Allusions in literature. --- History and criticism. --- Virgil --- Authorship. --- Ciris. --- Rome --- In literature. --- Criticism and interpretation. --- Vergil --- Virgile --- Virgilio Máron, Publio --- Virgilius Maro, Publius --- Vergili Maronis, Publius --- Virgilius Maro, Publius, --- Virgilio Marone, P., --- Vergilius Maro, Publius --- Vergilīĭ, --- Virgile, --- Vergílio, --- Wergiliusz, --- Vergilīĭ Maron, P. --- Vergilīĭ Maron, Publīĭ, --- Verhiliĭ Maron, P., --- Vergil, --- Virgilio, --- Virgilīĭ, --- Virgilius Maro, P., --- Virgil Maro, P., --- ווירגיל, --- וירגיליוס, --- ורגיליוס, --- מרו, פובליוס ורגיליוס, --- فرجيل, --- Pseudo-Virgil, --- Pseudo Virgilio, --- Virgilio Marón, Publio, --- Bhārjila, --- Vergilius Maro, P. --- Vergilius --- Virgilio Marone, P. --- Vergilīĭ --- Vergílio --- Wergiliusz --- Vergilīĭ Maron, Publīĭ --- Verhiliĭ Maron, P. --- Virgilio --- Virgilius Maro, P. --- Virgil Maro, P. --- Pseudo-Virgil --- Pseudo Virgilio --- Virgilio Marón, Publio --- Bhārjila --- LITERARY CRITICISM / Ancient & Classical. --- Latin narrative poetry --- Rome (Empire) --- Appendix Vergiliana. --- Ciris (Virgil) --- Ciris (Gallus, Gaius Cornelius) --- Ciris (Ovid) --- Carmen appendicis Vergilianae --- Ciris --- Rim --- Roman Empire --- Roman Republic --- Romi (Empire) --- Italy --- Byzantine Empire --- Marone, Publio Virgilio
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In the book titled Vergil's political commentary in Eclogues, Georgics and Aeneid, the author examines Vergil's political views by analyzing the whole of the poet's work. He introduces the notion of the functional model suggesting that the poet often used this instrument when making a political statement. New interpretations of a number of the Eclogues and passages of the Georgics and the Aeneid are suggested and the author concludes that Vergil's political engagement is visible in much of his work. During his whole career the poet was consistent in his views on several major political themes. These varied from, the distress caused by the violation of the countryside during and after the expropriations in the 40s B.C., to the horrors of the civil war and the violence of war in general, and the necessity of strong leadership. Vergil hoped and expected that Octavian would establish peace and order, and he supported a form of hereditary kingship for which he considered Octavian a suitable candidate. He held Cleopatra in high regard, and he appreciated a more meaningful role for women in society. Vergil wrote poetry that supported Augustus, but he had also the courage to criticize Octavian and his policies. He was a commentator with an independent mind and was not a member of Augustus' putative propaganda machine.
Languages & Literatures --- Literature - General --- Politics in literature. --- Virgil. --- Political science in literature --- Vergil --- Virgil --- Virgile --- Virgilio Máron, Publio --- Virgilius Maro, Publius --- Vergili Maronis, Publius --- Virgilius Maro, Publius, --- Virgilio Marone, P., --- Vergilius Maro, Publius --- Vergilīĭ, --- Virgile, --- Vergílio, --- Wergiliusz, --- Vergilīĭ Maron, P. --- Vergilīĭ Maron, Publīĭ, --- Verhiliĭ Maron, P., --- Vergil, --- Virgilio, --- Virgilīĭ, --- Virgilius Maro, P., --- Virgil Maro, P., --- ווירגיל, --- וירגיליוס, --- ורגיליוס, --- מרו, פובליוס ורגיליוס, --- فرجيل, --- Pseudo-Virgil, --- Pseudo Virgilio, --- Virgilio Marón, Publio, --- Bhārjila, --- Vergilius Maro, P. --- Vergilius --- Virgilio Marone, P. --- Vergilīĭ --- Vergílio --- Wergiliusz --- Vergilīĭ Maron, Publīĭ --- Verhiliĭ Maron, P. --- Virgilio --- Virgilius Maro, P. --- Virgil Maro, P. --- Pseudo-Virgil --- Pseudo Virgilio --- Virgilio Marón, Publio --- Bhārjila --- Augustus and his policy. --- Commentary on contemporary political issues. --- Functional and literary model. --- Vergil. --- Politics in literature --- Virgil - Criticism and interpretation --- Virgil - Political and social views --- Marone, Publio Virgilio
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