Listing 1 - 6 of 6 |
Sort by
|
Choose an application
Choose an application
grafische vormgeving --- grafisch design --- eenentwintigste eeuw --- huisstijl --- symbolen --- pictogrammen --- vlaggen --- 766.01
Choose an application
Essays by Prem Krishnamurthy, Jan De Vylder and Tom Van Imschoot. Photo-Essay by Michiel De Cleene. With new work by Karel Martens, Tauba Auerbach, Experimental Jetset, Ben Thorp Brown, Braulio Amado, David Horvitz, Max Pinckers, Daniel Eatock, Nina Canell, Fiona Banner, Dexter Sinister, Sanam Khatibi, Filip Dujardin and many many others. 019 is an artist collective running an exhibition, performance and work space in a former welding factory in Ghent. 019 was never going to remain the only place we worked in. From the start, it's been a laboratory that swings us into unknown directions, constantly sharpening our sense of improvisation and reinvention on the spot. For three years, from 2013 onwards, we made that old welding factory at Dok Noord in Ghent the focal point of our activities. People even started to identify the entirety of our collective, Smoke & Dust, with what was basically only the name of its nineteenth project. We became 019. The whole project turned us upside down. But in doing so, we became aware as well. We understood that the act of occupying and taking possession of the site was not the goal of our work at all. From the inside out, starting with a wooden construction in its interior and up to the billboard at an outside wall and a series of flagpoles on the roof, we gradually developed the place into an assembly of undergrounds for public and artistic encounter, an emerging space for collaboration that was grounded on the premise that all media at our disposal were common grounds to be rediscovered. That's when the work began. In continuation of S&D#025/ APE#047: 'So Many Dark Gifts' (ISBN 9789490800291) and S&D#024/APE#069: Sabotage And Complicity (ISBN 9789490800499).
7.039(493) --- Kunstgeschiedenis ; 2000 - 2050 ; België --- Reclame. Public relations --- Kunst --- kunst --- adverteren --- advertenties [drukwerk] --- 019 [Ghent] --- 019 [Gent] --- reclameborden --- openbare kunst --- vlaggen --- Advertising. Public relations --- Art --- art [fine art] --- advertising --- billboards [site elements] --- public art --- advertisements --- flags --- Hergebruik ; herbestemming van leegstaande ruimtes ; Gent ; Dok Noord --- Beeldende kunst ; 21ste eeuw ; 2016-2018 --- art [discipline] --- communication design
Choose an application
In the mid-70?s, Matt Mullican (°1951, Santa Monica USA), developed a unique artistic language based on pictograms, diagrams and cosmological models. In reaction to conceptual art, this return to the image made the American artist one of the representatives of the Picture Generation. Alongside these symbols placed on various supports (sheets, books, stained glass, etc.), his performances under hypnosis give expression to ?that person?, an emblematic even caricatural human figure. In 2018 Matt Mullican created ?Representing the Work?, an installation mosaic of 64 iconographic illustrations that catalogue the principal chapters of his work.Bron: www.copyrightbookshop.be
Mullican, Matthew --- Hedendaagse kunst --- Grafische vormgeving --- Symbolen --- Kleur --- Cosmology --- Art --- photography [process] --- performance art --- pictographs --- flags --- virtual reality --- Mullican, Matt --- Kleuren --- installations [visual works] --- rubbings [visual works] --- texts [documents] --- fotografie --- kunst --- beeldhouwkunst --- installaties --- performance --- textielkunst --- vlaggen --- Mullican Matt --- eenentwintigste eeuw --- twintigste eeuw --- Verenigde Staten --- 7.071 MULLICAN --- Mullican, Matt, --- Exhibitions --- Vormgevers --- Pictogrammen --- Vormgever --- Symbool --- Kleur (kleur) --- Pictogram
Choose an application
Abramovic, Marina & Ulay ; Acconci, Vito ; Adami, Valerio ; Arakawa, Shusaku ; Armleder, John ; AY-O ; Bach, Elvira ; Bazile, Bernard ; Bender, Gretchen ; Bidet ; Bloom, Barbara ; Boetti, Alighiero ; Boezem, Marinus ; Bustamente, Jean-Marc ; Colombo, Gianni ; Copley, William ; Cutrone, Ronnie ; Darboven, Hanne ; Dokoupil, Jiri Georg ; Downsbrough, Peter ; Errò ; Förg, Gunther ; Friedman, Ken ; Haacke, Hans ; Haring, Keith ; van der Heyden, J.C.J. ; Katz, William ; Kogler, Peter ; Kosuth, Joseph ; Longo, Robert ; De Maria, Nicola ; McLean, Bruce ; Messager, Annette ; Morellet, François ; Mullican, Matt ; Riley, Bridget ; Rockenschaub, Gerwald ; Di Rosa, Hervé ; Salomé ; Scharf, Kenny ; Scholte, Rob ; Schouten, Ad ; Schuil, Han ; Szczesny, Stefan ; Tilson, Joe ; Tordoir, Narcisse ; Ben ; Vegt, Reint ; Veneman, Peer ; Weiner, Lawrence
Iconography --- flags --- Ay-O --- Bazile, Bernard --- Salomé --- Mullican, Matt --- Kosuth, Joseph --- Maria, de, Nicola --- Rosa, di, Hervé --- Morellet, François --- Downsbrough, Peter --- Boetti, Alighiero --- Veneman, Peer --- Armleder, John M. --- Weiner, Lawrence --- Schuil, Han --- Katz, William --- Dokoupil, Jirí Georg --- Bloom, Barbara --- Tordoir, Narcisse --- Cutrone, Ronnie --- Förg, Günther --- Adami, Valerio --- Scholte, Rob --- Boezem, Marinus --- Longo, Robert --- Bustamante, Jean-Marc --- Vanderheyden, JCJ --- Messager, Annette --- Szczesny, Stefan --- Abramovic, Marina --- McLean, Bruce --- Darboven, Hanne --- Schouten, Ad --- Bidet --- Tilson, Joe --- Vegt, Rein --- Acconci, Vito --- Kogler, Peter --- Riley, Bridget --- Bach, Elvira --- Haacke, Hans --- Gudmundsson, Sigurdur --- Copley, William --- Bender, Gretchen --- Colombo, Gianni --- Scharf, Kenny --- Vautier, Ben --- Rockenschaub, Gerwald --- Arakawa, Shusaku --- Haring, Keith --- Friedman, Ken --- Ulay --- anno 1900-1999 --- Graphic arts --- Flaggor. --- Flags. --- twintigste eeuw --- Nederland --- schilderkunst --- kunst --- vlaggen --- vlaggenkunde --- 7.038 --- 929.9 --- 50 Flags = Gran Pavese : Vlaggenproject : 50 kunstenaars / 50 vlaggen --- Arte contemporânea. --- Flags in art --- Flags in art. --- DRAPEAUX DANS L'ART --- 20E SIECLE --- EXPOSITIONS
Choose an application
Please Don't Brand My Public Space is a critical investigation of the visual strategies employed to identify and brand political spaces. Isn't it about time to look at their often banal images as part of a crisis of political representation? In the context of a revival of xenophobic propaganda on the one hand and the degradation of places into pure marketing products on the other, it is possible to recognize an increasingly theatrical, unquestioned production of public signs and symbols. Contributions on the theme by political scientists, designers, and sociologists make reference to the three visual essays that are at the heart of the book: "The Noticeable Absence of a Flag of the Earth" by Ruedi Baur, "Depictions of Federalism and Nationalism: Comparing Former Yugoslavia, Switzerland, and Belgium" by Irena Bockaj, and "European Capitals in Competition" by Maria Roskowska. The publication is released in collaboration with Civic City (HEAD Geneve) and the research program "Ecrire la ville."
Reclame --- Vormgeving --- Public spaces --- Branding (Marketing) --- Graphic arts --- Mass media --- 766.01 --- Politieke en (visuele) communicatie --- Reclame ; theorie ; over politieke en nationale identiteit --- Brand Communication ; politieke campagnes --- Brand Identity --- Landen ; vlaggen en logo's --- Media Marketing ; propaganda --- Semiotics --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Art --- Visual communication --- Brand name products --- Marketing --- Advertising --- Public places --- Social areas --- Urban public spaces --- Urban spaces --- Cities and towns --- Political aspects. --- Social aspects. --- Semiotics. --- Gebruiksgrafiek ; theorie, filosofie, esthetica --- Political aspects --- Social aspects --- China --- 766.31.01 --- Grafische industrie en ontwerp ; beeld ; reclame ; theorie, filosofie, esthetica
Listing 1 - 6 of 6 |
Sort by
|