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Motion pictures --- Cinéma --- Von Trier, Lars --- Idioterne. --- John Rockwell --- film --- filmgeschiedenis --- twintigste eeuw --- Denemarken --- von Trier Lars --- Dogma 95 --- 791.471 VON TRIER --- Cinéma --- History --- Histoire --- Trier, Lars von, --- Idioterne (Motion picture)
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En s'appuyant sur des documents journalistiques, des interviews de ses proches, de ses amis, d'acteurs, de techniciens, etc., cet ouvrage dresse le portrait du réalisateur danois Lars von Trier, palme d'or en 2000 pour son film Dancer in the dark.
Motion picture producers and directors --- Motion pictures --- Producteurs et réalisateurs de cinéma --- Cinéma --- Biography --- Biographies --- Trier, Lars von, --- film --- filmgeschiedenis --- filmregisseurs --- twintigste eeuw --- von Trier Lars --- 791.471 VON TRIER --- CPP --- Biography. --- von Trier, Lars
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This title provides an overview of Trier's career while focusing on the more recent work, including his controversial Gold Heart Trilogy.
Trier, Lars von, --- Trier, Lars fon, --- Von Trier, Lars, --- Триер, Ларс фон, --- Criticism and interpretation. --- Trier, von, Lars
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"The Danish director Lars von Trier is undoubtedly one of the world's most important and controversial filmmakers, and arguably so because of the depiction of women in his films. He has been criticized for subjecting his female characters to unacceptable levels of violence or reducing them to masochistic self-abnegation (Bess in Breaking the Waves, "She" in Antichrist and Joe in Nymphomaniac). At other times, it is the women in his films who are dominant or break out in violence, such as in his adaptation of Euripides' Medea, the conclusion of Dogville and perhaps throughout Nymphomaniac. Lars von Trier's Women confronts these dichotomies head on. Editors Rex Butler and David Denny do not take a position either for or against von Trier, but rather considers how both attitudes fall short of the real difficulty of his films, which may simply not conform to any kind of feminist or indeed anti-feminist politics as they are currently configured. Using Lacanian psychoanalysis and the work of Slavoj Žižek, Lars von Trier's Women reveals hidden resources for a renewed "feminist" politics and social practice. "--Bloomsbury Publishing.
Women in motion pictures. --- Motion pictures --- Trier, Lars von, --- Trier, Lars fon, --- Von Trier, Lars, --- Триер, Ларс фон, --- Criticism and interpretation. --- Femmes --- Au cinéma.
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Playing the waves offers a unique approach to the work Danish film maker Lars von Trier
Games in art. --- Trier, Lars von. --- Trier, Lars von, --- Dogme 95 (Group) --- Von Trier, Lars, --- Dogma 95 (Group) --- Game theory. --- Games, Theory of --- Theory of games --- Trier, Lars fon, --- Триер, Ларс фон, --- Criticism and interpretation. --- History. --- Mathematical models --- Mathematics
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Motion pictures --- Motion picture producers and directors --- Cinéma --- Producteurs et réalisateurs de cinéma --- Trier, Lars von, --- Criticism and interpretation. --- Jack Stevenson --- film --- Dogma 95 --- von Trier Lars --- Denemarken --- 791.471 VON TRIER --- Cinéma --- Producteurs et réalisateurs de cinéma --- Trier (lars von), 1956 --- -Motion pictures --- -Trier (lars von), 1956 --- -Trier (lars von), 1956-
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Trier, Lars von, --- Brecht, Bertolt, --- Criticism and interpretation. --- film --- Denemarken --- twintigste eeuw --- eenentwintigste eeuw --- von Trier Lars --- film en politiek --- Brecht Bertolt --- filmtheorie --- materialisme --- Leth Jorgen --- 791.471 VON TRIER --- Von Trier, Lars, --- Trier, Lars fon, --- Триер, Ларс фон, --- Breht, Bertolt, --- Brekht, Bertolʹd, --- Mprecht, Mpertolt, --- Brekht, Bertolʹt, --- Brecht, Bert, --- Brecht, Bertold, --- Pu-lai-hsi-tʻe, --- Pu-lai-hsi-tʻe, Pei-tʻo-erh-tʻe, --- Bŭrehitʻŭ, --- Brecht, Bertholt, --- Bŭrehitʻŭ, Berŭtʻoltʻŭ, --- Brekht, B. --- Brecht, Eugen Berthold Friedrich, --- Brecht, --- Pirekcṭ, Pertōl, --- Pirekcṭ, Pertōlṭ, --- Pireṣṭ, Perṭōlṭ, --- ברכט ַברטולד, --- ברכט, ברטולד --- ברכט, ברטולד, --- ברכט, ברטולט --- ברכט, ברטולט, --- ברעכט, בערטאָלט, --- بريخت، بارتول، --- Brecht, Bertholt --- Brecht, Berthold Friedrich --- Brecht, Bertolt. --- Brecht, Bert --- Brecht, Eugen Berthold Friedrich
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Shame and Desire defines the contemporary cinematic experience in terms that go beyond the visual. Adopting an intersubjective perspective on film studies, the author maintains that the dialectical poles of subject and object, seeing and being seen no longer seem to be valid. We are now surrounded by images that look back at us provocatively, seductively, indifferently ; and not only in movies, but also in art, television, the city, in chance encounters, and in our private relationships.Taking her cue from Jean-Paul Sartre, the author shows how emotions exemplify the way in which we are ‘forced' to see ourselves through the eyes of others, unable to escape an identity that is imposed upon us from the outside but nevertheless resides ‘in the flesh' – in the affective operations of the body and the senses. To illustrate her account of the intersubjective dynamics and affective bonds of cinema, the author explores the contemporary aesthetic investment in the emotional in the work of filmmakers such as Lars von Trier, Michael Haneke and Eija-Liisa Ahtila.This book proposes an insight into the ways in which we are engaged with visual displays and the look with which they respond to our looking.
Abjection dans le cinéma --- Abjection in motion pictures --- Blik in de film --- Gaze in motion pictures --- Regard au cinéma --- Verworpenheid in de film --- Motion pictures --- Gaze in motion pictures. --- Abjection in motion pictures. --- Cinéma --- Abjection au cinéma --- Psychological aspects. --- Aspect psychologique --- film --- filmtheorie --- identiteit --- von Trier Lars --- Haneke Michael --- Ahtila Eija-Liisa --- intersubjectiviteit --- 791.41 --- Cinéma --- Regard au cinéma --- Abjection au cinéma --- Psychological aspects --- Motion pictures - Psychological aspects
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Deleuze, Gilles --- Guattari, Felix --- Culture in motion pictures. --- Motion pictures --- Philosophy. --- edited by Patricia Pisters ; with assistance of Catherine M. Lord --- film --- twintigste eeuw --- filmtheorie --- esthetica --- kunsttheorie --- Deleuze Gilles --- cultuurfilosofie --- Guattari Félix --- rhizomen --- filosofie --- theater --- politiek --- film en politiek --- Fincher David --- Fight Club --- Glamorama --- Easton Ellis Bret --- Ellis Bret Easton --- von Trier Lars --- Breaking the Waves --- cyberspace --- gender studies --- Spielberg Steven --- Schindler's List --- 791.41 --- 791.43 --- 7.01 --- 130.2 --- Culture in motion pictures --- Philosophy --- Deleuze, Gilles, --- Guattari, Félix, --- Guattari, F. --- Guattari, Pierre-Félix, --- Gvattari, Feliks, --- Deleuze, G. --- Delëz, Zhilʹ, --- Dūlūz, Jīl, --- دولوز، جيل --- Delezi, Jier,
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798.4 --- Axel, Gabriel --- Bergman, Ingmar --- Blom, August --- Denemarken --- Dreyer, Carl --- Finland --- Ijsland --- Kaurismäki --- Lauritzen, Lau --- Malmros, Nils --- Molander, Gustaf --- Noorwegen --- Scandinavië --- Sjöström, Victor --- Stiller, Mauritz --- Von Trier, Lars --- Zweden --- film --- filmgeschiedenis --- producenten --- regisseurs --- film, geschiedenis der filmkunst --- 791.43 COOK --- Motion pictures --- #SBIB:309H1320 --- encyclopedieën --- geschiedenis --- 791.43.01 --- 791.43.01 Filmologie. Filmtheorie. Esthetica van de film --- Filmologie. Filmtheorie. Esthetica van de film --- History --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- History and criticism --- History. --- Motion pictures - History
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