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British artist Gillian Wearing, winner of the 1997 Turner Prize, uses photography and video to explore the intimacies and complexities of everyday life. Borrowing from popular culture, her work is disturbing and confessional. In 1992 she began the acclaimed series Signs that say what you want them to say and not Signs that say what someone else wants them to say', in which random passers-by are photographed holding messages they've written, such as the mild-mannered young businessman whose sign unexpectedly reads 'I'm Desperate'.Wearing's work borrows from familiar forms of popular culture to produce direct, revealing records of deep-seated human trauma and emotion, often adopting the methods of television documentaries for her 'fly-on-the-wall' view of people's lives. Her videos can be alarming, as in Confess All ... in which masked individuals confess their darkest secrets, or humorous, as in (Slight) Reprise - a sampler of adults playing 'air guitar' in the fantasy rock stadium of their bedrooms. Her art can be disconcerting or uplifting: an honest portrait of the many sides to contemporary life.With exhibitions in Britain, the US, Europe and Japan, Wearing is among the best-known and most internationally recognized of the recent generation of British artists. This is the first publication ever to survey this remarkable young artist's gripping work in its entirety.Russell Ferguson of UCLA's Hammer Museum contextualizes Wearing's work in relation to historical precedents in painting, photography and video art. Curator at the Whitney Museum of American Art Donna De Salvo discusses with the artist her collaborative approach towards her work and its subjects. London-based critic John Slyce focuses on Wearing's work 10-16, a remarkable video installation that charts our transition from childhood to adolescence. The artist has selected transcripts from director Michael Apted's acclaimed British television documentary series Seven Up, an important influence on the process Wearing uses in her own work. Published here for the first time in full are the transcripts of the artist's video works.

multimediakunst --- multimedia works --- Wearing, Gillian --- Photographie --- Vidéo --- Criticism and interpretation --- Russel Ferguson, Donna De Salvo, John Slyce --- Seven Up --- Wearing Gillian --- Groot-Brittannië --- fotografie --- Apted Michael --- kunst --- twintigste eeuw --- videokunst --- video-installaties --- 77.071 WEARING --- 791.45 WEARING --- Young British Artists --- conceptuele kunst --- 705.8 --- kunstgeschiedenis, 20e eeuw --- Criticism and interpretation. --- Wearing, Gillian - Criticism and interpretation --- Wearing, Gillian - Interviews

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This book draws together for the first time the self-­portraits of French Surrealist artist Claude Cahun (1894–1954) and British contemporary artist Gillian Wearing (b.1963). Although they lived almost one hundred years apart, their work shares similar themes: gender, identity, masquerade and performance. Beginning with a visit to Jersey, where Cahun lived and worked until her death, and where the Cahun archive is housed, Wearing’s journey of discovery is examined in this beautiful book.

kunst --- twintigste eeuw --- eenentwintigste eeuw --- 77.071 CAHUN --- 7.071 CAHUN --- 77.071 WEARING --- 7.071 WEARING --- portretfotografie --- portret --- surrealisme --- lichamelijkheid --- gender studies --- performances --- identiteit --- Frankrijk --- fotografie --- Wearing Gillian --- Cahun Claude --- Groot-Brittannië --- Exhibitions --- performance art --- self-portraits --- identity --- photographs --- life masks --- masks [costume] --- Photography --- Art --- Wearing, Gillian --- Cahun, Claude --- Art and Design. --- Art, British --- Art, British. --- Art, French --- Art, French. --- Art, Modern --- Art, Modern. --- Influence (Literary, artistic, etc.). --- Photography. --- Selbstbildnis. --- Self-portraits --- Self-portraits. --- Cahun, Claude, --- Wearing, Gillian, --- Influence. --- 1900-2099. --- Great Britain. --- 761.2 fotografen afzonderlijk --- sexualiteit --- cultuurgeschiedenis --- gender --- transsexualiteit (transseksualiteit) --- androgynie --- seksualiteit --- Performance --- Masque --- Cahun, Claude, 1894-1954

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Art --- anno 1900-1999 --- Aesthetic movement (Art) --- Aesthetic movement (Kunst) --- Movement [Aesthetic] --- kunst --- ateliers --- modellen --- Amouzou Hélène --- Atget Eugène --- Barry Orla --- Bellmer Hans --- Bonnard Pierre --- Brancusi Constantin --- Carrière Eugène --- Cartier-Bresson Henri --- Cattelain Claude --- Cézanne Paul --- de Gobert Philippe --- Duchamp Marcel --- Dujourie Lili --- Elifoson Eliot --- Felten Christine --- Massinger Véronique --- Fischli Peter --- Weiss David --- Gaube Bernard --- Gontcharova Natalia --- Hélion Jean --- Horn Roni --- Huon Victor --- Kinoshita Suchan --- Laurens Henri --- Maes Chantal --- Matisse Henri --- Michals Duane --- Moholy Nagy Laszlo --- Morgan Barbara --- Muybridge Eadweard --- Orozco Gabriel --- Richter Gerhard --- fotografie --- iconografie --- Robijns Gert --- Steinert Otto --- von Brandenburg Ulla --- Vranken Léon --- Wearing Gillian --- 7.041 --- Exhibitions --- Artists and models in art

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"Projected-image art occupies an increasingly important place in the contemporary art-world. But does the projected image have its own specificity, beyond the histories of experimental film and video on the one hand, and installation art on the other? What is a projected image, and what is the history of projected-image art? These questions and others are explored in this thoughtful collection of nine essays by leading international scholars of film and projected-image art. Clearly structured in three sections - 'Histories', 'Screen', 'Space' - the book argues for recognition of the projected image as a distinctive category in contemporary art, which demands new critical and theoretical approaches. The contributors explore a range of interpretive perspectives, offering new insights into the work of artists including Michael Snow, Carolee Schneemann, Pipilotti Rist, Stan Douglas, Gillian Wearing, Tacita Dean, Jane and Louise Wilson, amongst others. The Introduction supplies a concise summary of the history of projected-image art and its interpretation, and there is a focus throughout the book on detailed analysis of individual artworks."--Pub. desc.

Video art --- 778.5.038 --- Moholy-Nagy, Laszlo 1895-1946 (°Bacsborsod, Hongarije) --- Rist, Pipilotti (volledige naam Elisabeth Charlotte Rist) (Grabs, 21 juni 1962) --- Snow, Michael (Toronto, Canada 10 december, 1928) --- Sommerer, Christa --- Wearing, Gillian (Birmingham, 10 december 1963) --- Weibel, Peter (5 March 1944 in Odessa, Rusland) --- Wilson, Jane & Louise (Newcastle upon Tyne, 1967) --- Akerman, Chantal 1950 - 2015 (°Brussel, België) --- Broodthaers, Marcel 1924-1976 (°Brussel, België) --- Dean, Tacita --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Experimental films --- Kunst nieuwe technieken ; 1950-2000 --- Mixed media. --- Video art. --- Time-based art --- Video installations (Art)

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Art --- anno 1900-1999 --- Behrend, Ute --- Ackermann, Rita --- Hasegawa, Jun --- Rist, Pipilotti --- Fleury, Sylvie --- Mori, Mariko --- Wilson, Jane & Louise --- Peyton, Elizabeth --- Beecroft, Vanessa --- Post, Liza May --- Starr, Georgina --- Ausstellung und Kat. Sadie Coles, Eva Meyer-Hermann --- kunst --- twintigste eeuw --- installaties --- schilderkunst --- fotografie --- Ackermann Rita --- Beecroft Vanessa --- Behrend Ute --- Fleury Sylvie --- Hasegawa Jun --- Mori Mariko --- Peyton Elizabeth --- Post Liza May --- gender studies --- Rist Pipilotti --- Starr Georgina --- Wilson Jane --- Wilson Louise --- Braun Matti --- 7.038 --- texts [documents] --- video art --- photography [process] --- installations [visual works] --- light art --- Bag, Alex --- Emin, Tracey --- Wilson, Jane --- Braun, Matti --- Benning, Sadie --- Freedman, Carl --- Wilson, Louise --- Donegan, Cheryl --- Lloyd, Hilary --- Antoni, Janine --- Bulloch, Angela --- Mirra, Helen --- Wearing, Gillian --- Peyton, Elisabeth --- Hopton, Georgie --- Mori, Hiroshi